The National Gallery (July 6, 2023) – The exhibition, ‘After Impressionism: Inventing Modern Art’, celebrates the achievements of three giants of the era: Paul Cézanne, Vincent van Gogh and Paul Gauguin and follows the influences they had on younger generations of French artists, on their peers and on wider circles of artists across Europe in Barcelona, Berlin, Brussels and Vienna.
Explore a period of great upheaval when artists broke with established tradition and laid the foundations for the art of the 20th and the 21st centuries.
Sotheby’s (May 16, 2023) – Vice Chairman of Global Fine Arts, Simon Shaw, discusses a few extraordinary works coming to Sotheby’s this May from the Ambroise Vollard Collection, including Paul Gauguin’s Nature morte avec pivoines de chine et mandoline.
An exquisite example of Gauguin’s unbound creative spirit, Nature morte avec pivoines de chine et mandoline is filled with the sort of rich, jewel-like hues and striking tonal and textural contrasts that characterize the artist’s greatest works. The present painting was executed in 1885 at a watershed moment in Gauguin’s career, during which time he began to move away from the Impressionist aesthetic that had previously influenced his painting toward a new and more expressive stylistic idiom.
Expanding upon the bold coloration and defiant brushwork pioneered in works like Nature morte avec pivoines de chine et mandoline, Gauguin soon became a leading figure in the Post-Impressionist movement.
CBS Sunday Morning – One hundred years ago the Detroit Institute of Arts became the first museum in the U.S. to buy a work by Vincent Van Gogh, the Dutch Post-Impressionist who died in 1890. Now, the DIA honors the centenary of that landmark acquisition by presenting “Van Gogh in America,” featuring 74 works from around the world, which explores America’s introduction to the artist. Correspondent Rita Braver reports.
Detroit Institute of Arts – “Van Gogh in America“ celebrates the Detroit Institute of Art’s status as the first public museum in the United States to purchase a painting by Vincent van Gogh, his Self-Portrait (1887). On the 100th anniversary of its acquisition, experience 74 authentic Van Gogh works from around the world and discover the fascinating story of America’s introduction to this iconic artist, in an exhibition only at the DIA.
Vincent Willem van Gogh was a Dutch post-impressionist painter who posthumously became one of the most famous and influential figures in the history of Western art. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life.
Vue de Tiflis is a stunning vision of that city, painted in a manner inspired by Exter’s Cubo-Futurism. Tiflis was renowned then, as it still is now, for a combination of narrow medieval streets and Art Nouveau architecture. In this work, Rockline warps and fragments such features to the point of semi-abstraction: planes intersect and overlap, suggesting the restless energy and bohemian buzz of the Georgian capital.
When she died in April 1934, aged just 37, Vera Rockline was at the peak of her fame. The Russian-born emigrée had made quite a name for herself after moving to Paris in 1921. Obituaries spoke of an ‘incomparable loss’ and a ‘prodigious talent’.
Born in Moscow in 1897 to a Russian father and French mother, Rockline moved to Kiev to apprentice for Aleksandra (or Alexandra) Exter. The latter was a cutting-edge figure whose art fused Cubist and Futurist elements. As civil war racked the former Russian Empire in the wake of 1917’s Bolshevik revolution, however, Vera and her husband fled to Tiflis (modern-day Tbilisi) in Georgia.