After a gloomy few years, promising auction results and some exciting upcoming sales suggest that the market could be on the road to recovery
A century ago, Alexander Tamanyan devised a startling layout for the city. Despite changes in regime and fashion, his vision has endured
APOLLO MAGAZINE: The latest issue features Hew Locke and the Empire’s new clothes | Princeton University Art Museum reopens | William Hogarth’s bedside manner | the many faces of Nigerian modernism
On the eve of a major US survey, the artist talks to Apollo about decorating statues and the ornamental side of the British Empire
By turns picturesque and insalubrious, mews houses have a compellingly chequered past
Eclectic art and innovative curation are helping Art Basel Paris fly the flag for the French art market
Work by late 20th-century and contemporary Chinese artists has been throwing up surprises recently
Eero Saarinen’s US embassy building in Mayfair has long been undervalued, but its conversion into a luxury hotel may help revive its reputation
Henry Moore and Barbara Hepworth are ever in demand, but the market for their lesser-known contemporaries is growing too
While exiled in the city, Marie Antoinette’s favourite artist stuck up a close friendship with her own idol, Angelica Kauffman
APOLLO MAGAZINE (06.30.25): The latest issue features ‘Queen Sonja pops to the Factory’…
The Queen of Norway’s very modern art collection
The Gilded Age – is greed good again?
Emily Kam Kngwarray lights up Tate Modern
An interview with Erin Shirreff
Plus: Cinecittà in focus, Wangechi Mutu at the Galleria Borghese, the light touch of Antoine Watteau, Egypt’s new home for antiquities, how polenta caused a stir in Venice, the Aspen art scene continues to snowball, and the revival of London’s art market; in reviews: Amy Sherald’s portraits, King James VI and I’s cultural legacy, and what is a Jewish country house?
DW History and Culture (November 21, 2024): Discover the trailblazing spirit of Auguste Renoir, one of the founders of impressionism, whose canvases shattered centuries of artistic convention. In “Renoir – Portrait of Changing Times,” we see how Renoir took inspiration from the past, while transforming Parisian life undergoing societal change into timeless masterpieces.
Renoir’s impressionistic strokes capture the pulse of 1870s Paris, a city reeling from war and revolutionary change, whilst incorporating Rococo references. This documentary explores the genesis of Renoir’s vision, which melds tradition with the avant-garde. As his son later wrote, “Renoir loved fairy tales.
The everyday was like a fairy tale to him”. Like the fairytale world of Rococo Painting, Renoir’s impressionist works do not depict reality but create an alluring and beautiful fiction that still captures the imagination today.
CBS Sunday Morning (October 27, 2024): Acclaimed filmmaker Ken Burns, renowned for his documentaries on such topics as the Civil War, baseball, jazz and the Statue of Liberty, has now focused on 15th century Italian artist and intellectual Leonardo da Vinci.
Correspondent David Pogue talks with Burns and his producing partners, daughter Sarah Burns and son-in-law David McMahon, about their PBS documentary on the man Burns calls “one of the most incredibly interesting human beings who has ever walked the Earth.”
The National Gallery (October 11, 2024): Journey to the south of France and witness the landscapes that so inspired Vincent van Gogh and the painting techniques that have made him famous today. Travel through Arles and Saint-Rémy – from the banks of the Rhône to the hospital where he stayed.
See for yourself the locations that made their way onto Van Gogh’s canvases. ‘Van Gogh: Poets and Lovers’ is a once-in-a-century exhibition that brings together paintings from across the globe, some rarely seen in public. Track Vincent’s work through 1888 and 1889, the two most artistically fruitful years in his life.
Van Gogh: Poets and Lovers 14 September 2024 – 19 January 2025
Andy Warhol’s Insiders at the Gagosian Shop in London’s historic Burlington Arcade is a group exhibition and shop takeover that feature works by Warhol and portraits of the artist by friends and collaborators including photographers Ronnie Cutrone, Michael Halsband, Christopher Makos, and Billy Name. To celebrate the occasion, Makos met with Gagosian director Jessica Beck to speak about his friendship with Warhol and the joy of the unexpected.
Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.
Cocurator of the exhibition A Foreigner Called Picasso, at Gagosian, New York, Annie Cohen-Solal writes about the genesis of the project, her commitment to the figure of the outsider, and Picasso’s enduring relevance to matters geopolitical and sociological.
By Annie Cohen-Solal
I have been interested in the issue of immigration ever since I entered the art world. I began my career as an intellectual historian: I was a scholar of Jean-Paul Sartre and wrote his first biography. It was quite unexpected that I would fall into the orbit of the art world, let alone so fast, but two days after I arrived in New York City, in 1989—I had just been nominated cultural counselor to the French Embassy in the United States—I met Leo Castelli at a dinner. Out of the blue, Leo told me, “You don’t look like your predecessors.” (I was the first woman in the position.) “You’ll take New York city by storm and I’ll teach you American art. Come to the gallery tomorrow, I have a show with Roy [Lichtenstein]. Come for the opening and stay for the dinner.”
The American Surrealist photographer Lee Miller is the subject of the exhibition Seeing Is Believing at Gagosian, New York. Here we present a conversation on the stewardship of Miller’s legacy, her photography and writing from the frontlines of war to the pages of Vogue, and the intertwined lives of her friends, lovers, and the many artists she knew.
The tiny space accessible via the New Sacristy in the Museum of the Medici Chapels contains charcoal drawings attributed to Buonarroti and will be open on an experimental basis to small groups of visitors until March 30, 2024.
Boomers Daily 