Do jokes express our otherwise taboo wishes? Or does everyone just need a pie in the face? By Emma Allen
The semi-serious science of why we laugh. By Tad Friend
Chaplin’s epochal fame has tended to obscure the influences and instincts that infused his art with childlike purity.
The Darién Gap was once considered impassable. Now hundreds of thousands of migrants are risking treacherous terrain, violence, hunger, and disease to travel through the jungle to the United States.
Some say a big war will help the country’s enemies. But is anyone listening?
Tightwads drag around a phantom limb of poverty, no matter what their bank account says.
President Biden has proposed radical changes to the Court. Reviewing them is a reminder of why reform is so hard, despite dissatisfaction and a wealth of ideas.
By Amy Davidson Sorkin
Julie Benko, who hit it big after going on in place of Beanie Feldstein in “Funny Girl,” has a lot of advice for the Vice-President, now that she’s done with waiting in the wings.
By Zach Helfand
The third-party Presidential candidate has a troubled past, a shambolic campaign, and some surprisingly good poll numbers.
By Clare Malone
Fifty years after Shirley Chisholm ran for the Presidency, we find ourselves yet again questioning the durability of outmoded presumptions about race and gender. By Jelani Cobb
In Milwaukee, with a candidate who had just cheated death, the resentment rhetoric of Trump’s 2016 campaign gave way to an atmosphere of festive certainty. By Anthony Lane
She became famous playing buttoned-up Agent Scully. But in midlife her characters often have a strong erotic charge—and now she’s edited “Want,” a book of sexual fantasies. By Rebecca Mead
Biden imperilled his candidacy at the debate because of his inability to speak coherently. At the convention, Trump was doing something similar, and couldn’t stop. By Benjamin Wallace-Wells
Months of fighting at the border threaten to ignite an all-out conflict that could devastate the region.
Our carceral system is characterized by frequent brutality and ingrained indifference. Finding a better way requires that we freely imagine alternatives. By Adam Gopnik
The Drift Magazine (July 19, 2024): The latest issue features Maybe fortresses come to violence like an addiction. Maybe the water is just water. The tide abandons what it leaves. We have absolutely no way of controlling the cane toad. “I love anyone who hears my screams.” You ever cry with that knowledge? Do they kiss on the mouth? What will the bears say? I am not yet a trampoline. No doors exist and nobody’s home. Simply because they are eternally young, beautiful, and dead.
The Guardian Weekly (July 17, 2024) – The new issue features ‘Reset?’ – America reckons with the attempted assassination of Donald Trump…
The image of Donald Trump, his face smeared with blood after a bullet grazed his ear, marked a watershed moment in the already high-stakes 2024 US presidential election campaign. Opening our special report on the Pennsylvania rally shooting, Washington bureau chief David Smith examines how it could fuel Trump’s base and stoke further division in American politics.
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Spotlight | On paw patrol in Sumatra
National Geographic explorer and photographer Danielle Khan Da Silva joins an all-female group of Indigenous rangers who protect a rare Indonesian rainforest ecosystem.
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Spotlight | Evasive action
The doctors who treat cancer share their expert advice on what simple things we can all do to lessen the risk of getting the disease with Sarah Phillips.
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Feature | Too hot to handle
As heatwaves become a common occurrence, outdoor workers are particularly vulnerable, explains Samira Shackle, as she documents the death from heat of one French labourer.
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Opinion | Simon Tisdall on the Nato summit
The 75-year-old alliance was created to counteract Moscow’s power and needs to keep its focus on containing Russian ambition.
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Culture | Selfies with Cindy Sherman
The US artist whose work changed the way we see women talks image, AI and Instagram to Nadia Khomami.
Less than six weeks before Democrats formally choose their nominee, the President is marching down a path of constant peril.
A network of well-funded far-right activists is preparing for the former President’s return to the White House. By Jonathan Blitzer
From the time of the Revolutionary War to the fires of the nineteen-seventies, the history of the borough has always been shaped by its in-between-ness.
By Ian Frazier
The actor talks about the origins of “Adaptation,” his potential leap to television, and the art of “keeping it enigmatic.”
By Susan Orlean
The wobbly distinction between reality and artifice fascinates Nicolas Cage. The first time we encountered each other was in 2001, during the making of “Adaptation”—a film based on Charlie Kaufman’s struggle to adapt my book “The Orchid Thief” for the screen—in which Cage played Kaufman and his twin, Donald. He was in the middle of a scene, and I tiptoed onto the set as quietly as possible, convinced that any distraction would trigger one of the eruptions for which Cage had become famous. Between takes, he glanced at the handful of people watching, and exclaimed cheerily, “Oh, guys, look!” He pointed at me and a small, fuzzy-haired man I hadn’t noticed beside me. “It’s the real Charlie and the real Susan!” He seemed tickled by this collision between the characters in the movie and their real-life counterparts, and insisted that the crew take note. (Kaufman and I, who had never met before that moment, slunk away sheepishly.)
Three decades into “This American Life,” the host thinks the show is doing some of its best work yet—even if he’s still jealous of “The Daily.”
By Sarah Larson
It can be easy to take the greatness of “This American Life,” the weekly public-radio show and podcast hosted by Ira Glass, for granted. The show, which Glass co-founded in 1995 at WBEZ, in Chicago, has had the same essential format for twenty-eight years and more than eight hundred episodes. It was instrumental in creating a genre of audio journalism that has flourished in recent decades, especially since the podcast boom—which was initiated by the show’s first spinoff, “Serial,” in 2014. Like “The Daily Show” or Second City, “This American Life” has trained a generation of talented people, and Glass’s three-act structures, chatty cadences, and mixture of analysis and whimsy are now so familiar as to seem unremarkable.
President Biden has offered help to undocumented spouses of U.S. citizens, in the most consequential act of immigration relief in more than a decade. By Jonathan Blitzer
Give now to get your name on the wing of a fighter jet!
In “Long Island Compromise,” wealth is a curse. Or is that just what we’d like to think?
Boomers Daily 