Sotheby’s (April 11, 2023) – This collection was put together by a couple of passionate collectors who favored avant-garde works from the 1930s and 1940s, thus creating an extremely harmonious whole that perfectly reflects the taste of an era and the artistic revolutions that went through it.
The works have remained preserved in a Parisian apartment for almost sixty years, and their appearance on the market constitutes an unprecedented opportunity for collectors today”. Says Aurélie Vandevoorde, Director of the Impressionist and Modern Art Department.
Unveiling an unprecedented group of 12 works by some of the greatest masters of the 20th century, which include artists such as Pablo Picasso, Fernand Léger, Nicolas de Staël & Georges Braque, “Le Souffle Moderne” Collections presents an exceptional ensemble embodying the artistic avant-gardes of the 1930s and 1940s.
The Museum of Modern Art (April 10, 2023) – “To see takes time,” Georgia O’Keeffe once wrote. Best known for her flower paintings, O’Keeffe (1887-1986) also made extraordinary series of works in charcoal, pencil, watercolor, and pastel.
Reuniting works on paper that are often seen individually, along with key paintings, this exhibition offers a rare glimpse of the artist’s working methods and invites us to take time to look.
Installation view of Georgia O’Keeffe: To See Takes Time, on view at The Museum of Modern Art, New York from April 9 through August 12, 2023. Photo by Jonathan Dorado.
Over her long career, O’Keeffe revisited and reworked the same subjects, developing, repeating, and transforming motifs that lie between observation and abstraction. Between 1915 and 1918, a breakthrough period of experimentation, she made as many works on paper as she would during the next four decades, producing progressions of bold lines, organic landscapes, and frank nudes, as well as the radically abstract charcoals she called “specials.”
Even as she turned increasingly to painting, important series—including flowers in the 1930s, portraits in the ’40s, and aerial views in the ’50s—reaffirmed her commitment to working on paper. Drawing in this way enabled O’Keeffe to capture not only nature’s forms but its rhythms: tracing the sun’s spiraling descent in vividly hued pigment, or committing to velvety black the shifting perspective as seen from an airplane window.
Discover the important role working on paper played in Georgia O’Keeffe’s life and career.
Sarah Bernhardt, (1844-1923), was an emblematic figure who spanned the 19th and 20th centuries. The “Divine Sarah”, who was an artist as well as an actress, takes center stage at the Petit Palais in an exceptional exhibition to mark the centenary of her death.
The museum holds important collections of works linked to the actress, including the spectacular portrait of her that was painted in 1876 by her friend Georges Clairin and donated by her son Maurice.
With over four hundred works, the exhibition traces the life and theatrical career of this “sacred monster”, as Jean Cocteau dubbed her. A legendary performer of the greatest roles from Racine, Shakespeare, Edmond Rostand and Alexandre Dumas fils, among others, Sarah Bernhardt went from triumph to triumph in theaters all over the world.
The exhibition evokes her greatest roles through the costumes she wore on stage, photographs, paintings, posters and other memorabilia. Her “golden voice” and her tall, slender figure – unusual in those days – held the public in thrall, as well as the artistic and literary world, who simply venerated her. She was the friend of painters such as Gustave Doré, Georges Clairin, Louise Abbéma, and Alphonse Mucha, but also of writers like Victor Hugo, Victorien Sardou and Sacha Guitry, as well as musicians and composers like Reynaldo Hahn. She was an artist herself, and an entire section of the exhibition focuses on this lesser-known aspect of her life.
Fort Wayne Museum of Art (April 6, 2023) – Curators take you on a new gallery tour each month, offering unique perspectives on all FWMoA exhibits. For April 2023, we explore the exhibit Art Deco Glass from the David Huchthausen Collection, on view from April 1 – August 6, 2023.
The Art Deco period (c. 1910-1940), with its focus on simplified forms and captivating repeating surface treatments, was revolutionary. Inspired by other burgeoning modern art movements of the time including Cubism and Fauvism, the philosophy behind this style aimed to introduce high quality design to a broader market.
The lasting influence of this period can still be seen in today’s Studio Glass movement in style and technique. For many decades, glass artist and collector David Huchthausen has collected with a keen and practiced eye. The quality and depth of his collection would be difficult, if not impossible, to replicate. His collecting history begins with the first pieces acquired while working as a graduate assistant to Harvey Littleton and continues today.
The FWMoA is proud to display his remarkable collection of over 120 Art Deco glass works, which includes many major studios and artists of the period (René Lalique, Steuben Glass Works, Daum Nancy, and Pierre D’Avesn) concurrent with our permanent collection of contemporary glass. This exhibition is organized by the Museum of Glass in Tacoma, WA.
FRANCE 24 (April 7, 2023) – As the “Ramses and the Gold of the Pharaohs” exhibition opens in Paris, we bring you a special show dedicated to the celebrated king who ruled the Egyptian empire over 3,000 years ago. The exhibition’s centrepiece is the pharaoh’s sarcophagus, which is on special loan to France.
It’s a gesture of recognition from Egyptian authorities after French scientists saved the mummy of Ramses II from a devastating fungus in 1976. Our Culture Editor Eve Jackson went to check out the once-in-a-lifetime show, while Lyana Saleh of FRANCE 24’s Arabic channel spoke with renowned Egyptian archaeologist Zahi Hawass about the fight to repatriate Egypt’s ancient artefacts.
Meşher, Istanbul’s leading multidisciplinary art space, is to celebrate the life and work of the painter and designer John Craxton (1922–2009). The late British artist’s first solo exhibition in Türkiye will run April 5–July 23, 2023.
Meşher will have the honour of exhibiting the biggest and the most comprehensive display of Craxton’s artworks ever to be showcased. John Craxton: Drawn to Light, curated by Ian Collins, friend and the biographer of the artist, brings together a diverse selection of works spanning the artist’s long career.
Featuring nearly 200 works, the exhibition offers a wide-ranging presentation of Craxton’s artworks including a monumental tapestry, paintings, drawings, prints, book designs and personal effects. The exhibition charts a joyful creative life moving from war-time darkness into light and from monochrome to brilliant colour. The window display features an example of the vintage motorbikes the artist loved to ride.
In addition to loaned works, Meşher’s John Craxton: Drawn to Light exhibition features 44 artworks from the Ömer Koç Collection, whose holding of Craxton works is second only to the John Craxton Estate. Photographs by the American photographer Robert McCabe and the London-born painter Nicholas Moore also enrich the John Craxton: Drawn to Light exhibition. First travelling to Aegean in 1954, McCabe’s photography focuses on its landscape and people, providing a close parallel with the art of John Craxton. Nicholas Moore’s photographs show scenes from his 1985 trip to Istanbul with John Craxton. A frequent visitor and an admirer of Istanbul, Craxton’s revelatory exhibition invites art lovers to explore his art and life in the lands he loved best.
Galleria Borghese – From April 4 to June 11, 2023, the Galleria Borghese brings to fruition its research on landscape painting and the relationship between Art and Nature with Dosso Dossi. The Aeneas Frieze, a never-before-seen exhibition – the first dedicated to the great Ferrarese master’s pictorial cycle-curated by Marina Minozzi.
Dosso Dossi (Giovanni di Nicolò Luteri, Tramuschio ?, c. 1487 – Ferrara, 1542) – The Cretan Plague c. 1520-1521
For the first time, five of the ten canvases that made up the frieze created by Dosso Dossi between 1518 and 1520 for the Camerino d’Alabastro of Duke Alfonso I d’Este in Ferrara are being brought together in a single location. The operation, also prompted by enthusiasm for the recent reappearance of some of these paintings, is the result of an ambitious collaboration with the Louvre Abu Dhabi, the National Gallery of Art in Washington, D.C., and the Museo del Prado in Madrid.
Dosso Dossi (Giovanni di Nicolò Luteri, Tramuschio ?, c. 1487 – Ferrara, 1542) The Repair of the Trojan Ships; the Building of the Temple to Venus at Eryx and the Offerings at Anchises’s Grave c. 1518-1519
The Frieze, of which only seven canvases have been found to date, was made by Dosso Dossi drawing inspiration from specific episodes of the Virgilian poem taken from the first, third, fifth and sixth books, leaving out, however, the part devoted to the hero’s love story with Dido, that of the wars in Italy and the founding of Rome.
In 2018, the Fondation featured the “Jean-Michel Basquiat” exhibition. It continues its exploration of the work of the artist, revealing, this time, his collaboration with Andy Warhol.
Jean-Michel Basquiat et Andy Warhol, Untitled (collaboration no.23) / Quality, 1984-1985
Between 1984 and 1985, Jean-Michel Basquiat (1960-1988) and Andy Warhol (1928-1987) created around 160 paintings together in tandem, “à quatre mains”, including some of the largest works produced during their respective careers. Keith Haring (1958-1990), who witnessed their friendship and collaboration production, would go on to speak of a “conversation occurring through painting, instead of words,” and of two minds merging to create a “third distinctive and unique mind.”
“Basquiat × Warhol. Painting four hands” is the most important exhibition ever dedicated to this extraordinary body of work and brings together more than three hundred works and documents including eighty canvases jointly signed by the two artists. Also featured are individual works by each as well as a set of works by other major artists (Michael Halsband, Keith Haring, Jenny Holzer, Kenny Scharf……) in order to evoke the energy of the New York downtown art scene of the 1980s.
Tate Modern – Explore the powerful work of two groundbreaking modern artists, a unique chance to discover the visionary work of Swedish painter Hilma af Klint and experience Dutch painter Piet Mondrian’s influential art in a new light.
Hilma af Klint The Ten Largest, Group IV No.2, Childhood 1907 Hilma af Klint Foundation
Although they never met, af Klint and Mondrian both invented their own languages of abstract art rooted in nature. At the heart of both of their artistic journeys was a shared desire to understand the forces behind life on earth.
Best known for his abstract work, Mondrian in fact began his career – like af Klint – as a landscape painter. Alongside Mondrian’s iconic grids, you will see the rarely exhibited paintings of flowers he continued to create throughout his life. Also on display will be enigmatic works by af Klint in which natural forms become a pathway to abstraction.
Both artists shared an interest in new ideas in spirituality, scientific discovery and philosophy. Af Klint was also a medium, and this exhibition showcases the large-scale, otherworldly masterpieces she believed were commissioned by higher powers.
National Gallery of Art (March 29, 2023) – What is the duty of an artist? Philip Guston’s answer might surprise you. Philip Guston constantly re-invented his style over the course of five decades.
As the world whirled around him, he painted to meet the moment. He captured both simple pleasures of daily life (like eating or driving) and large-scale violence by “bearing witness” to the world with an unflinching look at war, racism, and his own inner demons.
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