Tag Archives: The New Yorker Magazine

Previews: The New Yorker Magazine – Sept 5, 2022

A woman in a red hat bikes along a rainy city street.

September 5, 2022 Issue

J. J. Sempé’s “Morning Music”

The French artist’s widow describes Sempé’s decades-long relationship with the magazine and his deep appreciation for its spirit, its staff, and its readers. By Françoise Mouly, Art by J. J. Sempé

Justice Alito’s Crusade Against a Secular America Isn’t Over

He’s had win after win—including overturning Roe v. Wade—yet seems more and more aggrieved. What drives his anger?

By Margaret Talbot

Preview: The New Yorker Magazine – August 29, 2022

Illustration of the “Mona Lisa” blocking a view of her face with her palm.

Anita Kunz’s “No Photos, Please!”

The artist discusses the enduring allure of the “Mona Lisa,” the puzzle of celebrity, and which famous people she would invite to dinner.

By Françoise Mouly, Art by Anita Kunz

The Age of Instagram Face

How social media, FaceTune, and plastic surgery created a single, cyborgian look.

By Jia Tolentino

What Bob Dylan Wanted at Twenty-three

A portrait of the artist trying to move past “finger-pointing” songs, and finding a new voice in the process.

By Nat Hentoff

Preview: The New Yorker Magazine – August 22, 2022

A person with sunglasses on in repose reading a book.

Nicole Rifkin’s “Sun-Dappled”

The artist on her creative process and finding inspiration among artistic friends. By Françoise Mouly, Art by Nicole Rifkin

Africa’s Cold Rush and the Promise of Refrigeration

For the developing world, refrigeration is growth. In Rwanda, it could spark an economic transformation.

By Nicola Twilley

Preview: The New Yorker Magazine – August 8, 2022

A bike is parked at the entrance to a beach. A man and woman walk towards the water.

R. Kikuo Johnson’s “Double-Parked”

The artist on learning to love New York City beaches and balancing passion projects with his career as an illustrator.

By Françoise Mouly, Art by R. Kikuo Johnson

Previews: The New Yorker Magazine – August 1, 2022

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Will Wisconsin’s Republicans Make Voting Meaningless, or Just Difficult?

Activists are combining voter suppression with election conspiracies to capture the state in 2022 and beyond.By Dan Kaufman

Annals of a Warming PlanetLiving Through India’s Next-Level Heat WaveIn hospitals, in schools, and on the streets, high temperatures have transformed routines and made daylight dangerous..By Dhruv Khullar

Previews: The New Yorker Magazine – July 25, 2022

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The New Yorker – July 25, 2022

Dept. of Transportation

The VW Bus Took the Sixties on the Road. Now It’s Getting a Twenty-first-Century Makeover

Once, it sparked dreams of community and counterculture. What’s gained—and lost—when flower power is electrified?

Preview: The New Yorker Magazine – July 4, 2022

Two neighbors sit on their respective porches. One house has socially progressive signage in the front yard and the...

Chris Ware’s “House Divided”

The artist discusses America’s fractured present and his fears for the future.

By Françoise Mouly, Art by Chris Ware

“Am I laughably naïve to think we might all somehow grow up and continue this relatively youngish two-hundred-and-forty-six-year-old experiment? I’m starting to think I am,” the artist Chris Ware said. His cover for the July 4, 2022, issue of the magazine captures the divides underlying this year’s Independence Day celebrations. As suburban real-estate agents prepare to carpet the nation’s lawns with miniature flags, millions of Americans are riveted to the proceedings of the House select committee investigating the January 6th attack on the Capitol. Down the street, the Supreme Court struck down, on June 23rd, a New York state law restricting the ability to carry a gun in public, even as the Senate voted to pass gun-control legislation in the aftermath of the Uvalde school shooting

Previews: The New Yorker Magazine – June 27, 2022

Victoria Tentler-Krylov’s “Sidewalk Connoisseurs”

The artist discusses urban spaces and classic Russian children’s books.

New York may be a city where a person can, for the amount one might reasonably expect to pay for a month’s rent in many parts of this country, partake in an hours-long omakase experience featuring toro topped with osetra caviar and uni served with white truffle. Its temples of art may house some of the most renowned—and well-insured—art in the world. But it is also a city that embraces the epicure of the hot dog and the patron of the sidewalk artist. I recently spoke to this week’s cover artist, Victoria Tentler-Krylov, about city planning and sketching people on the subway.

Previews: The New Yorker Magazine – June 20, 2022

Elizabeth Colomba’s “157 Years of Juneteenth”

The artist discusses Harlem and the necessity of painting Black bodies into historically white spaces.