Tag Archives: Fiction

Interviews: Novelist Joyce Carol Oates ‘Storytelling’

Louisiana Channel (January 4, 2024) – When writing, Joyce Carol Oates writes about people, often about a family, because “the family unit to me is like the nexus of all emotion, and people derive their meaning from the position in families,” she says.

Video timeline: 0:00 On preferred subjects for writing 3:20 On Karen Blixen /Isak Dinesen 4:24 On families 6:54 On the mother figure 9:00 On the novel ‘Babysitter’ 17:27 On the novel ‘Night. Sleep. Death. And the Stars’ 22:48 How traveling resembles writing 28:47 On Donald Trump

“What is so exciting about the novel is that it mimics life and that you end up doing something you never thought you would do,” says Joyce Carol Oates, one of America’s greatest living novelists, when looking back on a life of writing.

It might be a violent event or something politically relevant, or it could be a racist experience that sets off a novel. In her storytelling, Oates finds it interesting to focus on girls at the beginning of puberty: “There’s a kind of wonderful neutrality of childhood that gets conditioned out when girls get to be 12 – 14 years old. And then, from that point on, when they’re so shaped by what we call the male gaze and the expectations of others that they grow into being someone who is this female image.”

But today, the family is very different and there are all kinds of families: “There are families of same-sex couples who got married and they may adopt a child or they may have a child of their own, but then there may be families that are like communes where people are living, sharing a house, but they are a family and they may have dogs and cats who know who they are. […] The so-called nuclear family – which is just a father, mother, and children – still exists, of course, but it’s not the only example of any longer, which is wonderful. It all begins with the emancipation of women”, Joyce Carol Oates concludes.

Oates feels attracted to writing because writing is storytelling and “what’s interesting about storytelling is that you have to have revelations. That you start off with a situation, and a little bit of a mystery evolves, and then you have to follow the tendrils and the roots of that mystery, like an investigator. And then there has to be a revelation.” This means that Oates focuses a lot in her writing on the pacing and the suspense and the movement, like “how long is a paragraph, how short is the dialogue, and how much dialogue is there in proportion to the exposition, and the craftsman side of writing is actually where many people write.“

The New York Times Book Review – December 31, 2023

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THE NEW YORK TIMES BOOK REVIEW (December 31, 2023): The latest issue features Francis Ford Coppola Is Ready For His Close-Up – Sam Wasson’s supremely entertaining new book, “The Path to Paradise”, tracks the ups and downs, ins and outs, of a remarkable career.

The Problem of Misinformation in an Era Without Trust

This image shows the face of a wooden Pinocchio figure reflected in the screen of an iPhone on a bright red background. Pinocchio’s long nose protrudes a couple inches from the screen.

Elon Musk thinks a free market of ideas will self-correct. Liberals want to regulate it. Both are missing a deeper predicament.

By Jennifer Szalai

When the billionaire entrepreneur Elon Musk sat down for his profanity-laced interview at The New York Times’s DealBook Summit in late November, his petulant dropping of F-bombs received a lot of attention. Less noticed but far more revealing was his evident disdain for a humble word beginning with the letter T. “You could not trust me,” Musk said, affecting an air of tough-guy indifference in his shearling-collared flight jacket and shiny black boots. “It is irrelevant. The rocket track record speaks for itself.”

The New York Times Book Review – December 24, 2023

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THE NEW YORK TIMES BOOK REVIEW (December 22, 2023): The latest issue features MAGIC: The Life of Earvin “Magic” Johnson, by Roland Lazenby; My Jewish Charlie Brown Christmas – The Peanuts special is the most overtly Christian TV holiday classic. So why does it speak to me so deeply?; Seven Fishes (Not Seven Dishes) for Christmas Eve – A modern Italian American take on the Feast of the Seven Fishes offers a streamlined menu any family can pull off….

Magic Man: The Story of the Greatest Point Guard in N.B.A. History

A color photograph of a tall man in midair holding a basketball. His uniform is purple and gold.

Roland Lazenby’s big biography of Magic Johnson gives us a wealth of detail, a huge cast of characters and, in a way, the tapestry of our time.

By Thomas Beller

MAGIC: The Life of Earvin “Magic” Johnson, by Roland Lazenby


I once asked a portrait photographer why no one ever smiled in her pictures, and she replied, “A smile is a mask.”

I thought of this aphorism as I read Roland Lazenby’s 800-page biography of Magic Johnson. Sports Illustrated declared his smile to be one of the two greatest smiles of the 20th century. (The other was Louis Armstrong’s.) As Missy Fox, the daughter of his high school coach, says in the book, “That is the one thing he’s always had, that smile.”

My Jewish Charlie Brown Christmas

Two animated Peanuts characters, Charlie Brown and Linus, stand beside a very anemic Christmas tree in the snow.

The Peanuts special is the most overtly Christian TV holiday classic. So why does it speak to me so deeply?


By James Poniewozik

“A Charlie Brown Christmas” was a one-of-a-kind wonder when it premiered in 1965 and remains so almost 60 years later. Unlike the other jingle-belled baubles that TV throws down the chimney each year, it is melancholy and meditative. The animation is minimalist and subdued, full of grays and wafting snowflakes. I could wrap myself in the Vince Guaraldi jazz score like a quilt.

And then there’s the speech.

The New York Times Book Review – December 17, 2023

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THE NEW YORK TIMES BOOK REVIEW (December 15, 2023): The latest issue features ‘Glorious Memoirs by the Very Rich’ – A look back at a time when the super-wealthy felt they had nothing to lose by letting readers inside their gilded corridors; For Kate Christensen, Bad Prose Can Never Yield a Great Book – “A book is made of language,” says the author, whose new novel is “Welcome Home, Stranger.” “How can a house be great if it’s made of shoddy materials? How can a dinner be great if it’s made with terrible ingredients?”

It’s My Privilege: Glorious Memoirs by the Very Rich

This whimsical illustration, in shades of yellow, green, gray, brown and black, features a lavishly decorated domestic space, at the center of which, beneath an opulent chandelier, sits a smiling bejeweled woman in a plush armchair. Behind her and around her we can see part of the faces and hands of busy serving staff — holding a fan, a serving tray, a dustpan and broom, etc.

A look back at a time when the super-wealthy felt they had nothing to lose by letting readers inside their gilded corridors.

By Molly Young

“Class consciousness takes a vacation while we’re in the thrall of this book,” Barbara Grizzuti Harrison wrote in the Book Review in 1985, in her evaluation of the heiress Gloria Vanderbilt’s memoir “Once Upon a Time.” To be clear, Harrison was referring to the class consciousness of the reader, not the author. Vanderbilt demonstrates perfect awareness throughout her book that most young children don’t play with emerald tiaras and alligator jewel boxes lined in chestnut satin, or rely on the services of multiple butlers, or lose count of their own houses. Harrison’s point was that Vanderbilt’s talent with a pen — and perspective on her own economic altitude — allowed consumers of her tale to suspend their envy and engage with the reality of growing up in opulent neglect.

For Kate Christensen, Bad Prose Can Never Yield a Great Book

This illustration of Kate Christensen shows her with long reddish brown hair parted on one side and falling past her shoulders. Her green eyes match her crew-neck blouse.

“A book is made of language,” says the author, whose new novel is “Welcome Home, Stranger.” “How can a house be great if it’s made of shoddy materials? How can a dinner be great if it’s made with terrible ingredients?”

What books are on your night stand?

I’m living temporarily in a rented house in Iowa City, teaching at the Writers’ Workshop. When I arrived there was not one book in the entire place, so I made an emergency trip to the local used-book store, collecting whatever leaped out at me from the shelves, mostly based on the wonderful titles: “Overhead in a Balloon,” by Mavis Gallant; “Watson’s Apology,” by Beryl Bainbridge; “Anthills of the Savannah,” by Chinua Achebe; “The Brandon Papers,” by Quentin Bell; “The Marquis of Bolibar,” by Leo Perutz; “The Seven Sisters,” by Margaret Drabble; “Bruised Hibiscus,” by Elizabeth Nunez; “A Journal of the Plague Year,” by Daniel Defoe.

The New York Times Book Review – December 10, 2023

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THE NEW YORK TIMES BOOK REVIEW (December 10, 2023): 

The Critics’ Picks: A Year in Reading

This is a colorful illustration of dozens of brightly colored books, shown as if they were refracted through a kaleidoscope.
Credit…Timo Lenzen

The Book Review’s daily critics — Dwight Garner, Alexandra Jacobs and Jennifer Szalai — reflect on the books that stuck with them in 2023.

By Jennifer SzalaiAlexandra Jacobs and Dwight Garner

24 Things That Stuck With Us in 2023

Margot Robbie, dressed in head-to-toe pink, drives a pink convertible with Ryan Gosling, also in pink, in the back seat. They’re driving through the desert, with a sign reading Barbie Land behind them.
Ryan Gosling and Margot Robbie in “Barbie.”Credit…Warner Bros. Pictures

Films, TV shows, albums, books, art and A.I.-generated SpongeBob performances that reporters, editors and visual journalists in Culture couldn’t stop thinking about this year.

Literary Previews: The Paris Review – Winter 2023

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Paris Review Winter 2023 — The new issue features Louise Glück on the Art of Poetry – “You want a poem to register in every mind the way it did in yours. Then you discover this never happens.”; Yu Hua on the Art of Fiction: “If I’d taken another two or three years to start writing, I’d still be a dentist.”; Prose by Ananda Devi, Fiona McFarlane, and Sean Thor Conroe and more…

TABLE OF CONTENTS

The New York Times Book Review – December 3, 2023

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THE NEW YORK TIMES BOOK REVIEW (December 3, 2023): This week features the Holiday Books issue that lands with a thump, a 56-page behemoth crammed with reviews, coffee-table book spreads, recommendations from our genre columnists, a children’s book gift guide and our 100 Notables list. 

100 Notable Books of 2023

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Each year, we pore over thousands of new books, seeking out the best novels, memoirs, biographies, poetry collections, stories and more. Here are the standouts, selected by the staff of The New York Times Book Review.

How a Good Book Became the ‘Richest’ of Holiday Gifts

As Christmas came to be celebrated in the home, choosing the right volume was a way to show intimate understanding of the person opening the package.

By Jennifer Harlan

As long as people have been buying gifts for the holidays, they have been buying books. Books offer infinite variety, are easily wrapped, can be personalized for the recipient and displayed as a signifier of one’s own identity. They are, in many respects, the quintessential Christmas — or Hanukkah or Kwanzaa or other December celebration — gift.

The New York Times Book Review – November 26, 2023

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THE NEW YORK TIMES BOOK REVIEW (November 26, 2023): This week’s issue features  Michael Cunningham’s “Day.”; the 2023 Notables list, “Kantika”, “The Nursery.” and “Western Lane” , because it’s a finalist for the Booker Prize, which will be announced on Sunday.

A Pandemic Novel That Never Says ‘Pandemic’

This illustration shows three people sitting at a table, but the image is broken up into three panels, giving the appearance that the three people are in the same space, but alone and at different times.

Michael Cunningham’s “Day” peeks into the lives of a family on one specific April date across three years as life changes because of Covid and other challenges.

By Caleb Crain

DAY, by Michael Cunningham


Michael Cunningham’s new novel, “Day,” visits a family on April 5 in 2019, 2020 and 2021 — before, during and after the onset of the Covid-19 pandemic, which shadows the book although the words “Covid” and “pandemic” never appear.

‘Western Lane’ Finds Solace From Grief on the Squash Court

In Chetna Maroo’s debut novel, an adolescent girl mourns the death of her mother in the empty reverberations between points.

By Ivy Pochoda

WESTERN LANE, by Chetna Maroo


At the start of Chetna Maroo’s polished and disciplined debut, Gopi, an 11-year-old Jain girl who has just lost her mother, stands on a squash court outside London. She isn’t playing. Instead, she’s listening to the sound of the ball hitting the wall on the adjacent court, “a quick, low pistol-shot of a sound, with a close echo.” It is not so much the shot itself that Gopi is hearing, but that echo, the empty reverb, the lonely response as the ball’s impact gives the striker a split second to retreat to the T, the center of the court, and prepare to counteract her opponent’s responding shot.

Reviews: Top Historical Fiction Books Of 2023

The New York Times Book Review (November 21, 2023): Each year, we pore over thousands of new books, seeking out the best novels, memoirs, biographies, poetry collections, stories and more. Here are the standouts, selected by the staff of The New York Times Book Review.

Top Historical Fiction Books of 2023

AFTER SAPPHO by Selby Wynn Schwartz

AFTER SAPPHO by Pan

Inspired by Sappho’s work, Schwartz’s debut novel offers an alternate history of creativity at the turn of the 20th century, one that centers queer women artists, writers and intellectuals who refused to accept society’s boundaries.

THE COVENANT OF WATER by Abraham Verghese

Verghese’s first novel since “Cutting for Stone” follows generations of a family across 77 years in southwestern India as they contend with political strife and other troubles — capped by a shocking discovery made by the matriarch’s granddaughter, a doctor.

FORBIDDEN NOTEBOOK by Alba de Céspedes

A best-selling novelist and prominent anti-Fascist in her native Italy, de Céspedes has lately fallen into unjust obscurity. Translated by Ann Goldstein, this elegant novel from the 1950s tells the story of a married mother, Valeria, whose life is transformed when she begins keeping a secret diary.

THE FRAUD by Zadie Smith

Based on a celebrated 19th-century trial in which the defendant was accused of impersonating a nobleman, Smith’s novel offers a vast panoply of London and the English countryside, and successfully locates the social controversies of an era in a handful of characters.

A HISTORY OF BURNING by Janika Oza

This remarkable debut novel tells the story of an extended Indo-Ugandan family that is displaced, settled and displaced again.

KAIROS by Jenny Erpenbeck

This tale of a torrid, yearslong relationship between a young woman and a much older married man — translated from the German by Michael Hofmann — is both profound and moving.

KANTIKA by Elizabeth Graver

Inspired by the life of Graver’s maternal grandmother, this exquisitely imagined family saga spans cultures and continents as it traces the migrations of a Sephardic Jewish girl from turn-of-the-20th-century Constantinople to Barcelona, Havana and, finally, Queens, N.Y.

LONE WOMEN by Victor LaValle

The year is 1915, and the narrator of LaValle’s horror-tinged western has arrived in Montana to cultivate an unforgiving homestead. She’s looking for a fresh start as a single Black woman in a sparsely populated state, but the locked trunk she has in stow holds a terrifying secret.

NORTH WOODS by Daniel Mason

Mason’s novel looks at the occupants of a single house in Massachusetts over several centuries, from colonial times to present day. An apple farmer, an abolitionist, a wealthy manufacturer: The book follows these lives and many others, with detours into natural history and crime reportage.

NOT EVEN THE DEAD by Juan Gómez Bárcena

An ex-conquistador in Spanish-ruled, 16th-century Mexico is asked to hunt down an Indigenous prophet in this novel by a leading writer in Spain, splendidly translated by Katie Whittemore. The epic search stretches across much of the continent and, as the author bends time and history, lasts centuries.

THIS OTHER EDEN by Paul Harding

In his latest novel, inspired by the true story of a devastating 1912 eviction in Maine that displaced an entire mixed-race fishing community, Harding turns that history into a lyrical tale about the fictional Apple Island on the cusp of destruction.

THE UNSETTLED by Ayana Mathis

This novel follows three generations across time and place: a young mother trying to create a home for herself and her son in 1980s Philadelphia, and her mother, who is trying to save their Alabama hometown from white supremacists seeking to displace her from her land.

The New York Times Book Review – November 19, 2023

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THE NEW YORK TIMES BOOK REVIEW (November 19, 2023): This week’s issue features Fuchsia Dunlop’s seductive new exploration of Chinese cuisine, “Invitation to a Banquet”; Michael Lewis Tells His Own Story of Sam Bankman-Fried; He Carried the Bags (and the Secrets) for the Beatles – A new biography resuscitates the colorful, tragic life of Mal Evans: roadie, confidant, procurer, cowbell player…

A History of Chinese Food, and a Sensory Feast

A photograph of assorted dim sum, including green steamed dumplings, rice rolls, shumai and other items.

Fuchsia Dunlop’s “Invitation to a Banquet” is a cultural investigation of an impossibly broad and often misunderstood cuisine.

By Dwight Garner

INVITATION TO A BANQUET: The Story of Chinese Food, by Fuchsia Dunlop

“A really good cookbook,” Jan Morris wrote, “is intellectually more adventurous than the Kama Sutra.” Fuchsia Dunlop’s masterly new book, “Invitation to a Banquet: The Story of Chinese Food,” is not a cookbook per se. But it has an earthiness that calls to mind Morris’s comment.

AUDIOBOOKS

Listen to a Wellness-Culture Satire That Delves a Few Levels Deeper

In Jessie Gaynor’s debut novel, “The Glow,” read by Gabra Zackman, a P.R. rep immerses herself in the woo-woo world of a cultlike “spiritual retreat,” and its enigmatic leader.