How Milan is refashioning itself as a contemporary art hub
The city has long been synonymous with finance, fashion and design, but it is increasingly banking on art too
The dangers of playing the ‘beautiful’ game
The idea of the beautiful and the damned is a longstanding one, but a problematic one – in art as well as life
Restoring Dresden’s crowning glory
The city has been rebuilding the Residenzschloss, home of its one-time ruler Augustus the Strong, since the Second World War – and the results are worth the wait
Simply red: a short history of Shiraz
The Shiraz grape is native to France, but it has longstanding links with Persian courtly life and culture
The self-taught painter had a trememdous sense of self-belief, despite being ridiculed in his lifetime. A landmark exhibition confirms him as a singularly modern artist
Since 1956, the New York institution has fostered cross-cultural understanding, equipped with a collection of masterpieces assembled by its founder, John D. Rockefeller
When art becomes an act of last resort
Joseph Koerner’s account of art made in extremis turns Bosch, Beckmann and Kentridge into unexpected associates across the ages
While the architect’s approach to restoring France’s medieval buildings remains controversial, his many and varied talents are still utterly awe-inspiring
Finishing the Sagrada Família
Antonio Gaudi’s masterpiece is nearing completion a century after the architect’s death
When it comes to views of Venice, Canaletto is still master of all he surveys
Demand for the best paintings of the city shows no sign of sinking, but some artists have a more buoyant market than others
Should museums be making spectacles of themselves?
If galleries and institutions want to grow their visitor numbers, they need to add style to their substance
THE WEEK IN ART (October 2, 2025): The latest episode feature a new exhibition at the Fitzwilliam Museum in Cambridge, UK, called Made in Ancient Egypt, reveals untold stories of the people behind a host of remarkable objects, and the technology and techniques they used.
The Art Newspaper’s digital editor, Alexander Morrison visits the museum to take a tour with the curator, Helen Strudwick. One of the great revelations of the past two decades in scholarship about women artists is Michaelina Wautier, the Baroque painter active in what is now Belgium in the middle of the 17th century. The largest ever exhibition of Wautier’s work opened this week at the Kunsthistorisches Museum in Vienna, and travels to the Royal Academy of Arts in London next year.
Ben Luke speaks to the art historian who rediscovered this extraordinary painter, Katlijne Van der Stighelen, who has also co-edited the catalogue of the Vienna show. And this episode’s Work of the Week is Robert Rauschenberg’s Bed (1955), one of the most important works of US art of the post-war period. It features in the exhibition Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, which this week arrives at the Museum Ludwig in Cologne.
We speak to Yilmaz Dziewior, the co-curator of the exhibition.
Made in Ancient Egypt, Fitzwilliam Museum, Cambridge, UK, 3 October-2 April 2026
APOLLO MAGAZINE: The latest issue features Hew Locke and the Empire’s new clothes | Princeton University Art Museum reopens | William Hogarth’s bedside manner | the many faces of Nigerian modernism
Plus: Cinecittà in focus, Wangechi Mutu at the Galleria Borghese, the light touch of Antoine Watteau, Egypt’s new home for antiquities, how polenta caused a stir in Venice, the Aspen art scene continues to snowball, and the revival of London’s art market; in reviews: Amy Sherald’s portraits, King James VI and I’s cultural legacy, and what is a Jewish country house?