Category Archives: Poetry

Arts: The Brooklyn Rail – December/January 2025

The Brooklyn Rail (December 11, 2024): The latest issue features…

“When you invent the ship, you must also invent the shipwreck; when you invent the plane, you must also invent the plane crash; and when you invent electricity, you invent electrocution… Every technology carries its own negativity, which is invented at the same time as technical progress.”
–Paul Virilio

“The human spirit must prevail over technology.”
–Albert Einstein

Art

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Sylvia Plimack Mangold: Tapes, Fields, and Trees, 1975–84 – By Rebecca Allan

David Smith: The Nature of Sculpture – By Phong Bui

Siena: The Rise of Painting, 1300–1350 – By David Carrier

Jaeheon Lee: Ghosts in the Garden – By William Corwin

Edges of Ailey – By Ekin Erkan

Patterns in Abstraction – By Leia Genis

Jordan Nassar: THERE – By Robert Alan Grand

Jay DeFeo: Trees – By Suzanne Hudson

Nour Mobarak: Dafne Phono – By Eana Kim

Yuli Yamagata: Ghosts Don’t Wear Watches – By Alfred Mac Adam

Soledad Sevilla: Ritmos, tramas, variables – By Valerie Mindlin

Mark Bradford: Keep Walking – By Charles Moore

André Griffo: Exploded View – By Rômulo Moraes

Jesse Krimes: Corrections – By Joanna Seifter

Lynne Drexler: Color Notes – By David Whelan

Rosemarie Beck: Earthly Paradise – By Leah Triplett Harrington

Francesco Clemente: Summer Love in the Fall – By Selena Parnon

Sean Scully: Duane Street, 1981–1983 – By Raphy Sarkissian

Henni Alftan: Stop Making Sense – By Ann C. Collins

Hap Tivey: Perception is the Medium – By Benjamin Clifford

William Gropper: Artist of the People – By Margot Yale

Literarature: The Paris Review – Winter 2024-2025

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Paris Review Summer 2024 (September 10, 2024) — The new issue features:

Fredric Jameson on the Art of Criticism: “Ideological critique has to end up being a critique of the self. You can’t recognize an ideology unless, in some sense, you see it in yourself.”

Hanif Kureishi on the Art of Fiction: “When I was in hospital in Rome, having the experience of being a paralyzed man nearly dead, my only excitement was in the thought that I could write some of this shit down.”

Gerald Murnane on the Art of Fiction: “A fatal question—what are people reading these days? Never mind what people are reading these days. What should I be writing about is the fundamental question.”

Prose by Dan Bevacqua, Caoilinn Hughes, Silas Jones, Alec Niedenthal, Adania Shibli, and Abdulah Sidran.

Poetry by Sargon Boulus, Egill Skallagrímsson, Rachel Mannheimer, Simone White, and Hua Xi.

Art by Ann Craven, Ala Ebtekar, and Josh Smith; cover by Seth Becker.

Arts & Literature Preview: Kenyon Review – Fall 2024

Fall 2024 | Journal

Kenyon Review – December 8, 2024: The 2024 The Fall 2024 issue of The Kenyon Review includes the winner and runners-up for the Patricia Grodd Poetry Prize for Young Writers, selected by Richie Hofmann; the winner of the First Annual Poetry Contests selected by Pádraig Ó Tuama; and a Rural Spaces folio guest-edited by Jamie Lyn Smith, Brian Michael Murphy, and Andrew Grace, with poetry by ethan s. evansJP GrasserFaylita Hicks, and Alberto Rios; fiction by Nick BertelsonChee BrossyKai Carlson-Wee, and Issa Quincy; and nonfiction byapyang Imiq translated by brenda lin; and much more, including interior and cover art by Ming Smith.

Literary Arts: The London Magazine – December 2024

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The London Magazine (December 2, 2024): The latest issue features poetry, short fiction and…

Joey Connolly on information overload, syzygy and Liz Truss.

Betty Rose Townley on Hera Lindsay Bird and the texture of bisexuality.

Jen Calleja on writing experimental memoirs.

Aidan Tulloch on walking through England’s World’s Ends. 

Richie Jones on Jack Reacher and headbutts. 

Reviews by Rowland Bagnall, Tommy Gilhooly, Patrick Cash, Tallulah Griffith.

Cover image by Paul Graham.

Literary Arts: Granta Magazine – Autumn 2024

Granta | The Home of New Writing

Granta Magazine (November 7, 2024): The “China” issue feautures At a time when China has become a unifying spectre of menace for Western governments, this issue of Granta seeks to bring the country’s literary culture into focus.

  • Featuring fiction by Yu Hua, Zou Jingzhi, Yan Lianke, Jianan Qian, Shuang Xuetao, Mo Yan, Zhang Yueran, Ban Yu, Yang Zhihan and Wang Zhanhei.
  • Essays by Xiao Hai and Han Zhang, as well as a conversation between Wu Qi and Granta.
  • Photography from Feng Li, Haohui Liu and collaborators Li Jie and Zhang Jungang.
  • And poetry from Huang Fan, Lan Lan, Hu Xudong and Zheng Xiaoqiong.

Literary Previews: The Paris Review – Fall 2024

Paris Review Fall'24

Paris Review Summer 2024 (September 10, 2024) — The new issue features:

Not Enough about Frank: A Visit with James Schuyler

Peter Schjeldahl

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From left, Frank O’Hara, John Button, Schuyler, and Joe LeSueur, ca. 1960. © Estate of John Button, courtesy of CLAMP, New York.

James Schuyler on Frank O’Hara: “I still can see Frank, standing on that street corner outside a pastry shop, holding a neatly tied-up box of God knows what—éclairs, perhaps.”

James Schuyler was born in Chicago in 1923, grew up in Washington, D.C., and East Aurora, New York, and spent most of his adult years in New York City and Southampton, Long Island. Although he is perhaps less widely known than the fellow New York School poets with whom he is associated, John Ashbery, Frank O’Hara, Barbara Guest, and Kenneth Koch, he published six full-length books of poetry during his lifetime—beginning with Freely Espousing, published by Doubleday and Paris Review Editions in 1969—as well as two novels, and a third written in collaboration with Ashbery. In 1981 he won the Pulitzer Prize for his collection The Morning of the Poem (1980). Mental illness plagued him intermittently, and there were times when his life threatened to veer out of control, but friends repeatedly rallied around him, and the years before his death in 1991 were happy and productive. 

Javier Cercas on the Art of Fiction: “Hell, to me, is a literary party.”

Prose by Josephine Baker, Caleb Crain, Marlene Morgan, Morgan Thomas, and Fumio Yamamoto.

Poetry by Hannah Arendt, Matt Broaddus, Sara Gilmore, Benjamin Krusling, Mark Leidner, James Richardson, and Margaret Ross.

Art by Ayé Aton and Ron Veasey, and cover by Sterling Ruby.

Literary Previews: The Paris Review – Summer 2024

The Paris Review No. 248, Summer 2024

Paris Review Summer 2024 — The new issue features:

Mary Robison on the Art of Fiction: “The first thing they’d say was ‘This is a nice story—where’s your novel?’ And I would just lie my head off. ‘Oh, it’s at home. It’s almost there!’”

Elaine Scarry on the Art of Nonfiction: “A lot of my troubles in life have come from taking literally what I should have understood as figurative.”

Prose by Peter Cornell, Rodolfo Enrique Fogwill, Renee Gladman, Nancy Lemann, Banu Mushtaq, K Patrick, and Anne Serre.

Jhumpa Lahiri on the Art of Fiction: “My question is, What makes a language yours, or mine?”

Alice Notley on the Art of Poetry: “Writing is not therapy. That’s the last thing it is. I still have my grief.”

Prose by Elijah Bailey, Julien Columeau, Joanna Kavenna, Samanta Schweblin, Eliot Weinberger, and Joy Williams.

Poetry by Gbenga Adesina, Elisa Gabbert, Jessica Laser, Maureen N. McLane, Mary Ruefle, Julian Talamantez Brolaski, and Matthew Zapruder.

Art by Farah Al Qasimi and Chris Oh.

TABLE OF CONTENTS

Arts & Literature: Kenyon Review – Spring 2024

Richie Hofmann (@RichieHof) / X

Kenyon Review – April 19, 2024: The 2024 Spring issue features Beth Bachmann’s 2023 Short Fiction Contest-winning story, chosen by judge Danielle Evans; fiction by Nick Almeida and Lauren Cassani Davis; poetry by Fatima Jafar and Marcus Wicker; and a folio of Literary Curiosities, which features work by Jennifer ChangJ. D. DebrisSummer FarahEliza GilbertChristine ImperialPhoebe Peter OathoutTega OghenechovwenMaya C. Popa, and more. The cover art is a detail of Chitra Ganesh’s City Inside Her, from the artist’s Architects of the Future portfolio.

Literary Previews: The Paris Review – Spring 2024

The Paris Review No. 247, Spring 2024—Subscriber Cover

Paris Review Spring 2024 — The new issue features interviews with Jhumpa Lahiri and Alice Notley, prose by Joy Williams and Eliot Weinberger, poetry by Mary Ruefle and Jessica Laser, art by Chris Oh and Farah Al Qasimi, two covers by Nicolas Party, and more…

Jhumpa Lahiri on the Art of Fiction: “My question is, What makes a language yours, or mine?”

Alice Notley on the Art of Poetry: “Writing is not therapy. That’s the last thing it is. I still have my grief.”

Prose by Elijah Bailey, Julien Columeau, Joanna Kavenna, Samanta Schweblin, Eliot Weinberger, and Joy Williams.

Poetry by Gbenga Adesina, Elisa Gabbert, Jessica Laser, Maureen N. McLane, Mary Ruefle, Julian Talamantez Brolaski, and Matthew Zapruder.

Art by Farah Al Qasimi and Chris Oh.

TABLE OF CONTENTS

Arts & Literature: Kenyon Review – Winter 2024

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Kenyon Review – Winter 2024: The Winter 2024 issue of The Kenyon Review includes an essay by Carrie Cogan, the winner of the 2023 Kenyon Review Nonfiction Contest, selected by Leslie Jamison; work by the 2021 Kenyon Review Developmental Editing Fellows, Allison AlbinoEmily Stoddard, and Jane Walton; poetry by Sara Abou Rashed, Sarah Ghazal Ali, David Joez Villaverde, and Kim Garcia; fiction by K-Ming ChangMelissa Yancy, and Brian Ma; nonfiction by Oz Johnson and Sarah Minor; and much more. The cover art is by DARNstudio, which consists of Ron Norsworthy and David Anthone.

Lowest of the Low on a High Red Hill

By Carrie Cogan

I rode west with a childhood friend who was driving to a job in California. We passed through Tennessee, Arkansas, Oklahoma, and still there was no sign of the Commander. My friend placed a bag of chocolate-covered espresso beans on the console between us, jumble of rich dark gems, glittering like they were wet. I crunched them in my teeth without thinking. Sometimes I drove and let her sleep. When clouds clotted the sun her hair still glowed, some mix of orange and yellow and pink. Toast, or the honey for it, or the cinnamon.  

After we spent a day and a night in a certain desert town, I told my friend to go on without me. I’d stay. The town was bordered by empty hills and endless sky: room to disappear. I found an unopened pack of Juicy Fruit gum on the sidewalk, which I took for a sign.