
Literary Review – December 2022/January 2023:
DIARY
JOANNA KAVENNA – Happiness is a Cold Fjord
ART
Prince of Caricatura – James Gillray: A Revolution in Satire By Tim Clayton
Artist Before a Mirror – Picasso: The Self-Portraits By Pascal Bonafoux
Oils and Water – Looking to Sea: Britain Through the Eyes of Its Artists By Lily Le Brun
LITERARY LIVES
CAROLYNE LARRINGTON I Have Wedded Fyve!The Wife of Bath: A BiographyBy Marion TurnerNORMA CLARKE Sense & InsolvencySister Novelists: The Trailblazing Porter Sisters, Who Paved the Way for Austen and the BrontësBy Devoney LooserLRRICHARD DAVENPORT-HINES Yours Chastely, TomThe Hyacinth Girl: T S Eliot’s Hidden MuseBy Lyndall GordonMary & Mr Eliot: A Sort of Love StoryBy Mary Trevelyan & Erica Wagner
The Toulousain Charles Dantzig wrote, ‘I find the Marseillais tiresome, especially those who, as soon as you speak to them, start to bang on about the uniqueness of being Marseillais, adding with a particular sort of whining machismo that no one likes them and everyone defames them. Their humour is nothing more than pitiable braggadocio.’ Régis Jauffret, who grew up there, is pithier: ‘Marseille is a tragic city. It formed my imagination.’ (It’s an imagination of peerless bleakness.)
Nicholas Hewitt died in March, less than a month after completing the text of Wicked City. It’s a fine monument to his curiosity, compendious knowledge, resourcefulness and measured enthusiasm. He calls it ‘a series of snapshots’, which is perhaps too modest. If they are snapshots, they have been photoshopped and retouched to accord with his vision of the city and its well-rehearsed mythology of outsiderdom and exceptionalism, edginess and banditry. And his aspiration to explore Marseille’s hold on the ‘nation’s imagination’ is also too modest. The ‘international imagination’ would be more apt.