The survey of new orders for long-lasting goods contains one of the most closely watched U.S. economic indicators. WSJ explains durable goods, and why investors look beyond the headline number for a better read on business activity.
Photo: Josie Norris/The San Antonio Express-News
From a Wall Street Journal online article:
The rapid aging of the population, together with high rates of obesity and diabetes in all ages, are pushing both the rate and number of deaths from heart failure higher, the study said. Most deaths from heart failure occur in older Americans, but they are rising in adults under 65, too, the study showed.
The findings help explain why a decadeslong decline in the death rate from cardiovascular disease has slowed substantially since 2011 and started rising in middle-aged people, helping drive down U.S. life expectancy.
Deaths from heart failure, one of the nation’s biggest killers, are surging as the population ages and the health of younger generations worsens.
The death rate from the chronic, debilitating condition rose 20.7% between 2011 and 2017 and is likely to keep climbing sharply, according to a study published Wednesday in the journal JAMA Cardiology.
To read more: https://www.wsj.com/articles/heart-failure-deaths-rise-contributing-to-worsening-life-expectancy-11572411901
From a Wall Street Journal article:
That’s how I felt while visiting “Homer at the Beach: A Marine Painter’s Journey, 1869-1880,” an intimate exhibition at the Cape Ann Museum. The show is handsome, historically rich and perfectly positioned here at this harbor venue, which devotes galleries to regional maritime and fishing artifacts, local decorative arts, Gloucester sea captain Elias Davis ’s house and the works of the renowned illustrator and marine painter Fitz Henry Lane (1804-1865), a Gloucester native with whom Boston-born Winslow Homer (1836-1910) had much in common.
An illustrator and painter, Homer is chiefly celebrated for his mature paintings of life on or near the sea. “Homer on the Beach” was never intended to be a gathering of Homer’s greatest maritime works. Therefore, it does not contain those revered later masterpieces such as “The Life Line” (1884), “The Herring Net” (1885) and “The Gale” (1883-93), but it lays their foundations and illumines the first leg of his voyage. Curated by William R. Cross, a museum consultant and chairman of the Advisory Board of the Yale Center for Faith and Culture, the show focuses on Homer’s artistic formation as a marine painter.
To read more: https://www.wsj.com/articles/homer-at-the-beach-a-marine-painters-journey-1869-1880-review-flotsam-jetsam-handsome-11567249200
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