Tag Archives: Producers

Interviews: 73-Year Old TV Producer Dick Wolf, “Law & Order” Creator (Video)

University of California Television UCTV LogoThe narrative engine of Hill Street Blues, lessons in brevity from writing for advertising, and structural differences between Law & Order and Law & Order: SVU arise in this conversation between executive producer/writer Dick Wolf and Carsey-Wolf Center director Patrice Petro. In this video, Wolf describes his first experiences in a TV writing room and the foundations of the record-breaking run of Law & Order: SVU. Recorded on 02/06/2020.

Richard Anthony Wolf (born December 20, 1946) is an American television producer, best known as the creator and executive producer of the Law & Order franchise. Since 1990, the franchise has included six police/courtroom dramas and four international spinoffs.

Interview: James Bond 007 Series Producers Barbara Broccoli, 59 And Michael G. Wilson, 77 (Variety UK)

From a Variety.com online interview (January 17, 2020):

Variety The U.K. Issue Family Bond 007 magazine cover January 2020“He brought flesh and blood to the character,” she says. “Bond in the novel is a silhouette. Daniel has given him depth and an inner life. We were looking for a 21st-century hero, and that’s what he delivered. He bleeds; he cries; he’s very contemporary.”

(On Daniel Craig)

“For better or worse, we are the custodians of this character,” says Barbara Broccoli, who oversees the franchise with her half-brother Michael G. Wilson. “We take that responsibility seriously.”

Eon Productions James Bond 007 Producers Michael G. Wilson and Barbara Broccoli

It’s an arrangement that was first hammered out by Broccoli’s father, the producer Albert “Cubby” Broccoli, when John F. Kennedy was president and the Twist was all the rage. Miraculously, that pact has prevailed through the decades and generations, enduring everything from corporate mergers and bankruptcies to shifting consumer tastes and geopolitical upheavals. The elder Broccoli died in 1996. but not before ceding control to his two children with the 1995 release of “GoldenEye,” a film that proved a sexist superspy, conceived by novelist Ian Fleming in the 1950s, still had a role to play in post-Cold War cinema.

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