After a gloomy few years, promising auction results and some exciting upcoming sales suggest that the market could be on the road to recovery
A century ago, Alexander Tamanyan devised a startling layout for the city. Despite changes in regime and fashion, his vision has endured
THE WEEK IN ART (October 2, 2025): The latest episode feature a new exhibition at the Fitzwilliam Museum in Cambridge, UK, called Made in Ancient Egypt, reveals untold stories of the people behind a host of remarkable objects, and the technology and techniques they used.
The Art Newspaper’s digital editor, Alexander Morrison visits the museum to take a tour with the curator, Helen Strudwick. One of the great revelations of the past two decades in scholarship about women artists is Michaelina Wautier, the Baroque painter active in what is now Belgium in the middle of the 17th century. The largest ever exhibition of Wautier’s work opened this week at the Kunsthistorisches Museum in Vienna, and travels to the Royal Academy of Arts in London next year.
Ben Luke speaks to the art historian who rediscovered this extraordinary painter, Katlijne Van der Stighelen, who has also co-edited the catalogue of the Vienna show. And this episode’s Work of the Week is Robert Rauschenberg’s Bed (1955), one of the most important works of US art of the post-war period. It features in the exhibition Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, which this week arrives at the Museum Ludwig in Cologne.
We speak to Yilmaz Dziewior, the co-curator of the exhibition.
Made in Ancient Egypt, Fitzwilliam Museum, Cambridge, UK, 3 October-2 April 2026
Michaelina Wautier, Painter, Kunsthistorisches Museum, Vienna
30 September-22 February 2026; Royal Academy of Arts, London
27 March – 21 June 2026.
Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, Museum Ludwig, Cologne, Germany,
3 October-11 January 2026
APOLLO MAGAZINE: The latest issue features Hew Locke and the Empire’s new clothes | Princeton University Art Museum reopens | William Hogarth’s bedside manner | the many faces of Nigerian modernism
On the eve of a major US survey, the artist talks to Apollo about decorating statues and the ornamental side of the British Empire
By turns picturesque and insalubrious, mews houses have a compellingly chequered past
Eclectic art and innovative curation are helping Art Basel Paris fly the flag for the French art market
Work by late 20th-century and contemporary Chinese artists has been throwing up surprises recently
Eero Saarinen’s US embassy building in Mayfair has long been undervalued, but its conversion into a luxury hotel may help revive its reputation
Henry Moore and Barbara Hepworth are ever in demand, but the market for their lesser-known contemporaries is growing too
While exiled in the city, Marie Antoinette’s favourite artist stuck up a close friendship with her own idol, Angelica Kauffman
APOLLO MAGAZINE (06.30.25): The latest issue features ‘Queen Sonja pops to the Factory’…
The Queen of Norway’s very modern art collection
The Gilded Age – is greed good again?
Emily Kam Kngwarray lights up Tate Modern
An interview with Erin Shirreff
Plus: Cinecittà in focus, Wangechi Mutu at the Galleria Borghese, the light touch of Antoine Watteau, Egypt’s new home for antiquities, how polenta caused a stir in Venice, the Aspen art scene continues to snowball, and the revival of London’s art market; in reviews: Amy Sherald’s portraits, King James VI and I’s cultural legacy, and what is a Jewish country house?
COUNTRY LIFE MAGAZINE: The latest issue features ‘Hearts of Stone’ – Why we love our ancient sites…
We’re still standing
Tom Howells explores the mystery and magnetism of the thousands of ancient British monoliths and monuments, from Cornwall to the Orkneys
Going down in a blazer of glory
It is a favourite of royalty and rowers, worn from Augusta to the Oscars — can there be a more versatile jacket than the blazer, asks Harry Pearson
Country Life International
• Russell Higham uncovers the secret society of Cascais
• Holly Kirkwood finds the age of chivalry alive and well in Valletta
• Matthew Dennison searches for traces of the Venetian Empire in Greece
• Tom Parker Bowles savours superb Spanish dishes
• Eileen Reid tracks the influence of two intellectual giants of Avignon
Winging it
Mark Cocker welcomes the renaissance of the peregrine falcon, a raptor that stoops to conquer at up to 240mph
New series: Scale model
Overfishing threatens the very existence of the cod, but Gadus morhua remains a monster of the deep for David Profumo
Dick Bird’s favourite painting
The stage designer chooses a monumental example of early-19th-century political art
The virtues of history
John Goodall celebrates 100 years of the headquarters of the Worshipful Company of Ironmongers, one of London’s Great Twelve City Livery Companies
The legacy
Leslie Hore-Belisha created a beacon of hope for road users everywhere, finds Kate Green
Luxury
Anniversary jewels and Art Deco delights with Hetty Lintell, plus Willow Crossley’s favourite things
Interiors
Arabella Youens admires the kitchen of a house in the Scottish Borders and considers the earthly pleasures of terracotta
Laying ghosts to rest
A spectacular garden now graces the grounds of the old Somerset-shire Coal Canal Company HQ, as Caroline Donald discovers
Water, water everywhere
John Lewis-Stempel delves into the depths of a field pond, mesmerised by the seemingly endless variety of aquatic life
Arts & antiques
A quartet of journeys with The King raised the profile of plein-air artist Warwick Fuller, who talks Royal Tours with Carla Passino
Making an impression
French Impressionism was a slow burner in Britain as Monet and Pissarro gradually influenced our art scene, reveals Caroline Bugler
And much more
APOLLO MAGAZINE (June 2, 2025): The latest issue features ‘The Centenary Issue’…
Apollo celebrates its centenary
Up and away: the art of the Ascension
Ruth Asawa: wired for art
Has the QR code has its day?
Plus: the artists who have bared all, the Michael C. Rockefeller Wing at the Met, Gertrude Stein’s museum of modern art, Elizabeth I’s favourite kitchen utensil, how Jenny Saville turns paint into flesh, and a preview of Treasure House Fair; in reviews: Hiroshige in London, Frida Kahlo and Mary Reynolds in Chicago, and art versus AI
APOLLO MAGAZINE (March 31, 2025): The April 2025 issue features ‘The sonic visions of Oliver Beer’; The Frick returns to Fifth Avenue and How the Acropolis became modern….
Also: The duchess who scandalised Spain, why the market for women’s art is slowing, Dutch paintings at Apsley House, how Bugatti built a style icon, the sensational designs of Alphonse Mucha, and a preview of Art Dubai; reviews of Gertrude Abercrombie in Pittsburgh, Medardo Rosso in Vienna, and a history of image-eating. Plus: Will Wiles on a French avant-garde portrait with a family connection
THE WEEK IN ART (March 14, 2025): After a challenging year in which international galleries, auction houses and museums have been forced to scale back their operations and make redundancies on an alarming scale, a slower, more considered approach to business seems to be emerging.
So are we into an era of longer, more in-depth exhibitions and bespoke events concerned more with authentic connection than flashy spectacle? Ben Luke talks to Anny Shaw, a contributing editor at The Art Newspaper. In the Netherlands, just as in the US, cuts by far-right politicians to international development seem likely to have a huge impact on arts projects. As Tefaf, the major international art fair opens in the Dutch city of Maastricht, we talk to Senay Boztas, our correspondent based in Amsterdam, about fears of a funding crisis. And this episode’s Work of the Week is one of the greatest paintings ever made: The Hunters in the Snow (1565) by Pieter Bruegel the Elder. It is part of an exhibition called Arcimboldo – Bassano – Bruegel: Nature’s Time, which opened this week at the Kunsthistorisches Museum in Vienna. The museum’s director, Jonathan Fine, tells us more.
Arcimboldo–Bassano–Bruegel: Nature’s Time, Kunsthistorisches Museum, Vienna, until 29 June
THE ART NEWSPAPER (January 17, 2025): This week: the Los Angeles wildfires. The Art Newspaper’s West Coast contributing editor in LA, Jori Finkel, tells our associate digital editor, Alexander Morrison, about the devastation in Southern California, and its effect on artists and institutions.
The World Monuments Fund (WMF), the independent organisation devoted to safeguarding global heritage has released its biennial World Monuments Watch, a list of 25 sites that are potentially threatened. The aim of the list is, according to the WMF to “mobilise action, build public awareness, and demonstrate how heritage can help communities confront the crucial issues of our time”. Ben Luke talks to John Darlington, the director of projects for WMF Britain, who also reflects on the future of the organisation’s project to train Syrian refugees in stonemasonry skills, in the wake of the change in government in Syria. And this episode’s Work of the Week is All About Painting in Colour: An Illustrated Book, a portfolio in two volumes made by the leading artist of the late Edo period in Japan, Katsushika Hokusai. The last of his drawing manuals, made by the artist at the very end of his life, it features in a new book, Hokusai’s Method. We talk to Ryoko Matsuba, one of the authors of the new book.
Hokusai’s Method, with texts by Kyoko Wada and Ryoko Matsuba, is published by Thames and Hudson. It is out on 23 January in the UK, and priced £35, and on 4 February in the US, priced $45.
The Art Newspaper’s book The Year Ahead 2025, an authoritative guide to the year’s unmissable art exhibitions, museum openings and significant art events, is still available to buy at theartnewspaper.com for £14.99 or the equivalent in your currency. Buy it here.
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