Monocle on Saturday, May 13, 2023: The weekend’s biggest discussion topics, with Georgina Godwin. Siân Pattenden reviews the papers, Andrew Mueller recaps the week and Monocle’s Helsinki correspondent, Petri Burtsoff, brings us a taste of Finnish Eurovision mania.
Plus: Taipei Dangdai art fair.
The photographer Ala Kheir joins us from Khartoum to tell us about the conflict in Sudan and how it is affecting him and other artists. We talk to Alyce Mahon, the co-curator of Sade: Freedom or Evil, a new exhibition at the Centre Cultura Contemporània de Barcelona (CCCB) in Barcelona about the 18th-century writer and libertine the Marquis de Sade and his artistic and literary influence, particularly in the 20th and 21st centuries.
And this episode’s Work of the Week is Gwen John’s La Chambre sur la Cour (1907-08), a painting of John herself in a Parisian interior. The picture is one of the highlights of an exhibition dedicated to John at the Pallant House Gallery in Chichester, UK.Ala Kheir on Instagram @ala.kheir.Sade: Freedom or Evil, Centre Cultura Contemporània de Barcelona, until 15 October.
Alyce Mahon, The Marquis de Sade and the Avant-Garde, Princeton University Press, $47/£40.Gwen John: Art and Life in London and Paris, Pallant House Gallery, Chichester, 13 May-8 October. Alicia Foster, Gwen John: Art and Life in London and Paris, Thames and Hudson, $39.95/£30. Out now in UK, published in the US on 18 July.
Times Literary Supplement (May 12, 2023) – This week’s @TheTLS, features Peter Thonemann on The Triumph of the West; @joemoransblog on imagination; @michaelscaines on The Motive and the Cue; @DrAliceKelly on graphic novelizations of Gatsby; @helenlpgordon on stones; @rinireg on surveillance – and more.
May 7, 2023: Emma Nelson, Latika Bourke and John Everard on the weekend\’s biggest talking points including the coronation of King Charles III. We also speak to Monocle’s Hannah Lucinda Smith in Istanbul and our Balkan correspondent Guy De Launey.
Monocle on Saturday, May 6, 2023: We bring you the weekend’s biggest discussion points with Georgina Godwin including the coronation of King Charles III. Vincent McAviney reviews the papers, Andrew Mueller recaps the week and Monocle’s Sophie Monaghan-Coombs examines the history of milk.
The Metropolitan Museum of Art in New York this week opens Karl Lagerfeld: A Line of Beauty, the latest in the hugely successful Costume Institute exhibitions. The German designer, who died in 2019, was also the inspiration for this year’s Met Gala, the museum’s star-studded fundraiser.
We talk to Stephanie Sporn, a fashion historian and arts and culture writer, about the exhibition, the gala and the controversy around Lagerfeld’s offensive comments about a range of issues. And this episode’s Work of the Week is Good Housekeeping III (1985/2023) by the British artist Marlene Smith. She was part of the Blk Art Group, a collective of young Black British artists active in the late 1970s and 1980s, which is the subject of The more things change…, an exhibition at the Wolverhampton Art Gallery in the UK.
Smith has re-created the work, first made in 1985, for the show, and tells us more about its making, its context, and the history of the Blk Art Group. Karl Lagerfeld: A Line of Beauty, Metropolitan Museum of Art, New York, until 16 July.The more things change…, Wolverhampton Art Gallery, UK, until 9 July.
Times Literary Supplement @TheTLS (May 5, 2023) – This week’s @TheTLS features Bruno Schulz – a writer from another Europe; Patrick O’Brian’s bleak vision; Vermeer – a great but flawed exhibition; extreme fandom and Derek Parfit, eccentric genius.
It’s more than a little discomfiting to read the great Polish novelist Witold Gombrowicz’s description, in his diary from the early 1960s, of his not-quite-friend Bruno Schulz: “A tiny gnome with enormous head, appearing too scared to dare exist, he was rejected by life and slouched along its peripheries”. Written for publication two decades after Schulz was gunned down by a Nazi just outside the ghetto of his occupied native town of Drohobych in November 1942, these words cannot help but seem impious.
Monocle on Saturday, April 29, 2023: The weekend’s biggest discussion topics with Georgina Godwin. Robin Lustig reviews the papers, Andrew Mueller recaps the week and Monocle’s Washington correspondent, Christopher Cermak, brings us stories from the Ukrainian National Museum of Chicago. Plus: a look ahead at this year’s Hay Festival.
Host Ben Luke talks to Noam Segal—an associate curator at the Solomon R. Guggenheim Museum, New York, whose focus is on technology-based art—about AI, its history in art, its social and environmental effects, and how artists are using it today. The Art Newspaper’s live editor, Aimee Dawson, talks to the artist and writer Gretchen Andrew about making art with AI and together they explore its wider application across the art world.
And this episode’s Work of the Week is Pseudomnesia: The Electrician, an image made using AI by the photographer Boris Eldagsen. The piece caused controversy earlier this month when it was awarded a prize at the Sony World Photography Awards, which Eldagsen refused to accept. The researcher and photographer Lewis Bush discusses the work, the controversy and wider questions around AI and photography.
Times Literary Supplement @TheTLS (April 28, 2023) – This week’s @TheTLS, featuring Abigail Green on 1848; @WeTheBrandon on the geopolitics of space; @woodsgregory on James Purdy; @JulianBaggini on food policy; @scheffer_pablo on the Passion in the Netherlands; @CamilleRalphs_ on poetry anthologies – and more
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