The New Yorker Magazine – In the weeks leading up to the 2022 midterms, many pundits predicted that a “red wave” of Republican victories would sweep across the country. There was precedent for this: historically, the President’s party tends to lose seats in midterm contests. Republicans picked up some seats, but this year’s returns showed a much more even match than many had been expecting. With votes still being counted, it seems that the G.O.P. will most likely eke out a narrow majority in the House, and control of the Senate may not be decided for weeks. Whatever you call the over-all result in the country’s close political battles, it didn’t quite amount to a wave.
For the cover of the November 21, 2022, issue, the cartoonist Barry Blitt followed a long tradition and chose an animal to represent reality metaphorically: “The chance to draw an elephant—especially one on a surfboard—is irresistible for a cartoonist, but I can’t help thinking how counterintuitive it is to represent the G.O.P. in its current form with such a dignified, graceful, sensitive-seeming beast.”
In the state’s midterms—which could determine the balance of the Senate and the integrity of the Presidential race in 2024—Democrats are fighting for the vote. Republicans are fighting to undermine it.
As the head of General Electric, he fired people in vast numbers and turned the manufacturing behemoth into a financial house of cards. Why was he so revered?
A virtuoso of the eighteenth-century version of viral memes and fake news, he had a sense of political theatre that helped create a radical new reality.
Sergio García Sánchez’s “Old Haunts”
The artist discussed Día de todos los santos and taking inspiration from the Old Masters.
Since the start of the Russian invasion, the Biden Administration has provided valuable intelligence and increasingly powerful weaponry—a risky choice that has paid off in the battle against Putin.
Henry James decried the nineteenth century’s “loose baggy monsters,” but a new translation of Alessandro Manzoni’s “The Betrothed” demonstrates the genre’s power.