The attack launched on Iran by the US and Israel on 28 February was a textbook case of international aggression, justified in only the most cursory fashion by fictional Iranian threats and undertaken with no clear aims and no clear demands or terms. In announcing the war Donald Trump described it as a wholesale attack on both government and state. The US and Israel would ‘raze their missile industry to the ground’ and ‘annihilate their navy’. Benjamin Netanyahu called on Iranians to ‘come out to the streets and finish the job’. By Tom Stevenson
The late queen can be held responsible for much, but nobody could accuse her of seeming to enjoy her role. For the Yorks, however, enjoyment was everything, and the notion of royal sacrifice, arguably a red herring in the House of Saxe-Coburg and Gotha, was finally obliterated by their actions. By Andrew O’Hagan
As Stephen Greenblatt’s Dark Renaissance shows despite itself, it is not Marlowe’s life story that we still need, but his plays and poems: we might well want to avert our eyes from the bathetically dismal life of the man who wrote them. By Michael Dobson
Entitled: The Rise and Fall of the House of York by Andrew Lownie
Nobody’s Girl: A Memoir of Surviving Abuse and Fighting for Justice by Virginia Roberts Giuffre
President Trump has both called for Iranians to rise up and oust the ruthless theocracy and then said that he’s fully prepared to deal with a new religious leader. By Robin Wright
The Zombie Regulator
As the cost of living continues to spiral upward, the Trump Administration is gutting the government agency built to protect Americans from financial ruin. By E. Tammy Kim
The Unmaking of the American University
For decades, research universities have relied on federal funding, with no guarantee that it will last. Now their survival may depend on compliance with the government. By Nicholas Lemann
The fight over the 2028 primary calendar is one of several proxies for a broader battle about the future of the Party—and the search for the best nominee. By Amy Davidson Sorkin
Scandal, Protest, Goofiness, and Grandeur at the U.S. Bicentennial
This year marks the two-hundred-and-fiftieth anniversary of the nation’s founding. The two hundredth wasn’t exactly smooth sailing. By Jill Lepore
The Tree House and the Oil Pipeline
In the fight against climate change, sometimes you have to go out on a limb. By Robert Moor
Ian McKellen Swings from Shakespeare to Gandalf to Virtual Reality
On a visit to New York, the actor reflected on mortality and coming out, and unleashed an Elizabethan anti-ICE monologue on “Colbert” that went viral. By Henry Alford
James Talarico Puts His Faith in Texas Voters
The Senate candidate believes that Democrats can win by appealing to higher values. Can he succeed in the age of Trump? By Tad Friend
Why the World Cup Can Feel Like War
Soccer stadiums can be dominated by violence, tribalism, chauvinism, and near-religious fervor‚ animated by the memory of old hostilities and the power of ritual. By Ian Buruma
The Trial of Gisèle Pelicot’s Rapists United France and Fractured Her Family
After fifty-one men were convicted, Pelicot became a feminist hero. But additional accusations left her children struggling to accept her new role. By Rachel Aviv
‘Art arises,’ Auden writes, ‘out of our desire for both beauty and truth and our knowledge that they are not identical.’ We want things two ways, which analysis says we cannot have; but for a moment a poem lets us, in a way that discursive prose, for instance, cannot.
Alexandre Kojève described his book on Hegel as ‘very bad’, and he had a point. His take on ThePhenomenology of Spirit is not only misleading but slapdash, dogmatic, frivolous and flamboyant. The characters he filled it with, from the Master and Slave to the Sensualist and the Sage, sound rather like Mr Worldly Wiseman, Madam Bubble and Mr Sagacity in Pilgrim’s Progress.
THE NEW YORKER MAGAZINE: The latest issue features The Anniversary Issue: Dhruv Khullar on Ozempic, David Remnick on Joe Rogan, Ava Kofman on a surrogacy scandal, and more.
Until now, Trump always seemed unembarrassed to crow about his side hustles. But, if the Emirati payment was kept secret, what else might be? By David D. Kirkpatrick
Can Ozempic Cure Addiction?
GLP-1 drugs, which have helped some people curb drug and alcohol use, may unlock a pathway to moderation. By Dhruv Khullar
What Is Claude? Anthropic Doesn’t Know, Either
Researchers at the company are trying to understand their A.I. system’s mind—examining its neurons, running it through psychology experiments, and putting it on the therapy couch. By Gideon Lewis-Kraus
THE NEW YORKER MAGAZINE: The latest issue features Nathan Heller on Gavin Newsom, Joshua Yaffa on Russia’s single-use agents, Michael Schulman on A.I. in film, and more.
California’s governor has been touted as the Democrats’ best shot in 2028. But first he’ll need to convince voters that he’s not just a slick establishment politician. By Nathan Heller
How Russian military intelligence is recruiting young people online to carry out espionage, arson, and other attacks across the Continent. By Joshua Yaffa
Here’s a question I often bat around with graduate students in my International Political Economy seminar: In book 12 of the Odyssey, how do the shipmates know which Ulysses to trust?
You know the story. Ulysses and his crew have been on Circe’s island for a year. They’re finally about to depart when the goddess takes Ulysses aside and warns him of the dangers that await them. The first of these is the “piercing songs” of the Sirens. “So listen,” she says, “I will give you good instructions; another god will make sure you remember.”
Circe tells Ulysses to put wax in his sailors’ ears but that he can listen to the Sirens if he wants to — as long as his shipmates bind him “hand and foot” to the mast: “So bound, you can enjoy the Sirens’ song. But if you beg your men to set you free, they have to tie you down with firmer knots.”
As their ship approaches the Sirens’ sharp rocks, the wind dies down, they pull the sails, and they begin to row. As predicted, Ulysses yells out to his men to set him free. He is still their captain. But instead of obeying his orders, Eurylochus and Perimedes stand up and “tie him down with firmer knots.” How, I ask my students, do they know to trust the first Ulysses over the second? How is it that as readers, we never question their choice?
Albert Kahn has been called “the father of industrial architecture” and “the architect of Detroit.” His firm was certainly prolific: it was responsible for the Ford Motor Company of Canada factory in Toronto, near a laneway that bears his name, and the General Motors assembly plant in Regina, along with nearly 900 buildings in Motor City alone. Kahn’s oeuvre encompassed offices, grand homes for his industrialist clients, and libraries and fraternity houses at the University of Michigan, in Ann Arbor, not to mention a post office, a synagogue, and multiple hospitals and skyscrapers. Many of Kahn’s buildings reflect a pastiche of styles that might be considered a precursor of a postmodern eclectic. Yet this prolific architect is relatively unknown today, especially outside of Michigan.
Albert Kahn Inc.: Architecture, Labor, and Industry, 1905–1961 by Claire Zimmerman
The mood on the Sea Adventurer’s bridge was grim. “She’s only making eight knots,” said our expedition leader. “We need to hit at least fourteen to keep to our itinerary.” We were four days into a two-week sailing and anchored off Ilulissat, near a UNESCO World Heritage site nestled into the crenellated western coast of Greenland.
Earlier that day, I had found myself at the helm of a Zodiac, manoeuvring the rubberized craft through thick fog, near-freezing water, and growlers. The ten high-paying passengers under my care likely had no idea that this was my first trip with the tour operator or my first time north of the Arctic Circle.
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