
The Brooklyn Rail (December 11, 2024): The latest issue features…
“When you invent the ship, you must also invent the shipwreck; when you invent the plane, you must also invent the plane crash; and when you invent electricity, you invent electrocution… Every technology carries its own negativity, which is invented at the same time as technical progress.”
–Paul Virilio
“The human spirit must prevail over technology.”
–Albert Einstein
Art
- SARA CWYNAR with Chloe Stagaman
- MARA DE LUCA with Tom McGlynn
- LEE MARY MANNING with Jean Dykstra
- JOEL STERNFELD with Geoffrey Batchen
- All the Feels – By Suzanne Hudson
Critics Page
- For Love or Money: Surviving Criticism – By Lilly Wei and Barbara A. MacAdam
- Ann Binlot
- William Corwin
- Will Fenstermaker
- Manami Fujimori
- Melissa Gronlund
- Eleanor Heartney
- Karen Michel
- Carter Ratcliff
- Walter Robinson
- Andrew Russeth
- Jillian Steinhauer
- Sean Tatol
- Xintian Wang
ArtSeen
Sylvia Plimack Mangold: Tapes, Fields, and Trees, 1975–84 – By Rebecca Allan
David Smith: The Nature of Sculpture – By Phong Bui
Siena: The Rise of Painting, 1300–1350 – By David Carrier
Jaeheon Lee: Ghosts in the Garden – By William Corwin
Edges of Ailey – By Ekin Erkan
Patterns in Abstraction – By Leia Genis
Jordan Nassar: THERE – By Robert Alan Grand
Jay DeFeo: Trees – By Suzanne Hudson
Nour Mobarak: Dafne Phono – By Eana Kim
Yuli Yamagata: Ghosts Don’t Wear Watches – By Alfred Mac Adam
Soledad Sevilla: Ritmos, tramas, variables – By Valerie Mindlin
Mark Bradford: Keep Walking – By Charles Moore
André Griffo: Exploded View – By Rômulo Moraes
Jesse Krimes: Corrections – By Joanna Seifter
Lynne Drexler: Color Notes – By David Whelan
Rosemarie Beck: Earthly Paradise – By Leah Triplett Harrington
Francesco Clemente: Summer Love in the Fall – By Selena Parnon
Sean Scully: Duane Street, 1981–1983 – By Raphy Sarkissian
Henni Alftan: Stop Making Sense – By Ann C. Collins
Hap Tivey: Perception is the Medium – By Benjamin Clifford
William Gropper: Artist of the People – By Margot Yale

“…I am almost more interested in the paintings I didn’t get! I wish I could do a small photo exhibition of all the works that we failed to get. Of the early titans, we have two important ones, Giotto and Cimabue, but we don’t have Duccio, the third master of the birth of painting in Europe, if I may say. There was one in the Stoclet collection in Brussels, that we were following through dealer friends, but finally it was purchased by the Met. Also Velázquez, our biggest weakness!”