From the 16th century onwards, as European powers feverishly colonised the world, the possibility of a Northern Sea Route connecting the Atlantic to the Pacific, from Scandinavia to the Bering Strait, tantalised the Dutch and the British as an alternative to the southern routes to Asia and the Americas, which were dominated by Portugal and Spain. But the route only became a reality in the Soviet era, after investments in scientific, economic, industrial and military infrastructure in Siberia.
This is what distinguishes hyperpolitics from the mass democracy of the mid-20th century. Symbolic political gestures are now commonplace, but paid membership of organisations and parties has plummeted. The left has failed to find a replacement for trade unions as a basis for collective action in civil society. Political movements are easy to join, and just as easy to leave.
De Kooning’s Suburb in Havana is a counter-revolutionary painting. Well, of course. It is counter-revolutionary because it is counter everything, versus everything, lost in suburbia. It wants to show us how hard it had to work to get precisely nowhere. Why nowhere was where it wished to get to is a question it leaves to the viewer.
Can there be poetic justice in politics? Perhaps once in a lifetime. In 1989, a young Viktor Orbán bravely told the crowds in Budapest’s Heroes’ Square that it was time for the Russians to go home, just as protesters had demanded in 1956; almost four decades later, he was heckled on the campaign trail with the same words.
In Trump’s strategy of feigning madness to get what he wants, there is no longer any border between pretense and actual irrationality. By Fintan O’Toole
An important exhibition showcases a painterly repartee that altered the trajectory of the two artists’ work and, by extension, modern art itself.
Manet and Morisot – an exhibition at the Legion of Honor, San Francisco, October 11, 2025–March 1, 2026, and the Cleveland Museum of Art, March 29–July 5, 2026
THE NEW CRITERION: The latest issue features ‘ Western Decline’ by Victor Davis Hanson; Stoppard & Stopparianism by Jonathan Gaisman; The hector’s veto by Simon Heffer; The metaphysics of murder by Theodore Dalrypmple and New poems by Alfred Corn, Michael Homolka and Sunil Iyengar…
The argument of Peter Watson’s hugely ambitious The British Imagination: A history of ideas from Elizabeth I to Elizabeth II is that “The essential arc of British history – intellectual and creative history, just as much as political, economic and military history – is of a small, indeed tiny, country sequestered on the north-west coast of Europe that over the centuries would forge the largest and most unlikely empire the world has seen”. It may seem odd to be reading this in the present depressed state of the nation, although Watson stresses from the outset that the concept of “the British imagination” embraces its hospitality to foreign influences and eventually to the power of a wider “Anglosphere”.
English virtue battles the pagan
The genesis of Far from the Madding Crowd
The texture of etcetera
What smartphones can’t record
Freeing Thomas Mann
Modern English translations that do justice to the work
The subject of this excellent biography wished to be remembered as Jan ‘Empire’ Morris, author of the great imperial trilogy Pax Britannica, but she correctly predicted that the valedictory headlines would read ‘Sex Change Author Dies’. As James Morris, he had won early fame as the Times reporter who broke the news of the conquest of Everest on Coronation Day, 1953. And Morris’s real distinction, as Sara Wheeler affirms, was as a travel writer. It was a term she loathed. (Wheeler follows Morris’s own lead in using male pronouns for the author’s early life and female ones after 1970, when transition was nearing completion.) But as a young man James had immersed…
Stalin’s Apostles: The Cambridge Five and the Making of the Soviet Empire By Antonia Senior
It may be thought that the notorious Cambridge spies – the majority of them members of the Apostles, that university’s secretive, elitist society – had been written out. But, as Stalin’s Apostles makes clear, such is not the case. Most of the books on what the KGB later called their ‘Magnificent Five’ – Kim Philby, Guy Burgess, Donald Maclean, Anthony Blunt and John Cairncross – have dwelt …
We Know You Can Pay a Million: Inside the Dark Economy of Hacking and Ransomware By Anja Shortland
Not so long ago, stories about powerful computer viruses apparently spreading around the world and threatening to bring modern life to a halt regularly filled the news. These days, cybercrime rarely makes the headlines, and most of us have become inured to warnings that our passwords have been found in a data leak. Yet ..