From a Classic Driver online review:
Enthusiasts and friends travelled from France, England, Belgium, the Netherlands, Switzerland, America and even Argentina to enjoy great food and wine (we were in the Champagne region, after all), even better locations and roads and a truly diverse selection of classic cars. Wilhelm Schmid – the ever-passionate CEO of A. Lange & Söhne, Journées d’Automne’s low-key title sponsor – drove his stunning Porsche 911S from Dresden together with his wife Yvonne. “For me, this event is the highlight of my personal motoring year,” he told me. “I wouldn’t miss it for the world.”
Journées d’Automne. It sounds a bit like the title of a romance novel by Rosamunde Pilcher, but it’s actually a wonderful classic car meeting that takes place every October just east of Paris. What began several years ago as an autumnal outing for a small number of car-minded friends has evolved into a large yet intimate get-together and an insider’s tip for celebrating the end of the events season in style.
To read more: https://www.classicdriver.com/en/article/cars/why-journees-dautomne-one-our-favourite-classic-car-events?utm_campaign=832019%20Journes%20dAutomne%20EN&utm_content=832019%20Journes%20dAutomne%20EN%20CID_e131205745833e66128075b678ebd38f&utm_medium=email&utm_source=newsletter
From an Art Forum online article:
The plans for the venue were previously reported to encompass 9,850 square feet of exhibition space, a black-box theater, and an auditorium. Earlier this year, Pinault said he wants the museum to complement existing art institutions in Paris, and that he will collaborate with the Centre Pompidou on a program that will take place concurrently at both venues in 2020.
The French billionaire art collector François Pinault announced that his $170 million contemporary art museum in Paris is slated to open next June near the Louvre and the Centre Pompidou. The Bourse de Commerce—Pinault Collection will be housed in the city’s old stock exchange, in a building designed by the Pritzker Prize–winning architect Tadao Ando, and is to host ten exhibitions a year drawing from Pinault’s collection.
To read more: https://www.artforum.com/news/francois-pinault-to-open-contemporary-art-museum-in-paris-in-june-2020-81017
Rediscovered in the late 19th century, celebrated by authors, acknowledged and embraced by the 20th century avant-garde, the artist has enjoyed the dual prestige of tradition and modernity, linking Titian to the Fauvists and Mannerism to Cubism, Expressionism, Vorticism and Abstraction up to the Action painting.
This retrospective is the first major exhibition in France ever to be dedicated to this artist.
Born in Crete in 1541, Domenico Theotokopoulos, known as El Greco, undertook his initial apprenticeship in the Byzantine tradition before refining his training in Venice and then Rome. However, it was in Spain that his art flourished, firmly taking root from the 1577s. Attracted by the incredible promise of the El Escorial site, the artist brought Titian’s colour, Tintoretto’s audacity and Michelangelo’s heroic style. This eloquent combination, original yet consistent with his own way, gave El Greco (who died four years after Caravaggio) a unique place in the history of painting, as the last grand master of the Renaissance and the first great painter of the Golden Age.
From a Curbed.com online article:
The domed capsule is the brainchild of naval architect Jean-Michel Ducancelle, who was inspired by the floating saucer in the 1977 Bond film The Spy Who Loved Me. Under development for the last 15 years, this 21st-century version is outfitted with five south-facing solar panels that soak up the sun and power the electric motors and mechanical systems.
Half-boat, half-futuristic pod, the Anthenea is a bold take on sea-bound tourism. While we’ve already seen everything from an underwater Maldives hotel to an elevating floating home, the 538-square-foot Anthenea is being billed as “the world’s first eco-luxe floating hotel suite” (that can also be used as a spa, restaurant, night club, or really whatever the buyer can dream of).
To read more: https://www.curbed.com/2019/9/5/20850121/solar-powered-floating-hotel-suite-anthenea
Filmed, Edited and Directed by: Franck Pinel
MUSIC : Becoming Human by RYAN TAUBERT
Flow is a visual poem dedicated to the Reunion Island, on the beautiful music of RYAN TAUBERT.
From a MyModernMet.com online article:
To many nature photographers, no muse is quite as magical as a field of flowers. This tried and true subject is particularly popular with aerial photographers, whose atmospheric shots allow us to explore the mesmerizing meadows from soaring perspectives. One photographer taking this trend to new heights is Samir Belhamra, a visual artist whose love of aerial photography landed him in a lavender field in France.
Situated in Valensole, a picturesque town in Provence, this field of flowers blankets the golden landscape in shades of purple. In order to capture the extent of the site’s sprawling beauty, Belhamra begins his video at ground level. Slowly, he directs his DJI Mavic Air drone toward the sky in order to showcase the perfectly organized and seemingly endless rows of flowers from various vantage points.
To read more click on following link: https://mymodernmet.com/lavender-video-samir-belhamra/?utm_source=email&utm_medium=link&utm_campaign=newsletter&utm_term=2019-08-29
From an Economist.com online article:
Collectors who have drunk most of their Pinot already may need another glass after seeing the results. By the end of 2018, red Burgundy had returned 497%, versus 279% for the s&p 500. (Our index does not extend to 2019, since many of the wines it contains have not been traded this year.)
The index has also been less volatile than stocks are, though this may be an artefact of how it is calculated: no one knows what each wine would have sold for in the crash of 2008-09. Bordeaux and Champagne rose by 214% in 2003-18; everywhere else did worse.
Wine collectors like to proclaim that “all roads lead to Burgundy.” They often wince at the plonk they drank when starting their hobby. In America and Australia, a common entry point is local “fruit bombs”: heavy, alcoholic wines that taste of plum or blackberry; bear the vanilla or mocha imprint of oak barrels; and should be drunk within a few years of bottling.
To read more click on the following link: https://www.economist.com/graphic-detail/2019/08/24/burgundy-wine-investors-have-beaten-the-stockmarket?cid1=cust/dailypicks1/n/bl/n/20190828n/owned/n/n/dailypicks1/n/n/NA/299647/n