After a gloomy few years, promising auction results and some exciting upcoming sales suggest that the market could be on the road to recovery
A century ago, Alexander Tamanyan devised a startling layout for the city. Despite changes in regime and fashion, his vision has endured
APOLLO MAGAZINE: The latest issue features Hew Locke and the Empire’s new clothes | Princeton University Art Museum reopens | William Hogarth’s bedside manner | the many faces of Nigerian modernism
On the eve of a major US survey, the artist talks to Apollo about decorating statues and the ornamental side of the British Empire
By turns picturesque and insalubrious, mews houses have a compellingly chequered past
Eclectic art and innovative curation are helping Art Basel Paris fly the flag for the French art market
Work by late 20th-century and contemporary Chinese artists has been throwing up surprises recently
Eero Saarinen’s US embassy building in Mayfair has long been undervalued, but its conversion into a luxury hotel may help revive its reputation
Henry Moore and Barbara Hepworth are ever in demand, but the market for their lesser-known contemporaries is growing too
While exiled in the city, Marie Antoinette’s favourite artist stuck up a close friendship with her own idol, Angelica Kauffman
APOLLO MAGAZINE (06.30.25): The latest issue features ‘Queen Sonja pops to the Factory’…
The Queen of Norway’s very modern art collection
The Gilded Age – is greed good again?
Emily Kam Kngwarray lights up Tate Modern
An interview with Erin Shirreff
Plus: Cinecittà in focus, Wangechi Mutu at the Galleria Borghese, the light touch of Antoine Watteau, Egypt’s new home for antiquities, how polenta caused a stir in Venice, the Aspen art scene continues to snowball, and the revival of London’s art market; in reviews: Amy Sherald’s portraits, King James VI and I’s cultural legacy, and what is a Jewish country house?
The National Gallery (November 8, 2024): The National GalleryEpisode 1 of ‘200 Years of the National Gallery’. Travel back through 200 extraordinary years of our history – from our origins in a private house in Pall Mall to our current home in bustling Trafalgar Square. ‘200 Years of Your National Gallery’ is a three-part documentary miniseries.
Stream for free exclusively on YouTube. Through the eyes of the staff, past and present, who care for the nation’s collection, and with rarely seen and newly digitised archive footage and images, we go exclusively behind-the-scenes to see the role the Gallery plays at the heart of cultural life of the UK.
Rob Bell from the Institution of Mechanical Engineers gives us an engineer’s take on these two paintings at the National Gallery. The Institution of Mechanical Engineers was founded in 1847 and has over 100,000 members around the world.
The reconfigured galleries highlight fresh narratives and dialogues among more than 700 works of art from the Museum’s world-famous holdings, which include recently acquired paintings and prestigious loans, as well as select sculptures and decorative art, showcase the interconnectedness of cultures, materials, and moments across The Met collection.
Then a more detailed look at the Sam Josefowitz Collection of Rembrandt prints – the most comprehensive and impressive in private hands – as we examine some of the highlights of these graphic masterpieces.
On 7 December 2023, Christie’s will be offering a selection of these prints across two sales in London: Old Masters Part I and The Sam Josefowitz Collection: Graphic Masterpieces by Rembrandt van Rijn.
Home for most of his life, the city was also the artistic subject that dominated his career. Canaletto helped establish the veduta — or topographical view — as one of the chief genres of Venetian painting in the 18th century, as well as a prime export. A pair of vedute by Canaletto, unknown to scholars until now, will lead the Old Masters Part I sale at Christie’s in London on 7 December 2023, as part of Classic Week.
Coming from a private collection, these masterpieces were painted around 1734, when Canaletto was at the peak of his powers, almost certainly for an English patron.
Find out more: https://www.christies.com/en/stories/…
The Museum of Modern Art and HIstory in the MOAH Cedar Annex gave her a solo exhibit “Bird By Bird” in February 2022. The birds have led to many other exhibition opportunities.
“I think of myself as a drawing informed painter. This means that I mainly draw my images beforehand and during the painting process. My desire to contribute to society on a deeper level drives me in the nature series to create narrative stories around my birds. I wish to connect humans to nature and to each other. Even in nature I desire to record history and people and how we all connect to nature. It is important to preserve our wildlife and question the environment that humans create.”
Boomers Daily 