Category Archives: Literature

Literary Previews: The Paris Review – Fall 2024

Paris Review Fall'24

Paris Review Summer 2024 (September 10, 2024) — The new issue features:

Not Enough about Frank: A Visit with James Schuyler

Peter Schjeldahl

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From left, Frank O’Hara, John Button, Schuyler, and Joe LeSueur, ca. 1960. © Estate of John Button, courtesy of CLAMP, New York.

James Schuyler on Frank O’Hara: “I still can see Frank, standing on that street corner outside a pastry shop, holding a neatly tied-up box of God knows what—éclairs, perhaps.”

James Schuyler was born in Chicago in 1923, grew up in Washington, D.C., and East Aurora, New York, and spent most of his adult years in New York City and Southampton, Long Island. Although he is perhaps less widely known than the fellow New York School poets with whom he is associated, John Ashbery, Frank O’Hara, Barbara Guest, and Kenneth Koch, he published six full-length books of poetry during his lifetime—beginning with Freely Espousing, published by Doubleday and Paris Review Editions in 1969—as well as two novels, and a third written in collaboration with Ashbery. In 1981 he won the Pulitzer Prize for his collection The Morning of the Poem (1980). Mental illness plagued him intermittently, and there were times when his life threatened to veer out of control, but friends repeatedly rallied around him, and the years before his death in 1991 were happy and productive. 

Javier Cercas on the Art of Fiction: “Hell, to me, is a literary party.”

Prose by Josephine Baker, Caleb Crain, Marlene Morgan, Morgan Thomas, and Fumio Yamamoto.

Poetry by Hannah Arendt, Matt Broaddus, Sara Gilmore, Benjamin Krusling, Mark Leidner, James Richardson, and Margaret Ross.

Art by Ayé Aton and Ron Veasey, and cover by Sterling Ruby.

The New York Review Of Books – September 19, 2024

The New York Review of Books (August 30, 2024)The latest issue features:

The Secret Agent

Creation Lake by Rachel Kushner

Rachel Kushner’s fourth novel tells the story of a spy-for-hire who infiltrates the ranks of a radical French commune.

Venture-Backed Trumpism

Why have right-wing ideas found such an eager audience among tech elites during Biden’s presidency?

Succumbing to Spectacle

During the last half-century, artists, curators, and scholars have been increasingly preoccupied with the idea of spectacle and with how to embrace, critique, or co-opt the power of work that envelops and overwhelms the viewer.

Jenny Holzer: Light Line – An exhibition at the Solomon R. Guggenheim Museum, New York City, May 17–September 29, 2024

Tricks of the Light: Essays on Art and Spectacle by Jonathan Crary

The Avant-Gardists: Artists in Revolt in the Russian Empire and the Soviet Union, 1917–1935 by Sjeng Scheijen

The Most Conservative Branch

Reading the Constitution: Why I Chose Pragmatism, Not Textualism by Stephen Breyer

In his new book, Reading the Constitution, Stephen Breyer criticizes recent Supreme Court decisions on issues such as abortion and gun rights as the product of rigid and imperfect reasoning rather than of ideology, and he argues for a more pragmatic jurisprudence.

The New York Review Of Books – July 18, 2024

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The New York Review of Books (June 27, 2024)The latest issue features:

Reimagining the Ordinary

The French artist Jean Hélion approached painting with a philosophical precision, each style a hypothesis to be investigated and tested.

By Michael Gorra

Jean Hélion: La Prose du monde – an exhibition at the Musée d’Art Moderne de Paris, March 22–August 18, 2024


A Story of His Own

In James, Percival Everett’s smart, funny, brutal retelling of The Adventures of Huckleberry Finn, Everett takes readers deeper into the capricious yet certain violence of American slavery, giving the characters a life that seems to lift off the page.

James by Percival Everett

The Watercolorist

The short fiction of Ángel Bonomini possesses a lightness that sets him apart from contemporaries like Borges and Cortázar.

The Novices of Lerna by Ángel Bonomini, translated from the Spanish by Jordan Landsman

Literary Previews: The Paris Review – Summer 2024

The Paris Review No. 248, Summer 2024

Paris Review Summer 2024 — The new issue features:

Mary Robison on the Art of Fiction: “The first thing they’d say was ‘This is a nice story—where’s your novel?’ And I would just lie my head off. ‘Oh, it’s at home. It’s almost there!’”

Elaine Scarry on the Art of Nonfiction: “A lot of my troubles in life have come from taking literally what I should have understood as figurative.”

Prose by Peter Cornell, Rodolfo Enrique Fogwill, Renee Gladman, Nancy Lemann, Banu Mushtaq, K Patrick, and Anne Serre.

Jhumpa Lahiri on the Art of Fiction: “My question is, What makes a language yours, or mine?”

Alice Notley on the Art of Poetry: “Writing is not therapy. That’s the last thing it is. I still have my grief.”

Prose by Elijah Bailey, Julien Columeau, Joanna Kavenna, Samanta Schweblin, Eliot Weinberger, and Joy Williams.

Poetry by Gbenga Adesina, Elisa Gabbert, Jessica Laser, Maureen N. McLane, Mary Ruefle, Julian Talamantez Brolaski, and Matthew Zapruder.

Art by Farah Al Qasimi and Chris Oh.

TABLE OF CONTENTS

The New York Review Of Books – June 20, 2024

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The New York Review of Books (June 9, 2024)The latest issue features:

Livelier Than the Living

In the Renaissance, reading became both a passion and a pose of detachment—for those who could afford it—from the pursuits of wealth and power.

A Marvelous Solitude: The Art of Reading in Early Modern Europe by Lina Bolzoni, translated from the Italian by Sylvia Greenup

Untold Futures: Time and Literary Culture in Renaissance England

Black Atlantics

The scholar Louis Chude-Sokei does the urgent work of reimagining the African diaspora as multiple diasporas.

Floating in a Most Peculiar Way by Louis Chude-Sokei

The Last “Darky”: Bert Williams, Black-on-Black Minstrelsy, and the African Diaspora by Louis Chude-Sokei

The Sound of Culture: Diaspora and Black Technopoetics by Louis Chude-Sokei

Literary Previews: The Paris Review – Spring 2024

The Paris Review No. 247, Spring 2024—Subscriber Cover

Paris Review Spring 2024 — The new issue features interviews with Jhumpa Lahiri and Alice Notley, prose by Joy Williams and Eliot Weinberger, poetry by Mary Ruefle and Jessica Laser, art by Chris Oh and Farah Al Qasimi, two covers by Nicolas Party, and more…

Jhumpa Lahiri on the Art of Fiction: “My question is, What makes a language yours, or mine?”

Alice Notley on the Art of Poetry: “Writing is not therapy. That’s the last thing it is. I still have my grief.”

Prose by Elijah Bailey, Julien Columeau, Joanna Kavenna, Samanta Schweblin, Eliot Weinberger, and Joy Williams.

Poetry by Gbenga Adesina, Elisa Gabbert, Jessica Laser, Maureen N. McLane, Mary Ruefle, Julian Talamantez Brolaski, and Matthew Zapruder.

Art by Farah Al Qasimi and Chris Oh.

TABLE OF CONTENTS

The New York Review Of Books – February 22, 2024

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The New York Review of Books (February 6, 2024) The latest issue features:

The Case for Disqualification

The Supreme Court must decide if it will honor the original meaning of the Fourteenth Amendment and bar Donald Trump from holding public office or trash the constitutional defense of democracy against insurrections.

In Search of the Rare and Strange

In Dürer’s Lost Masterpiece, Ulinka Rublack traces the global connections of the merchants who were the creative agents of the European art market in the sixteenth and early seventeenth centuries.

Dürer’s Lost Masterpiece: Art and Society at the Dawn of a Global World by Ulinka Rublack

The Forest Eaters

In 2017, the Brazilian journalist Eliane Brum moved from São Paulo to a small city in the Amazon. Her new book vividly uncovers how the rainforest is illegally seized and destroyed.

Banzeiro Òkòtó: The Amazon as the Center of the World by Eliane Brum, translated from the Portuguese by Diane Whitty

The New York Review Of Books – February 8, 2024

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The New York Review of Books (January 18, 2024)The latest issue features Crime Fiction Addiction; Chantal Akerman’s Proust & Albertine; Toward and Ethics of Spycraft; Regarding the Pain of Avatars; Was Weimar Doomed to Fail? and The Truth About Tampons….

Ethical Espionage

What moral principles should guide our intelligence-gathering agencies?

By Tamsin Shaw

Spies: The Epic Intelligence War Between East and West by Calder Walton

Spying Through a Glass Darkly: The Ethics of Espionage and Counter-Intelligence by Cécile Fabre

On October 7, as Hamas fighters roared into southern Israel from Gaza, bringing terror and death to anyone they encountered—Israeli soldiers, Bedouins, young people dancing and getting high together, kibbutzniks scooping up small children into desperate arms—I was sleeping in a comfortable hotel room in Georgia. All around me in the sultry darkness of a beautiful resort, many of the US intelligence community’s finest minds were also slumbering. We awoke with the expectation that we would be addressed by CIA director William Burns at the opening of the Cipher Brief’s annual Threat Conference, a yearly gathering of national security professionals from the private and public sectors, plus a few academics and journalists.

The New York Review Of Books – January 18, 2024

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The New York Review of Books (December 28, 2023)The latest issue features Ben Tarnoff on Elon Musk, Julian Bell on Peter Paul Rubens, Fintan O’Toole on the American gerontocracy, Anjum Hasan on recent Sri Lankan fiction, Matthew Desmond on America’s Covid-era experiment with a social safety net, Francine Prose on a vampiric celluloid Pinochet, James Gleick on the science of free will, Frances Wilson on Tove Jansson and the Moomintrolls, Álvaro Enrique on indigenous Americans in Europe, Katie Trumpener on Alexander Kluge, two poems by Jack Underwood, and more.

The Fate of Free Will

By James Gleick

In Free Agents, Kevin Mitchell makes a scientific case for the existence of human agency.

Free Agents: How Evolution Gave Us Free Will by Kevin J. Mitchell

Nobody was holding a gun to your head when you started reading this. You made a choice. Surely it felt that way, at least. A sense of agency—of control over our actions, of continual decision-making—is part of the experience of being human, moment by moment and day by day. True, we sometimes just drift, like robots or zombies, but at other times we gird our loins and exert our will. David Hume defined will nearly three centuries ago as “the internal impression we feel and are conscious of, when we knowingly give rise to any new motion of our body, or new perception of our mind.” The feeling was universal then and it’s universal now.

Tools to End the Poverty Pandemic

Why have Americans not fought to sustain the unprecedented Covid-era expansion of aid to children, renters, and gig workers?

By Matthew Desmond

The Pandemic Paradox: How the Covid Crisis Made Americans More Financially Secure by Scott Fulford

The Viral Underclass: The Human Toll When Inequality and Disease Collide by Steven W. Thrasher

Poverty in the Pandemic: Policy Lessons from Covid-19 by Zachary Parolin

Literary Previews: The Paris Review – Winter 2023

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Paris Review Winter 2023 — The new issue features Louise Glück on the Art of Poetry – “You want a poem to register in every mind the way it did in yours. Then you discover this never happens.”; Yu Hua on the Art of Fiction: “If I’d taken another two or three years to start writing, I’d still be a dentist.”; Prose by Ananda Devi, Fiona McFarlane, and Sean Thor Conroe and more…

TABLE OF CONTENTS