TIMES LITERARY SUPPLEMENT (April 16, 2025): The latest issue features ‘Plays for Today’ – On what makes Shakespeare great; Miracles of Siena; Conversations about Gaza; Cyber insecurity and a Letter from Greenland…
THE NEW YORK REVIEW OF BOOKS (April 3, 2025): The latest issue features ‘Spring Books’….
With her densely textured, ambitious, and deeply collaborative scholarship, the historian Catherine Hall has transformed public discourse about slavery.
Lucky Valley: Edward Long and the History of Racial Capitalism by Catherine Hall
At the University of Chicago all they wanted to know was, What’s the theory? At Yale all they wanted to know was, What’s the technique? At City College of New York all they wanted to know was, How does this relate to real life?
Two new books explore our growing scientific understanding of the moon as well as its powerful appeal to the imagination.
Lunar: A History of the Moon in Myths, Maps, and Matter edited by Matthew Shindell, with a foreword by Dava Sobel
Our Moon: How Earth’s Celestial Companion Transformed the Planet, Guided Evolution, and Made Us Who We Are by Rebecca Boyle
THE LONDON MAGAZINE (April 2, 2025): The latest issue takes the city as its muse:
TIMES LITERARY SUPPLEMENT (April 2, 2025): The latest issue features ‘Art and Lifestyle’ – On visual culture in the era of AI…
Recalculating the economic gains of slavery By Padraic X. Scanlan
Rejecting the narrative of Picasso the monster to women By Lisa Hilton
The future of art and artists in the era of artificial intelligence By Aaron Peck
Chimamanda Ngozi Adichie’s tale of four women – and many social ills By Houman Barekat
THE NEW YORK REVIEW OF BOOKS (March 20, 2025): The latest issue features Michael Gorra on the majesty of Caspar David Friedrich, Cathleen Schine on Hanif Kureishi, Wendy Doniger on letting slip the horses of war, Adam Thirlwell on Lars von Trier, Christian Caryl on denazification, Miri Rubin on Christian supremacy, Jonathan Mingle on the phosphorous shortfall, Brenda Wineapple on the history of American social movements, Geoffrey O’Brien on Fifties Hollywood, Christopher R. Browning on Trump’s antisemitism, poems by Witold Wirpsza and Laura Kolbe, and much more.
The work of the eclectic American futurist exerted a profound and unanticipated influence on China’s digital transformation since the 1980s.
The Met’s Caspar David Friedrich exhibition offers an introduction to an artist whose work—luminous, disturbing, serene—reveals an all-encompassing physical realm.
Caspar David Friedrich: The Soul of Nature – an exhibition at the Metropolitan Museum of Art, New York City, February 8–May 11, 2025
Caspar David Friedrich: Art for a New Age – an exhibition at the Hamburger Kunsthalle, December 15, 2023–April 1, 2024
The Magic of Silence: Caspar David Friedrich’s Journey Through Time by Florian Illies, translated from the German by Tony Crawford
You can tell the history of a large part of the world by who had what horses when.
Raiders, Rulers, and Traders: The Horse and the Rise of Empires by David Chaffetz
TIMES LITERARY SUPPLEMENT (March 19, 2025): The latest issue features ‘An extraordinary woman’ = Gisele Pelicot’s dignity before a watching world; What I learnt from Athol Fugard; Caspar David Friedrich; Stalin’s don and Hitler’s royal allies…
TIMES LITERARY SUPPLEMENT (March 12, 2025): The latest issue features ‘The Only Way Is Down’ – On hopeful pessimism; The death of a poet in war; On democracy; Did museums purchase or plunder and Crippen’s crimes…
Hope, despair and retreat in an unquiet age By Kieran Setiya
The crusades in the English literary imagination By David Abulafia
The role of women in crusading history
Sixty years of turmoil in Egypt
THE YALE REVIEW (March 11, 2025): The latest issue features…
Do we want art to transform our lives?
Capturing Los Angeles in crisis by Sasha Rudensky
Is life online real? by Jesse Damiani
THE NEW YORK REVIEW OF BOOKS (February 7, 2025): The latest issue features The Prophet Business…
A Century of Tomorrows: How Imagining the Future Shapes the Present by Glenn Adamson
There have always been oracles, prophets, soothsayers, utopians, seers, or futurologists to make predictions about what will pass, and no matter how often they are wrong or discredited, humanity’s need remains.
Paris in Ruins: Love, War, and the Birth of Impressionism by Sebastian Smee
Paris 1874: The Impressionist Moment – an exhibition at the Musée d’Orsay, Paris, March 26–July 14, 2024, and the National Gallery of Art, Washington, D.C., September 8, 2024–January 19, 2025
One hundred and fifty years after Impressionist paintings were first exhibited, it takes a certain effort to recover their original radicalism.
Unit X: How the Pentagon and Silicon Valley Are Transforming the Future of War by Raj M. Shah and Christopher Kirchhoff
Bringing Silicon Valley’s drive for innovation to defense contracting has been a slow process, but the war in Ukraine has led tech firms to plunge into the war business.
THE LONDON MAGAZINE (February 3, 2025): The latest issue features…
Zuhri James
‘I don’t think character exists anymore’, Rachel Cusk declared in a 2018 interview. This was not the first time Cusk appeared to be announcing the atrophy of the traditional novel. In a 2014 interview with The Guardian, Cusk stated she was ‘certain autobiography’ was ‘increasingly the only form in all the arts’. Inversely, fiction and its conventional preoccupation with ‘making up John and Jane’, Cusk argued, was only becoming more ‘ridiculous’, ‘fake and embarrassing’. It is precisely this disregard for literary orthodoxy that runs through Cusk’s widely acclaimed trilogy of autofictional novels – Outline (2014), Transit (2016) and Kudos (2018).
.Idra Novey
My twin brother calls from the hospital. He’s finished his blood draw and wants to know the word in Portuguese for watermelon. I recite the word for him – melancia – though my brother’s mind isn’t likely to keep hold of it. Zach can no longer keep a hold of his house keys or his phone, which he left yesterday in the bathroom sink. Before we hang up, I ask him to please wait for me in the lounge area for outpatient services, not to wander outside the hospital.
.Julia Steiner
Jacqueline Feldman’s Precarious Lease: The Paris Document – out from Fitzcarraldo Editions on 30 January – delivers captivating literary reportage on Parisian squats of the early 2010s. Feldman introduces us to people who transformed abandoned buildings into homes, shelters and hubs for artistic creation. With echoes of Agnès Varda’s work, Feldman’s prose is compassionate and honest, acknowledging her own role as an observer. She answered these questions by email about her fifteen-years-long project, begun in 2009.
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