Warner Classics (May 5, 2023) – Delirium Musicum and the ensemble’s artistic director Etienne Gara play a fiery movement from Max Richter’s thrilling reinterpretation of Vivaldi’s The Four Seasons.
“In a world where climate change is at the heart of our attention, these eight delightfully unhinged seasons are scattered across a wildly singular time. They cast an artistic blur on our perception of what has always seemed taken for granted, unshakeable: the seasons with their established climates, our perception of time and space, Vivaldi’s Four Seasons…”
Musée du Louvre (May 4, 2023) – As part of its contemporary programs, the Louvre has invited twenty young creative figures to present their take on the museum in the form of a 3:30 min film.
The “Louvre Looks” initiative brings together creatives under forty – whether they come from the visual arts, poetry, film, experimental music, or fashion. They created new films in the palace itself and thus reconnect with the past of the Louvre – which hosted artist studios even before it became a museum. These films go live every Thursday on YouTube. Over the course of twenty weeks, you will be given the opportunity to discover many fresh insights into the Louvre.
The fourteenth film was conceived by stylist Marine Serre. Addressing the upcycling of clothes, she has reinterpreted Quentin Metsys’ Mary Magdalen wearing a new dress, thereby creating a bridge between time periods.
Painter: Jean François Grébert
Marine Serre for Regards du Louvre
Creative Direction: Marine Serre
A Film Directed by: Beau Rivage Film
Music: Vivaldi, The four Seasons 3rd Movement by Wilfred Symphony Orchestra
Music Ensemble: Il Giardino Armonico, Milano, Italy Dancer & Choreography: Margarita Ermachenko
Antonio Vivaldi
Antonio Vivaldi (1678–1741) grew up in Venice, Italy where his father, a professional violinist, taught him to play the violin and introduced him to some of the finest musicians and composers in the city. At the age of 15, he also began studying to become a priest. Because of his red hair, he was known as il Prete Rosso (“the Red Priest”). Vivaldi had to leave the clergy due to health issues, and he accepted several short-term musical positions funded by patrons in Mantua and Rome. It was in Mantua that he wrote his four-part masterpiece, The Four Seasons. He was also known for his operas, including Argippo and Bajazet. Vivaldi’s work, including nearly 500 concertos, influenced many later composers, including Bach.
The collection of Twelve Trio Sonatas Op. 1 was published by the Venetian house of Giuseppe Sala in 1705. Similarly to the other published collections by Vivaldi, it became known throughout Europe and reprinted four more times within the composer’s lifetime. It was dedicated to Count Annibale Gambara.
At the turn of the 17th and 18th centuries, the trio sonata was one of the most popular genres of instrumental music in Italy. The composers modelled their work on four sonata collections by Arcangelo Corelli. Mastery in the genre was generally seen as a test of composing talent, allowing a display of the ability to simultaneously shape the melody and the counterpoint.
Vivaldi, similarly to Albinoni and Caldara, made his debut with a collection of twelve trio sonatas. They were written for two violins and a cello (more precisely a violone) or a harpsichord. The earliest preserved Vivaldi pieces, they are characteristic in their individual and fully-formed style.
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