Tag Archives: The New Yorker Magazine

Preview: The New Yorker Magazine – Nov 28, 2022

Hokusai's Great Wave looms over the New York City skyline.

The New Yorker – November 28, 2022 issue:

Journey to the Doomsday Glacier

Two people looking out at a layer of ice from the inside of a helicopter.

Thwaites could reshape the world’s coastlines. But how do you study one of the world’s most inaccessible places?

Climate Change from A to Z

An animated series of drawings showing different effects of climate change.

The stories we tell ourselves about the future.

An Alaskan Town Is Losing Ground—and a Way of Life

For low-lying islands like Kivalina, climate change poses an existential threat.

THE BLADE RUNNERS POWERING A WIND FARM

In West Virginia, a crew of five watches over twenty-three giant turbines.

Preview: The New Yorker Magazine – Nov 21, 2022

Disappointed elephant standing on red surf board.

The New Yorker Magazine – In the weeks leading up to the 2022 midterms, many pundits predicted that a “red wave” of Republican victories would sweep across the country. There was precedent for this: historically, the President’s party tends to lose seats in midterm contests. Republicans picked up some seats, but this year’s returns showed a much more even match than many had been expecting. With votes still being counted, it seems that the G.O.P. will most likely eke out a narrow majority in the House, and control of the Senate may not be decided for weeks. Whatever you call the over-all result in the country’s close political battles, it didn’t quite amount to a wave.

For the cover of the November 21, 2022, issue, the cartoonist Barry Blitt followed a long tradition and chose an animal to represent reality metaphorically: “The chance to draw an elephant—especially one on a surfboard—is irresistible for a cartoonist, but I can’t help thinking how counterintuitive it is to represent the G.O.P. in its current form with such a dignified, graceful, sensitive-seeming beast.”

Previews: The New Yorker Magazine – Nov 14, 2022

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The New Yorker – Inside the November 14, 2022 Issue:

The Case Against the Twitter Apology

A man making a note from paper scraps spelling out "Sorry."

Our twenty-first-century culture of performed remorse has become a sorry spectacle.

Emma Thompson’s Third Act

A series of portraits of Emma Thompson, photographed by Chris Levine.

The actress and screenwriter takes on a musical.

Do We Have the History of Native Americans Backward?

A portrait of Thayendanegea, painted in London, in 1785, by Gilbert Stuart.

They dominated far longer than they were dominated, and, a new book contends, shaped the United States in profound ways.

Previews: The New Yorker Magazine – Nov 7, 2022

Person sweeping sidewalk of dry leaves and medical masks.

Inside the The New Yorker Magazine, November 7, 2022:

How Election Subversion Went Mainstream in Pennsylvania

Doug Mastriano grilling on a voting booth.

In the state’s midterms—which could determine the balance of the Senate and the integrity of the Presidential race in 2024—Democrats are fighting for the vote. Republicans are fighting to undermine it.

Was Jack Welch the Greatest C.E.O. of His Day—or the Worst?

As the head of General Electric, he fired people in vast numbers and turned the manufacturing behemoth into a financial house of cards. Why was he so revered?

Is the Multiverse Where Originality Goes to Die?

A person reading a book in a colorful room full of cultural references from different shows about the multiverse.

The concept helps entertainment companies like Marvel Studios recycle old characters—but it can also unlock new kinds of storytelling.

Previews: The New Yorker Magazine – Oct 31, 2022

People dressed in Halloween costumes including a vampire a pirate and Batman walk through Grand Central.

The New Yorker – Inside the October 31, 2022 Issue:

Will Sanctions Against Russia End the War in Ukraine?

D.C. bureaucrats have worked stealthily with allies to open a financial front against Putin.

How Samuel Adams Helped Ferment a Revolution

Portrait of Samuel Adams writing on a chair.

A virtuoso of the eighteenth-century version of viral memes and fake news, he had a sense of political theatre that helped create a radical new reality.

Sergio García Sánchez’s “Old Haunts”

The artist discussed Día de todos los santos and taking inspiration from the Old Masters.

By Françoise Mouly, Art by Sergio García Sánchez

Preview: The New Yorker Magazine – Oct 24, 2022

Betsy Ross sews a massive dollar bill.

Inside the U.S. Effort to Arm Ukraine

Since the start of the Russian invasion, the Biden Administration has provided valuable intelligence and increasingly powerful weaponry—a risky choice that has paid off in the battle against Putin.

What We’ve Lost Playing the Lottery

The games are a bonanza for the companies that states hire to administer them. But what about the rest of us?

Who Paul Newman Was—and Who He Wanted to Be

He thought his success was just a matter of hard work and good luck. Other people had a different perspective.

Preview: The New Yorker Magazine – Oct 17, 2022

Image may contain Indoors Room Classroom School Furniture Chair Human and Person

The Post-Roe Abortion Underground

A multigenerational network of activists is getting abortion pills across the Mexican border to Americans.

Italy’s Great Historical Novel

Henry James decried the nineteenth century’s “loose baggy monsters,” but a new translation of Alessandro Manzoni’s “The Betrothed” demonstrates the genre’s power.

The New Yorker Magazine Website