After a gloomy few years, promising auction results and some exciting upcoming sales suggest that the market could be on the road to recovery
A century ago, Alexander Tamanyan devised a startling layout for the city. Despite changes in regime and fashion, his vision has endured
THE WEEK IN ART (October 2, 2025): The latest episode feature a new exhibition at the Fitzwilliam Museum in Cambridge, UK, called Made in Ancient Egypt, reveals untold stories of the people behind a host of remarkable objects, and the technology and techniques they used.
The Art Newspaper’s digital editor, Alexander Morrison visits the museum to take a tour with the curator, Helen Strudwick. One of the great revelations of the past two decades in scholarship about women artists is Michaelina Wautier, the Baroque painter active in what is now Belgium in the middle of the 17th century. The largest ever exhibition of Wautier’s work opened this week at the Kunsthistorisches Museum in Vienna, and travels to the Royal Academy of Arts in London next year.
Ben Luke speaks to the art historian who rediscovered this extraordinary painter, Katlijne Van der Stighelen, who has also co-edited the catalogue of the Vienna show. And this episode’s Work of the Week is Robert Rauschenberg’s Bed (1955), one of the most important works of US art of the post-war period. It features in the exhibition Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, which this week arrives at the Museum Ludwig in Cologne.
We speak to Yilmaz Dziewior, the co-curator of the exhibition.
Made in Ancient Egypt, Fitzwilliam Museum, Cambridge, UK, 3 October-2 April 2026
Michaelina Wautier, Painter, Kunsthistorisches Museum, Vienna
30 September-22 February 2026; Royal Academy of Arts, London
27 March – 21 June 2026.
Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, Museum Ludwig, Cologne, Germany,
3 October-11 January 2026
APOLLO MAGAZINE: The latest issue features Hew Locke and the Empire’s new clothes | Princeton University Art Museum reopens | William Hogarth’s bedside manner | the many faces of Nigerian modernism
On the eve of a major US survey, the artist talks to Apollo about decorating statues and the ornamental side of the British Empire
By turns picturesque and insalubrious, mews houses have a compellingly chequered past
Eclectic art and innovative curation are helping Art Basel Paris fly the flag for the French art market
Work by late 20th-century and contemporary Chinese artists has been throwing up surprises recently
Eero Saarinen’s US embassy building in Mayfair has long been undervalued, but its conversion into a luxury hotel may help revive its reputation
Henry Moore and Barbara Hepworth are ever in demand, but the market for their lesser-known contemporaries is growing too
While exiled in the city, Marie Antoinette’s favourite artist stuck up a close friendship with her own idol, Angelica Kauffman
APOLLO MAGAZINE (06.30.25): The latest issue features ‘Queen Sonja pops to the Factory’…
The Queen of Norway’s very modern art collection
The Gilded Age – is greed good again?
Emily Kam Kngwarray lights up Tate Modern
An interview with Erin Shirreff
Plus: Cinecittà in focus, Wangechi Mutu at the Galleria Borghese, the light touch of Antoine Watteau, Egypt’s new home for antiquities, how polenta caused a stir in Venice, the Aspen art scene continues to snowball, and the revival of London’s art market; in reviews: Amy Sherald’s portraits, King James VI and I’s cultural legacy, and what is a Jewish country house?
APOLLO MAGAZINE (June 2, 2025): The latest issue features ‘The Centenary Issue’…
Apollo celebrates its centenary
Up and away: the art of the Ascension
Ruth Asawa: wired for art
Has the QR code has its day?
Plus: the artists who have bared all, the Michael C. Rockefeller Wing at the Met, Gertrude Stein’s museum of modern art, Elizabeth I’s favourite kitchen utensil, how Jenny Saville turns paint into flesh, and a preview of Treasure House Fair; in reviews: Hiroshige in London, Frida Kahlo and Mary Reynolds in Chicago, and art versus AI
THE WEEK IN ART (March 14, 2025): After a challenging year in which international galleries, auction houses and museums have been forced to scale back their operations and make redundancies on an alarming scale, a slower, more considered approach to business seems to be emerging.
So are we into an era of longer, more in-depth exhibitions and bespoke events concerned more with authentic connection than flashy spectacle? Ben Luke talks to Anny Shaw, a contributing editor at The Art Newspaper. In the Netherlands, just as in the US, cuts by far-right politicians to international development seem likely to have a huge impact on arts projects. As Tefaf, the major international art fair opens in the Dutch city of Maastricht, we talk to Senay Boztas, our correspondent based in Amsterdam, about fears of a funding crisis. And this episode’s Work of the Week is one of the greatest paintings ever made: The Hunters in the Snow (1565) by Pieter Bruegel the Elder. It is part of an exhibition called Arcimboldo – Bassano – Bruegel: Nature’s Time, which opened this week at the Kunsthistorisches Museum in Vienna. The museum’s director, Jonathan Fine, tells us more.
Arcimboldo–Bassano–Bruegel: Nature’s Time, Kunsthistorisches Museum, Vienna, until 29 June
APOLLO MAGAZINE (December 23, 2024): The latest issue features…
On the art of Ade Darmawan and Timoteus Anggawan Kusno By Hung Duong
With every odd stacked against it, Venice rises to the surface as Italy’s art capital By Travis Jeppesen
By Mateus Nunes
Andy Warhol’s Insiders at the Gagosian Shop in London’s historic Burlington Arcade is a group exhibition and shop takeover that feature works by Warhol and portraits of the artist by friends and collaborators including photographers Ronnie Cutrone, Michael Halsband, Christopher Makos, and Billy Name. To celebrate the occasion, Makos met with Gagosian director Jessica Beck to speak about his friendship with Warhol and the joy of the unexpected.
Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.
Boomers Daily 