National Book Foundation (September 15, 2023) – The ten titles on the list were chosen from four hundred and ninety-six submissions by publishers. Three authors on the longlist, Nana Kwame Adjei-Brenyah, Jayne Anne Phillips, and Justin Torres, have been previously honored by the National Book Foundation. The full list is below.
Nana Kwame Adjei-Brenyah, Chain-Gang All-Stars Pantheon Books / Penguin Random House
THE NEW YORK TIMES BOOK REVIEW (September 17, 2023): The new issue features An Illustrated Guide to Toppling the Patriarchy, New Thrillers, Appalachian Literature, The Good Virus, and more…
In its first half-century, Ms. magazine upended norms, disrupted the print world and made trouble. It was a start.
By Anna Holmes
50 YEARS OF MS.: The Best of the Pathfinding Magazine That Ignited a Revolution, edited by Katherine Spillar and the editors of Ms.
I had my first conscious interaction with Ms. magazine as a small child when I read — or rather, had read to me — a story-poem called “Black Is Brown Is Tan.”
Part of the magazine’s delightful kids’ section, “Black Is Brown Is Tan” is about a mixed-race family not unlike my own who go about their daily routines like any other Americans. Though I was young, I remember the illustrations, by Emily Arnold McCully, with acute clarity: the rosy cheeks of the white dad, the short Afro and hoop earrings of the Black mom, and, perhaps most important, the sense of safety and warmth that permeated every page. In our house, where my mother was careful about the messaging of the media and toys we consumed, the “Stories for Free Children” section was always welcome. As for the magazine they appeared in? Well, it was canon.
In Diana Evans’s new novel, “A House for Alice,” a woman who immigrated to Britain for marriage must decide whether or not to return to her country of origin after her husband dies.
By Tiphanie Yanique
A HOUSE FOR ALICE, by Diana Evans
Houses in Diana Evans’s new novel, “A House for Alice,” are a metaphor for family. They’re filled with rooms for sleeping, lovemaking, fighting; contain corridors that lead to areas of welcome and comfort; shelter spaces that hold secrets. And like a house, a family can be burned to nothing and rebuilt anew.
Paris Review Fall 2023 — The new issue features Robert Glück on the Art of Fiction: “When people would ask me—and sometimes they did—to write about them, I’d reply, ‘First, break my heart.’”; Lynn Nottage on the Art of Theater: “I embrace the fact that I write plays that are popular. Audiences make their own decisions.”
Her new novel, “The Fraud,” is based on a celebrated 19th-century criminal trial, but it keeps one eye focused clearly on today’s political populism.
By Karan Mahajan
All over the dorm in California glinted pale-orange and tabasco-red and steel-blue copies of Zadie Smith’s “White Teeth,” with their hard white bright lettering. The year was 2001, and “White Teeth” had been assigned as incoming reading for my freshman dorm. I remember loving the sprawling, rude, funny, slapdash narration, the magical way in which Smith brought it all together in the figure of a genetically engineered mouse.
“The Vaster Wilds” follows a girl’s escape from a nameless colonial settlement into the unforgiving terrain of America.
By Fiona Mozley
Jamestown, Va., the first permanent English settlement in the Americas, very nearly didn’t survive. A few years into its existence, in the early 1600s, the majority of the population had succumbed to famine and disease. The period known as the Starving Time has taken on allegorical status. Jamestown is the colony that tried too much too soon; that underestimated the harsh climate, the foreign land, its existing, Indigenous population. Pilgrims went in search of heaven and found hell.
THE NEW YORK TIMES BOOK REVIEW (September 3, 2023): The new issue features “THE EXHIBITIONIST“, a barbed comic novel about a midwardly mobile London family by Charlotte Mendelson; “THE GUEST“, by Emma Cline, “about one woman’s week of lying, scamming and conning her way through the Hamptons; CROOK MANIFESTO, the sequel to Colson Whitehead’s 2021 novel “Harlem Shuffle” (and the middle volume of a planned trilogy), and more….
THE NEW YORK TIMES BOOK REVIEW (August 27, 2023) The new issue features: James McBride’s Latest Is a Murder Mystery Inside a Great American Novel; The First Chinese American Movie Star and the Cost of Glittering Fame, and more…
“The Heaven & Earth Grocery Store” opens with the discovery of a skeleton in a well, and then flashes back to explore its connection to a town’s Black, Jewish and immigrant history.
By Danez Smith
A few weeks ago, around the same time I was working on this review, I visited the Guggenheim with my fiancé. The exhibition on display as we trekked up the museum’s famous spiral was “Measuring Infinity,” a marvelous retrospective on the work of the great Venezuelan artist Gego. A German Jew who fled Nazi persecution in Europe, Gego arrived in Venezuela in 1939 and went on to become one of the most important artists to emerge from Latin America in the 20th century. Her work speaks to a deep curiosity about the interrelation of shapes, things and the dimensions created by those relationships.
It was, according to the film historian Kevin Brownlow, “one of the most racist films ever made in America.” “Old San Francisco” (1927) featured a white actor playing a Chinese villain passing as a white man (got that?) who plans to sell an innocent white girl into white slavery until he is conveniently crushed by an earthquake. Before his grisly end he is aided in his nefarious scheme by an Asian character identified only as “a flower of the Orient,” played by an ingénue named Anna May Wong.
THE NEW YORK TIMES BOOK REVIEW – August 20, 2023: The issue features “never before told” narrative histories including a tale of the female botanists who surveyed the Grand Canyon in 1938, a recent biography of the 19th-century “abortionist of Fifth Avenue” and the book on this week’s cover: Prudence Peiffer’s “The Slip,” which brings into focus a thriving artistic community that existed at the southernmost tip of Manhattan in the 1950s and ’60s.
In Melissa Sevigny’s “Brave the Wild River,” we meet the two scientists who explored unknown terrain — and broke barriers.
BRAVE THE WILD RIVER: The Untold Story of Two Women Who Mapped the Botany of the Grand Canyon, by Melissa L. Sevigny
Let’s start this story on a sun-blistered evening in August 1938. A small band of adventurers had just concluded a 43-day journey from Utah to Nevada — although perhaps “journey” is too tame a description for a trip that had required weeks of small wooden boats tumbling down more than 600 miles of rock-strewn rivers. The goal was twofold. First, to simply survive. And then, to chart the plants building homes along the serrated walls of the Grand Canyon.
THE NEW YORK TIMES BOOK REVIEW – August 13, 2023: The annual thrillers issue features – a tense murder mystery set aboard a cruise ship; a heist novel involving rough diamonds, crooked lawyers and masters of the double cross; and an especially creepy serial-killer novel, to name just a few.
In “Flirting With Danger,” Janet Wallach tells the story of Marguerite Harrison, who traded a life of privilege to become America’s first international female spy.
By Chloe Malle
FLIRTING WITH DANGER: The Mysterious Life of Marguerite Harrison, Socialite Spy, by Janet Wallach
Anyone complaining about a canceled Delta flight would do well to channel Marguerite Harrison. The United States’ first international female spy, Harrison crisscrossed the globe by rickshaw, propeller plane, camel, inflated goatskin raft and rail freight car and once brightly described a trans-Siberian voyage, in which she was wedged between sacks of tea and oats on the back of a troika in a blizzard, as “a rare and delightful experience.”
From left: John Fairfax; Tom McCleanCredit…From left: Daily Mail/Shutterstock; Tom McClean
In “Completely Mad,” James Hansen tells the stories of two men who in 1969 vied to be the first to row solo across the Atlantic Ocean.
COMPLETELY MAD: Tom McClean, John Fairfax, and the Epic Race to Row Solo Across the Atlantic, by James R. Hansen
The day before the Apollo mission landed two men on the moon, a British man named John Fairfax waded into Hollywood Beach, Fla., greeted by masses of cheering fans, having been the first person to row solo across the Atlantic Ocean. Eight days later, another Briton, Tom McClean, pulled his dory up a deserted beach in Blacksod Bay, Ireland, having rowed solo across the Atlantic in the opposite direction. While Fairfax was acclaimed and feted, McClean walked to the closest pub, alone.
In marine biology, a whale fall is the body of a dead whale that has slowly descended to the bottom of the ocean. Scavengers strip its flesh, crustaceans and other creatures colonize its skeleton and its decaying bones help sustain countless organisms for years to come, part of the delicate balance of the undersea ecosystem.
While Billy Wilder’s 1957 film adaptation portrays Ariane (played by Audrey Hepburn) as a doe-eyed ingénue, Claude Anet’s original character is considerably more enigmatic. Credit…Allied Artists/Getty Images
Reading Claude Anet’s provocative 1920 novel “Ariane: A Russian Girl,” the reader may yearn for a little less conversation.
By Gemma Sieff
It would be nice if we had put to bed, so to speak, witless and reductive double standards about female promiscuity. Have you heard the one that goes, “A key that opens many locks is a master key, yet a lock that is opened by many keys” is … unprintably bad? Me neither — until I saw it on TikTok.
On this week’s cover, we feature biographies of composers Arnold Schoenberg and Wolfgang Amadeus Mozart that emphasize the extent to which each was a singular genius attuned to his culture and times; our reviews are by Anthony Tommasini (formerly The Times’s chief classical music critic) and the composer John Adams.
In Patrick Mackie’s “Mozart in Motion,” the socially observant composer embraces modernity.
Musicians tend to be wary of ascribing specific meanings to music or making too much of a piece’s extra-musical associations. In one of his Norton Lectures at Harvard in 1973, turning to Beethoven’s “Pastoral” Symphony, Leonard Bernstein asked the audience to forget all about “birds and brooks and rustic pleasures” and instead concentrate on “pure” music. He then demonstrated how every phrase of the entire first movement is derived from little motifs of notes and rhythms in the first four bars of the score.
John Adams reviews “Schoenberg: Why He Matters,” in which Harvey Sachs explores the artistic, academic and spiritual life of a 20th-century cultural giant.
In 1955 Henry Pleasants, a critic of both popular and classical music, issued a cranky screed of a book, “The Agony of Modern Music,” which opened with the implacable verdict that “serious music is a dead art.” Pleasants’s thesis was that the traditional forms of classical music — opera, oratorio, orchestral and chamber music, all constructions of a bygone era — no longer related to the experience of our modern lives. Composers had lost touch with the currents of popular taste, and popular music,
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