Studios | Boomers Daily

When Tas Careaga first saw his 16th-century church it was advertised for sale as a “land plot with build-in ruins”. Abandoned for decades – the town has 6 other churches for a population of 2000 – it was being sold by the local bishopric for very little, but the new owner was required to rebuild it.

Careaga and friends spent 3 months just clearing the structure of debris before starting work to turn the relic into a home. With help from his architect friend Carlos Garmendia, Careaga preserved the open-feeling of the space by adding only one wall (for a bathroom on the 2nd floor). The cupola now houses a very high-ceilinged kitchen with art gallery walls. Most of the church celebrates the 10-meter (30-foot) ceilings created 5 centuries ago. In about a quarter of the space,

Careaga built a wooden frame to house two open-air floors for a 2nd-floor bedroom and 3rd-floor office. Instead of walls or banisters, the first floor relies on just three thin metal cables for the protection of occupants. The home is deeply personal, filled with furniture from Careaga’s family, religious art from his grandmother, and idiosyncrasies like a slackline to cross the thirty-foot-drop between the office and a secret bedroom above the cupola.

Careaga spent 3 years converting the church to his home with mostly his own labor and help from friends. He continues to add new touches, like converting the bell tower into a reading nook and bunk room for guests.

Carlos Garmendia (architect): https://www.garmendiacordero.com/ Tas Careaga’s projects: http://tascareaga.com/ Tas’ Instagram: https://www.instagram.com/tascareaga/ On *faircompanies: https://faircompanies.com/videos/anci…

At First Light chronicles twenty-six extraordinary artists of the last two hundred years who have lived and worked in Maine. Published to coincide with the state’s bicentennial in 2020, the volume considers the significant contributions artists have made to a deeper and more profound understanding of Maine’s history, its land and its peoples. Maine’s unique and breathtaking landscape–from its rugged coastline, quaint harbors, majestic mountains, and verdant forests–continues to have a powerful effect on the artists who are drawn to its shores.

Written and expertly researched by some of the foremost scholars and curators in the field, each chapter focuses on a different artist, featuring the artists’ artworks and anchored by breathtaking contemporary photography of their homes, studios, and surroundings. From picturesque bungalows to grander structures with beautiful vistas, the houses and studios featured are as diverse as the artists who have inhabited them. The artists featured include fan favorites to lesser known yet important figures from the eighteenth century to the present day, working in a range of media from painting to photography to sculpture, including: Jonathan Fisher, Winslow Homer, Frank Weston Benson, Charles Herbert Woodbury, John Marin, Marsden Hartley, Rockwell Kent, N. C. Wyeth, Andrew Wyeth, Jamie Wyeth, Marguerite and William Zorach, Rockwell Kent, Marsden Hartley, John Marin, Eliot Porter, Fairfield Porter, Rudy Burckhardt, Yvonne Jacquette, Ashley Bryan, Lois Dodd, Alex Katz, Bernard Langlais, Robert Indiana, David C. Driskell, Molly Neptune Parker, Richard Tuttle, and William Wegman.

About The Author

Anne Collins Goodyear is codirector of the Bowdoin College Museum of Art. Frank H. Goodyear III is codirector of the Bowdoin College Museum of Art. Michael K. Komanecky is chief curator at the Farnsworth Art Museum, in Rockland, Maine. Stuart Kestenbaum is the Poet Laureate of Maine. Walter Smalling is a photographer based in Washington, D.C.