The Burlington Magazine – January 3, 2024: The new issue features ‘The Golden Age of Avignon’ – Avignon as ‘New Rome’; Rubens and women; Tiepolo in New York; Gertrude Stein and Picasso, and more….

China’s Southern Paradise: Treasures from the Lower Yangzi Delta

A vivid photograph of a lotus pond ushers visitors into this ambitious exhibition on the arts and culture of Jiangnan. Lying to the south of the Yangtze – its name literally means ‘south of the river’ – this part of China includes such major cities as Shanghai, Hangzhou and Suzhou. Curated by Clarissa von Spee, Chair of Asian Art and the James and Donna Reid Curator of Chinese Art at the Cleveland Museum of Art (CMA), this is the first exhibition outside China to present an encyclopaedic view of the cultural history of this historically affluent region.

The Walpole Society

Ever since the Walpole Society was founded in London in 1911 ‘with the object of promoting the study of the history of British art’, The Burlington Magazine has taken a close interest in an organisation with aims and principles so close to our own: this is the sixth Editorial we have devoted to the subject. The first, written by the art historian August F. Jaccaci, who edited the Magazine’s ‘Art in America’ section, appeared in 1913 on the occasion of the publication of the first of the annual volumes that are the society’s raison d’être.

The Morgan Library & Museum (November 27, 2023) – The Morgan is home to one of the world’s largest and most important collections of drawings by Giambattista Tiepolo (1696–1770) and his eldest son Domenico (1727–1804), with more than 300 representative examples of their lively invention and masterful techniques.

Spirit and Invention: Drawings by Giambattista and Domenico Tiepolo

October 27, 2023 through January 28, 2024

Combining highlights from the Morgan’s collection with carefully selected loans, this exhibition will provide a comprehensive look at the Tiepolos’ work as draftsmen, focusing on the role of drawing in their creative process and the distinct physical and stylistic properties of their graphic work. At the core of the collection and exhibition are substantial groups of Giambattista’s drawings that relate to major ceiling fresco projects of the 1740s and 1750s.

A fresh look at the style, function, and material properties of these working drawings has yielded new insights into their purposes. Most significantly, the exhibition presents for the first time extremely rare pen studies for Tiepolo’s magnum opus, the ceiling fresco above the staircase of the Würzburg Residenz of 1752, and a group of bold sketches newly connected with his ceiling fresco of 1754 at the Venetian church of Santa Maria della Pietà.

Other sections of the exhibition highlight the introduction of Domenico to the family workshop, the exchanges between father and son, and the great series drawings by both: Giambattista’s fantastic heads and figures seen di sotto in su, and Domenico’s drawings of animals, biblical scenes, and contemporary life.

The exhibition will end with a wall including striking examples from Domenico’s late Punchinello series. October 27, 2023 through January 28, 2024