Denis Barbas Films (December 30, 2023) – Venice, the capital of northern Italy’s Veneto region, is built on more than 100 small islands in a lagoon in the Adriatic Sea. It has no roads, just canals – including the Grand Canal thoroughfare – lined with Renaissance and Gothic palaces.
The central square, Piazza San Marco, contains St. Mark’s Basilica, which is tiled with Byzantine mosaics, and the Campanile bell tower offering views of the city’s red roofs.
Robin Pogorzelski Films (May 10, 2023) – I met Antonio while hiking this summer in the French Alps. He was sitting with his two dogs at the top of a mountain pass, looking down on his flock of sheep. We talked for an hour. A month later, I came back with a camera to make this short film with him.
This documentary is a tribute to the shepherd.
With : Antonio De Feo Shot & Edit & Color : Robin Pogorzelski Sound Engineer: Simon Bourrat Sound Designer / Mix : Raphaël Pibarot Original score : Antoine Duchêne Impeesa Production
Brandon Li Unscripted (May 7, 2023) – Kyoto, once the capital of Japan, is a city on the island of Honshu. It’s famous for its numerous classical Buddhist temples, as well as gardens, imperial palaces, Shinto shrines and traditional wooden houses. It’s also known for formal traditions such as kaiseki dining, consisting of multiple courses of precise dishes, and geisha, female entertainers often found in the Gion district.
Osaka is a large port city and commercial center on the Japanese island of Honshu. It’s known for its modern architecture, nightlife and hearty street food. The 16th-century shogunate Osaka Castle, which has undergone several restorations, is its main historical landmark. It’s surrounded by a moat and park with plum, peach and cherry-blossom trees. Sumiyoshi-taisha is among Japan’s oldest Shinto shrines.
Brandon Li Unscripted (April 18, 2023) – The spirit of Morocco, through my eyes. From the medina to the mountains, the Fantasia to the World Cup, Morocco is forever rising.
“Describing Iceland in words or pictures would be so reductive. You have to live these wide open spaces, feel the heat of its soil, the air coming from these glaciers, hear the creaking of the lapilli under your feet and the rumbling of its volcanoes. We had discovered Iceland more than 10 years ago. As I often say, I left a part of my soul there. A revelation as a traveler and as an creator. But so many years later, the feelings have not changed. At the time, I was just discovering photography. I came back to it as a filmmaker to capture this symphony of wonders.”
Creating Watchtower of China was a labour of love. I say labour because we, meaning my crew and I, throughout three consecutive summers, visited over seventy cities and travelled countless thousands of kilometers. Everywhere we went, we found ourselves channelling the powerful energy of this great land to find the strength and inspiration to continue our quest along what became life-changing for all of us. When we initially gathered together we were a film crew. By the time we were done, three years later, we had become a family.
I say love, because what we have created is more than just a film. It is a declaration of our love for this Country.
When I set out on this project I wanted to create a visual tribute to China – an honest observation of daily life. Not a surface travelog, but a real and raw representation of the cultural history. An honoring of Chinese culture, identity, and the complex and varied way of living that spans the enormity of the Chinese territory. A window on the dedication and discipline, the craftsmanship and hard work of the Chinese people. They have an energy of moving forward together as they draw power and inspiration from a culture that looks back over thousands of years, yet rushes fearlessly towards a bold future.
I started to feel this intense energy, as though this cultural pride and determination were now moving through me and my camera. The experience of this film buried itself so deeply within me that I can still feel the hard day’s work in my muscles.
It couldn’t have come together without the help of my dear friends, especially Jolien Snyers and Ricky Choy (did you spot Ricky in the film? She’s in multiple shots and sings in the very last taxi shot!)
It is one of my proudest accomplishments. I hope you love it.
Delve into the cinematic legacy of Portofino. This year Belmond were thrilled to team up with the Italian Riviera Film Festival to celebrate Portofino’s silver screen heritage, producing a heartfelt short film presented by beloved actor Alessandro Gassmann. Commissioned by Belmond from local production company Flying Donkeys, the film honours legendary actor, director, screenwriter and Splendido guest, Vittorio Gassmann – Alessandro’s father.
This is the story of Old Bet, the first circus elephant in America, set to a tune sung by her friend, an old farm dog. Their story is portrayed in colorful, handcrafted animation, created frame by frame with clay-on-glass and oil pastel animation.
Animated and Directed by Lynn Tomlinson Written by Lynn Tomlinson and Sam Saper Music and lyrics by Sam Saper Vocals by Deletta Gillespie and Brooks Long Instrumentals and arrangement by Trucker Talk: Abby Becker, Greg Bowen, Jessica Keyes, Rich Kolm Sound Effects by Elsa Lankford Sound recorded and engineered by Shea Springer, Sweetfoot Studio Additional animation by Lucy Saper and M.C. Tomlinson
AWARDS: Audience Choice, Best Short Animation, Providence Children’s Film Festival, 2020 Climate, Environment, Biodiversity Prize, Festival Le Temps Presse, Paris, 2020 Best Music, TOFUZI, Batumi, Georgia, 2019 Best Narrative Short, Programmers Award, 32nd annual Virginia Film Festival, Charlottesville, VA, 2019 Best Animated Short, Sidewalk Film Festival, Birmingham, AL, 2019 ASIFA East, Independent Films, 1st Prize, NY, 2019 ASIFA East, Excellence in Music, NY, 2019 ASIFA East, Women in Animation Award, NY, 2019 Global Insights Stellar Award (Top Award), Black Maria Film Festival, 2019 Best Animation, NatureTrack Film Festival, CA, 2019 Best Short Film, Environmental Film Festival at Yale, New Haven, CT, 2019 Best Animation, Nevada Women’s Film Festival, Las Vegas, NV 2019 Best Animated Short, SENE Fest, Providence, RI, 2019 Best Sound Design, Chesapeake Film Festival, Easton, MD, 2019 Best Environmental Short Film, Chesapeake Film Festival, Easton, MD, 2019 Best Animation, Big Muddy Film Festival, Carbondale, IL, 2019 First Prize, Made in Baltimore Short Film Festival, Baltimore, MD, 2018 Best Experimental, 2nd Place, Los Angeles Animation Festival, CA, 2018 Best of Festival, Peekskill Film Festival, Peekskill, NY, 2018 Best Animation, Peekskill Film Festival, Peekskills, NY, 2018 Award of Merit for Animation, University Film & Video Association, Las Cruces, NM, 2018
Lost Places is a little series i worked on the last couple of weeks. The initial idea was to challenge myself in the creation of full CG environments. I wanted to create large scale scenes and elaborated landscapes. But next to that, the mysterious beauty of abandoned places always fascinated me. I’m addicted to travel but unfortunately the current pandemic and the lock down forced us to stay safe at home for long months so i guess it was for me the only way to explore some far away lands and imaginary countries. Alan Watts wise words resonated and helped me put all this research together and make sense of it.
“A Mind Sang” is a Cinematic Visual Poem Animated Short Film Directed by Vier Nev.
Directed and animated by Vier Nev
ORIGINAL MUSIC | Yanis El-Masri
SOUND EFFECTS | Francisca Dores, Henrik Ferrara
SOUND TEAM MANAGER | Francisca Dores
RECORDING / SOUND PRODUCTION | Guilherme Correia
MUSIC ASSISTANT/RECORDING ASSISTANT | Miguel Serrão
A short film about perception, rebirth and transformation.
“A Mind Sang” is the winner of the Vimeo Staff Pick Award at the 2020 Annecy International Animation Film Festival.