Russian Explorers – a team of Russian travel photographers. Inspired by our native nature we travel to beautiful places in Russia and try to show to people how wonderful and versatile Russian nature is.
Dagestan, officially the Republic of Dagestan, is a federal subject of Russia, located in the North Caucasus region. Its capital and largest city is Makhachkala, centrally located on the Caspian Sea coast.
“Buildings and constructions once created by people but now fallen into oblivion have an inspirational value for me,” Mill tells My Modern Met. “They are silent witnesses of history. These giants towering over densely populated cities preserve the memories from the moment of their creation until the last stone drops off their walls.”
Russian graphic designer and watercolor painter Eleanor Mill has a knack for capturing the spirit of place. Through her architectural watercolor sketches, she documents buildings with exacting detail. At the same time, Mill imbues her work with the color and light that gives each environment character. This allows viewers to come along with her as she places the memories of her travels down on paper.
Humphrey Hawksley is an author, commentator and broadcasters. His work as a BBC foreign correspondent took him all over the world, giving him a global perspective that informs his writing.
His new book, ‘Man on Edge’, puts the reader at the centre of a geopolitical crisis in Moscow.
From Switzerland to South America, from the South of England to the coast of Maine, they have been moved by mountains, oceans, deserts, plains, lakes and forests — we hope you will find their art every bit as stirring as we do
Russia’s pine forests
Siverskaya, located 70km south of St Petersburg, was a popular summer retreat for Russian city-dwellers in the 19th century. It was in Siverskaya and its neighbouring woods that Ivan Shishkin — one of Russia’s most famous landscape painters, dubbed ‘the patriarch of forests’ — created some of his best-known works.
Peak of Mount Emei (1958) – Huang Junbi
Mount Emei, China
Mount Emei in Sichuan, southwest China, is the highest of China’s four sacred Buddhist mountains, reaching to 3,099 metres. The mountain is a place of pilgrimage, where dozens of temples and monasteries have been erected, and has been an inspiration for artists for centuries.
Wednesday 22 April, 2020 marks 50 years since the declaration of the first Earth Day in 1970 — an occasion on which to reflect on our natural world, and perhaps take action to help sustain it. In celebration of this anniversary, we look back on a selection of artists for whom nature — and our planet — has been an inspiration and guide.
“Serenity” is a non-narrative short drone film, produced with the unique camera angle, facing straight down at -90º at the wonderful texture of earth landscapes. Because of this and the subjects it captures, you can watch this film both horizontally or vertically. Here is a horizontal version, but you can see the vertical one, on my Instagram or IGTV.
The film itself is a 3 minutes blend of total tranquility and calmness that allows you to escape reality for just a short while. Shot in different places on earth such as Iceland, Norway, Spain, Portugal, Belarus and Russia, it shows the unique and gorgeous landscape at an unusual angle. So bring up the volume or put on headphones and immerse in it.
Theatre critics Matt Wolf and Lyn Gardner join Robert Bound to give their verdict on the new production of Chekhov’s ‘Uncle Vanya’ at the Harold Pinter Theatre, starring Toby Jones and Ciarán Hinds.
Uncle Vanya is a play by the Russian playwright Anton Chekhov. It was first published in 1898 and received its Moscow première in 1899 in a production by the Moscow Art Theatre, under the direction of Konstantin Stanislavski.
The play portrays the visit of an elderly professor and his glamorous, much younger second wife, Yelena, to the rural estate that supports their urban lifestyle. Two friends—Vanya, brother of the professor’s late first wife, who has long managed the estate, and Astrov, the local doctor—both fall under Yelena’s spell, while bemoaning the ennui of their provincial existence. Sonya, the professor’s daughter by his first wife, who has worked with Vanya to keep the estate going, suffers from her unrequited feelings for Dr. Astrov. Matters are brought to a crisis when the professor announces his intention to sell the estate, Vanya and Sonya’s home, with a view to investing the proceeds to achieve a higher income for himself and his wife.