Times Literary Supplement (June 30, 2023): Evelyn Waugh’s failed marriage and spiritual crisis; The police on trial; Grotesque, unbelievable murder; Lorrie Moore’s road trip; Levity in death and more….
The Critic Magazine (July 2023 Issue) – The new issue features The errors of escalation; The end of German stability?; Brahms: sublime genius on a major scale, and more…
What does it mean and why is it so dangerous?
The National Portrait Galley’s renovation doesn’t disappoint, bringing light and space to tell the story of the nation
THE NEW YORK TIMES BOOK REVIEW – JUNE 25, 2023: The Reading Crisis by @aoscott; ‘Little Monsters’ by @adriennebrodeur; ‘The Art Thief’ by @MikeFinkel and more…
Book bans, chatbots, pedagogical warfare: What it means to read has become a minefield.
By A.O. Scott
Everyone loves reading. In principle, anyway. Nobody is against it, right? Surely, in the midst of our many quarrels, we can agree that people should learn to read, should learn to enjoy it and should do a lot of it. But bubbling underneath this bland, upbeat consensus is a simmer of individual anxiety and collective panic. We are in the throes of a reading crisis.
In her new novel, “Little Monsters,” Adrienne Brodeur takes readers on a stressful march toward a patriarch’s 70th birthday party.
By MARY POLS
Adrienne Brodeur’s “Little Monsters” is cleverly calculated to push all the buttons for a wide swath of women. Like her 2019 memoir “Wild Game,” which examined the role Brodeur played in her mother’s long affair with a family friend, “Little Monsters” is a tale of dysfunction and buried secrets, set in and around moneyed Cape Cod.
Blue Machine
By Helen Czerski (2023)
Few scientific subjects are so vast, and yet oceans “often seem invisible”, remarks physicist and broadcaster Helen Czerski; the workings of the seas got no mention in her physics training. Her profound, sparkling global ocean voyage mingles history and culture, natural history, geography, animals and people, to understand the “blue machine”: the ocean engine powered by sunlight that shunts energy from Equator to poles.
The Science of Reading
By Adrian Johns (2023)
Starting in the 1880s with US psychologist James Cattell, the experimental study of reading dealt in extremes, notes information historian Adrian Johns in his intriguing analysis. Researchers devised mechanical ways to measure quantities that were nearly imperceptible, such as pauses in motion as an eye scans prose. Today, scanners can measure brain activity, but the reading process remains mostly imponderable.
Meetings with Moths
By Katty Baird (2023)
Ecologist Katty Baird’s fly-specialist friend grumbles that butterflies should be renamed ‘butter-moths’. Butterflies and moths belong to one order, and are not always easy to tell apart. However, most butterflies rest with wings shut, whereas resting moths display theirs. The garden tiger moth (Arctia caja), for example, has “forewings a mosaic of darkest brown and white which conceal shocking scarlet underwings spotted with denim blue”.
A History of Ancient Egypt, Volume 3
By John Romer (2023)
This deeply informed history by Egyptologist John Romer focuses on the New Kingdom, 1550–1185 bc, including rulers Nefertiti, Tutankhamun and Ramesses II: crucial figures in popular perception. Calling it the “most fantasized period in all of ancient history”, Romer criticizes much scholarship on the era for being “firmly stuck” in the nineteenth-century European vision of ancient Egypt, launched by Jean-François Champollion in the 1820s.
In the Herbarium
By Maura C. Flannery (2023)
London’s Royal Botanic Gardens at Kew are open to all. Not so Kew’s Herbarium, a collection of more than seven million plant specimens reserved for academic visitors. Access to most herbaria is restricted: biologist Maura Flannery knew “almost nothing” about them until 2010, when a US curator took her behind the scenes at one and she fell in love with them.
Times Literary Supplement (June 23, 2023): Twenty-two TLS writers’ choices for best Summer 2023 Books, Anna Della Subin on Mary Magdalene; Kojo Koram on global capitalism; Zachary Leader on Joyce and Léon and illustrating Victorian classics
Noël Coward’s Third Act; Fassbinder and His Friends; Marx’s Literary Style by Ludovico Silva, and more…
Marx’s Literary Style
by Ludovico Silva, translated by Paco Brito Núñez.
Working on Capital in the British Museum, plagued by creditors and carbuncles, Karl Marx complained not only that nobody had ever written so much about money and had so little of it, but that ‘this economic crap’ was keeping him from writing his big book on Balzac. His work is studded with allusions to Homer, Sophocles, Rabelais, Shakespeare, Cervantes, Goethe and scores of other authors, though he was less enthralled by ‘Elizabeth’s arse-kissing poet’ Edmund Spenser, an advocate of state terror in Ireland.
Most of us would find it horrible to be told that we aren’t worth engaging with, that our views are socially unacceptable or merely a function of demography. But that it is painful to be on the receiving end of such remarks doesn’t mean that one’s own rights to ‘free speech’ are thereby imperilled; it might simply be a reminder that speech can wound.
Killingly by Katharine Beutner
In 1897 Bertha Mellish, a student at Mount Holyoke College in Massachusetts, disappeared. She was never found. Katharine Beutner uses this real-life mystery as the foundation for her second novel, Killingly (Corvus £14.99). Her focus is on those who were left behind, making what sense they can of Bertha’s exit from their lives. Agnes, her closest friend on campus, harbours knowledge she has vowed not to reveal; Florence, Bertha’s much older sister, is also keeping secrets from the past that have shaped her life; Henry Hammond, an arrogant medical man who believes he was destined to marry Bertha, uncovers truths for which he is unprepared. Beutner creates an impressive, multistranded story of pain, loss, and women’s struggle to escape the restrictions that are imposed on them.
Radical Love by Neil Blackmore
Neil Blackmore’s Radical Love (Hutchinson £16.99) also takes a historical event — the Vere Street Coterie of 1810, which resulted in the hanging and pillorying of gay men — as the basis for its story. The narrator, John Church, is a minister who believes that love of all kinds should be religion’s motivating force. He takes this message to a molly house in Vere Street, where he offers same-sex marriages to the drag queens and rent boys who gather there. At the same time, he is driven by his own passion for Ned, a young former slave. Both a celebration of the erotic lives of long-dead gay Londoners and a lament for past persecutions, Radical Love is a powerful story of desire flourishing amid danger.
The Fascination by Essie Fox
The Fascination (Orenda £16.99) is the fifth novel by Essie Fox, in which she once again makes skilful use of the tropes of Victorian gothic fiction. Keziah Lovell, 15, is an unwilling accomplice in her father’s schemes to sell his quack elixir to gullible punters. She is assisted by her twin sister, Tilly, a petite beauty who stopped growing at the age of five. Then their father sells them to an enigmatic Italian man known only as “Captain”. Surrounded by the “freaks” of his tribe, they face unexpected threats in a story of society’s outsiders seeking acceptance and redemption.
Morgan Is My Name by Sophie Keetch
There has been no shortage recently of feminist retellings of Greek myths. New versions of the Arthurian stories have been less common, but Sophie Keetch’s Morgan Is My Name (Magpie £16.99) is the first volume of a promised trilogy that has Morgan Le Fay as its narrator. Usually cast as the villain in the Arthurian tradition, here she is a fiery, intelligent woman who refuses to play the roles expected of her and determines to take control of her life. Turning the legends on their heads, Keetch finds new potential in them.
Flatlands by Sue Hubbard
Taking its inspiration from Paul Gallico’s novella The Snow Goose, Sue Hubbard’s Flatlands (Pushkin £16.99) explores the wartime relationship that develops between Freda, a 12-year-old evacuee from the East End of London, and Philip Rhayader, a troubled conscientious objector, who are both exiled to the East Anglian fenlands. Precise in its historical detail and admirable in its evocation of the large skies and isolation of its setting, this is a moving study of an unlikely friendship and the healing power of the natural world.
THE NEW YORK TIMES BOOK REVIEW – JUNE 18, 2023: Stephen King reviews of S. A. Cosby’s blistering new Southern gothic, “All the Sinners Bleed,” which graces our cover this week. Also featured are John Vaillant’s chillingly prescient book about a 2016 Canadian wildfire; a history that pieces together a botany expedition in the Grand Canyon some 85 years ago; and the spiky, percussive, heavy-metal-infused novel “Gone to the Wolves.”
Stephen King reviews S.A. Cosby’s latest novel, “All the Sinners Bleed.”
Titus Crown is an ex-F.B.I. agent who gets a sheriff’s job, almost by accident, in a rural Virginia community. He’s Black. Mr. Spearman teaches geography and wears a coat of many countries on Earth Day. He’s white. Given the name of the town and county where these two live — Charon — one can expect bad things to happen, and they certainly do. As in S.A. Cosby’s previous two novels, “Blacktop Wasteland” and “Razorblade Tears,” the body count is high and the action pretty much nonstop.
In Melissa Sevigny’s “Brave the Wild River,” we meet the two scientists who explored unknown terrain — and broke barriers.
Let’s start this story on a sun-blistered evening in August 1938. A small band of adventurers had just concluded a 43-day journey from Utah to Nevada — although perhaps “journey” is too tame a description for a trip that had required weeks of small wooden boats tumbling down more than 600 miles of rock-strewn rivers. The goal was twofold. First, to simply survive. And then, to chart the plants building homes along the serrated walls of the Grand Canyon.
Times Literary Supplement (June 16, 2023): E.M. Forester’s last romance; Freudian foreign policy; Richard Ford runs out of gas; What it is to be human and Wars of succession…
With their unnerving stare and eerie ways, it is small wonder that owls provoke superstition—and flights of fancy, as in the owl who sails with the pussycat in Edward Lear’s poem. In myths, stories and art, “owls speak of wisdom and luck, of misfortune and malevolence”, the author writes. They were associated with Athena, Greek goddess of wisdom.
Ms Ackerman is a natural-history writer who specialises in the avian world. In “What an Owl Knows” she offers an absorbing ear-tuft-to-tail appreciation of the raptor that Mary Oliver, a poet, called a “god of plunge and blood”. Owls, it seems, know a lot. Ms Ackerman draws on recent research to explain what and how.
To begin with, she stresses, there is no generic owl, but rather a diversity of some 260 species found on every continent bar Antarctica. They stretch from the fire-hydrant-sized Blakiston’s Fish Owl to the Elf Owl, which could fit in your palm. Most, but not all, are nocturnal.
Jennifer Ackerman has been writing about science and nature for almost three decades. Her most recent book, What an Owl Knows: The New Science of the World’s Most Enigmatic Birds, explores recent findings on the biology, behavior, and conservation of owls. Her previous book, The Bird Way: A New Look at How Birds Talk, Work, Play, Parent, and Think, was a finalist for the PEN/E. O. Wilson Literary Science Writing Award. Her New York Times bestselling book, The Genius of Birds, has been translated into twenty-five languages and was named one of the best nonfiction books of 2016 by The Wall Street Journal, a Best Science Book by NPR’s Science Friday, and a Nature Book of the Year by The Sunday Times.
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