Tag Archives: Filmmaking
Video Interviews: 61-Year Old Director Tim Burton – Value Of Music In His Films
In an interview filmed just before Christmas, Tim Burton joins Soundtracking podcast host Edith Bowman to talk in depth about his work and the importance of music in his films.
In 1985, Pee-wee’s Big Adventure brought together Burton and a then-unknown composer called Danny Elfman, a collaboration that’s produced 16 films – and counting. With classics such as Batman, Beetlejuice and Edward Scissorhands, audiences have grown up with a creative partnership that’s formed an unmistakable and formidable artistic voice, spanning over 30 years.
Exhibitions: “Envisioning 2001: Stanley Kubrick’s Space Odyssey” (MOMI NYC)
From a New York Times online review:
“Envisioning 2001” shows Kubrick as a director in command of all aspects of filmmaking, and it suggests that he and Clarke were no small obsessives when it came to understanding their subject matter. One of the first items in the exhibit is a request form from 1964, with Clarke’s name and address, sent to the United States Air Force. He sought information on a sighting — which turned out to be a satellite — that he and Kubrick, then developing the story for the movie, had seen in the sky over New York.
As it approaches its 52nd birthday, “2001: A Space Odyssey” remains one of the most inventive and enduring of all movies. But from the vantage point of 2020, it can be difficult to appreciate the sheer breadth of imagination involved in its making.
Enter “Envisioning 2001: Stanley Kubrick’s Space Odyssey,” a new exhibit at the Museum of the Moving Image in Astoria, Queens, that runs through July 19. The show brings together original correspondence, sketches, storyboards, props, video clips and much more to illustrate how Kubrick, the film’s director, and Arthur C. Clarke, the science fiction author who collaborated with him on the screenplay, set about bringing the future to the screen.
Interviews: Director Martin Scorsese On Filmmaking & Death (NYT)
From a New York Times online article (01/02/20):
In ways both subtle and substantial, Scorsese sees the world changing and becoming less familiar to him. He gratefully accepted a deal with Netflix, which covered the reported $160 million budget for “The Irishman.” But the bargain meant that, after the movie received a limited theatrical release, it would be shown on the company’s streaming platform.
Scorsese has other aspirations but they have nothing to do with moviemaking. “I would love to just take a year and read,” he said. “Listen to music when it’s needed. Be with some friends. Because we’re all going. Friends are dying. Family’s going.”
Martin Scorsese is the most alive he’s been in his work in a long time, brimming with renewed passion for filmmaking and invigorated by the reception that has greeted his latest gangland magnum opus, “The Irishman.”
And what he wants to talk about is death.
Just to be clear, he’s not talking about the deaths in his movies or anyone else’s. “You just have to let go, especially at this vantage point of age,” he said one Saturday afternoon last month.
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