From an Apollo Magazine online article (March 31, 2020):

Ultimately he was a humane critic of the contemporary city, a serious, funny and poetic voice defending the powerless against big capital and an articulator of how architecture should be used as a tool of resistance. He is indelibly associated with New York, a city he loved with a fervour despite its faults, and of which he defended every inch as a public good. Number 210 in his list was the medieval German phrase ‘Stadtluft macht frei’ – ‘city air makes you free’. He will survive through his magical writing, which makes us all a little freer.

Michael Sorkin, who died last week of complications due to Covid-19, gained his reputation as the architecture critic of The Village Voice in New York, which, in the 1980s, was a publication with a formidable reach and impact on a city just beginning to boom again. He launched fierce attacks against the banality of the contemporary city, the rapacity and greed of developers (notably the current president, including in a 1985 piece entitled ‘Dump the Trump’) and the loss of great landmarks. But he was no nostalgist; he revelled in the potential of architecture to catalyse change and excoriated his contemporaries for caving in to big business, for building prisons and being complicit in a denuded public realm.

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