Tag Archives: New York

Previews: The New Yorker Magazine – June 10, 2024

Donald Trumps small hands reach toward outstretched handcuffs.

The New Yorker (May 30, 2024): The new issue‘s cover features John Cuneo’s “A Man of Conviction” – The former President is found guilty on all thirty-four counts.

Trump Is Guilty, but Voters Will Be the Final Judge

The jury has convicted the former President of thirty-four felony counts in his New York hush-money trial. Now the American people will decide to what extent they care.

When the Verdict Came In, Donald Trump’s Eyes Were Wide Open

In the courtroom with the former President at the moment he became a convicted felon.

Previews: The New Yorker Magazine – June 3, 2024

A woman rides a scooter along a river and New York Citys skyline.

The New Yorker (May 27, 2024): The new issue‘s cover features

Sergio García Sánchez’s “Scoot” – The artist depicts the thrill of leaning into summer in the city.

The People’s Commencement at Columbia

It’s 1968 all over again, as New York Ivy Leaguers flip the script and stage an unofficial counter-graduation ceremony at the Cathedral of St. John the Divine.

The Bronx Cheers—Mostly—for Trump

Biden’s a pedophile; Trump’s a fascist; the maga Hasidim have to get their act together—and other sentiments spewed at the former President’s rally in Crotona Park.

How to Pick Stocks Like You’re in Congress

The team at Autopilot, an app that lets you copy the trades of Nancy Pelosi’s husband (up forty-five per cent last year) or Dan Crenshaw (up forty-one), choose their newest offering.

Previews: The New Yorker Magazine – May 27, 2024

A woman carrying a bag eyes a similar counterfeit bag for sale on a city street.

The New Yorker (May 20, 2024): The new issue‘s cover features

R. Kikuo Johnson’s “Genuine Style” – The artist depicts all the luxuries the city has to offer.

Donald Trump’s Abortion Problem at the Polls

Since Roe v. Wade was overturned, G.O.P. efforts to ban abortion have backfired with voters in many states—and they could do so again in November.

The Guy on Trial for the Same Thing as Trump

At 100 Centre Street, another man charged with falsifying business records had a good day in court.

Previews: The New Yorker Magazine – May 20, 2024

Students are escorted by police as they cross a graduation stage to accept their diplomas.

The New Yorker (May 13, 2024): The new issue‘s cover features Barry Blitt’s “Class of 2024” – The campus tensions take center stage.

An Israeli Newspaper Presents Truths Readers May Prefer to Avoid

Haaretz consistently attempts to wrestle with the realities of what is going on in Israel, Gaza, and the West Bank.

By David Remnick

A British Nurse Was Found Guilty of Killing Seven Babies. Did She Do It?

Colleagues reportedly called Lucy Letby an “angel of death,” and the Prime Minister condemned her. But, in the rush to judgment, serious questions about the evidence were ignored.

Previews: The New Yorker Magazine – May 13, 2024

Image may contain People Person Sport Team Team Sport Athlete Ballplayer Baseball Baseball Bat Clothing and Glove

The New Yorker (May 6, 2024): The new issue‘s cover features Mark Ulriksen’s “Shotime” – For many fans, the real harbinger of spring is the beginning of baseball season.

Hilton Als on the Sui-Generis Films of Charles Atlas

Hilton Als on the Sui-Generis Films of Charles Atlas

Also: “Uncle Vanya” and “Staff Meal” reviewed, superstar pianists at Carnegie Hall, and more.

Are We Living Through a Bagel Renaissance?

Are We Living Through a Bagel Renaissance?

A new wave of shops has made its mark across the country—and shaken New York’s bagel scene out of complacency.

By Hannah Goldfield

What Sleepy Trump Dreams About At Trial

What Sleepy Trump Dreams About At Trial

Mashed-potato nightmares! Kafka in the Oval Office! And other things going through the mind of the nap-happy ex-president in court.

By Barry Blitt

Previews: The New Yorker Magazine – May 6, 2024

Sonny Rollins plays the saxophone on the Brooklyn Bridge.

The New Yorker (April 29, 2024): The new issue‘s cover features Faith Ringgold’s “Sonny’s Bridge, 1986” – The late artist’s work recalls her pioneering spirit through vivid, inventive designs.

Teresita Fernández’s Shifting Sculptural Landscapes

Also: Kamasi Washington, “The Outsiders” reviewed, Bang on a Can’s Long Play Festival, and more.

The Return, Again, of the Power Lunch

Four Twenty Five, a luxe new dining room from the mega-restaurateur Jean-Georges Vongerichten, takes square aim at the expense-account crowd.

Donald Trump’s Sleepy, Sleazy Criminal Trial

The most striking aspect of the former President’s hush-money trial so far has been that, for the first time in a decade, Trump is struggling to command attention.

Previews: The New Yorker Magazine – April 22, 2024

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The New Yorker (April 15, 2024): The new issue‘s cover features Ana Juan’s “Clickbait” – The artist captures the mesmerizing—and distracting—glow of modern entertainment.

Can the World Be Simulated?

Video-game engines were designed to closely mimic the mechanics of the real world. They’re now used for movies, TV shows, architecture, military trainings, virtual reality, and the metaverse.

Are Flying Cars Finally Here?

They have long been a symbol of a future that never came. Now a variety of companies are building them—or something close.

By Gideon Lewis-Kraus

Previews: The New Yorker Magazine – April 8, 2024

A person's silhouette walks up stairs toward a busy city street.

The New Yorker (April 1, 2024): The new issue‘s cover features Pascal Campion’s “Into the Light” – The artist depicts stepping out of the subway into the overwhelming glow of the city.

So You Think You’ve Been Gaslit

An anthropomorphic lantern being lit by a man.

What happens when a niche clinical concept becomes a ubiquitous cultural diagnosis.

By Leslie Jamison

When Leah started dating her first serious boyfriend, as a nineteen-year-old sophomore at Ohio State, she had very little sense that sex was supposed to feel good. (Leah is not her real name.) In the small town in central Ohio where she grew up, sex ed was basically like the version she remembered from the movie “Mean Girls”: “Don’t have sex, because you will get pregnant and die.”

Black Holes Are Even Weirder Than You Imagined

An artistic rendering of two supermassive black holes.

It’s now thought that they could illuminate fundamental questions in physics, settle questions about Einstein’s theories, and even help explain the universe.

By Rivka Galchen

Black holes are, of course, awesome. But, for scientists, they are more awesome. If a rainbow is marvellous, then understanding how all the colors of the rainbow are present, unified, in ordinary white light—that’s more marvellous. (Though, famously, in his poem “Lamia,” John Keats disagreed, blaming “cold philosophy” for unweaving the rainbow.) In recent years, the amount of data that scientists have discovered about black holes has grown exponentially. In January, astronomers announced that the James Webb Space Telescope had observed the oldest black hole yet—one present when the universe was a mere four hundred million years old. (It’s estimated that it’s now 13.8 billion years old.) Recently, two supermassive black holes, with a combined mass of twenty-eight billion suns, were measured and shown to have been rotating tightly around each other, but not colliding, for the past three billion years. And those are just the examples that are easiest for the public to make some sense of. To me, a supermassive black hole sounds sublime; to a scientist, it can also be a test of wild hypotheses. “Astrophysics is an exercise in incredible experiments not runnable on Earth,” Avery Broderick, a theoretical physicist at the University of Waterloo and at the Perimeter Institute, told me. “And black holes are an ideal laboratory.”

Previews: The New Yorker Magazine – April 1, 2024

A dog looks out a window.

The New Yorker (March 25, 2024): The new issue‘s cover features Mark Ulriksen’s “Standing Guard” – The artist depicts the tail-wagging occasion of the first signs of spring.

Bryan Stevenson Reclaims the Monument, in the Heart of the Deep South

“The Caring Hand” by Eva Oertli and Beat Huber.
“The Caring Hand,” by Eva Oertli and Beat Huber, is one of more than fifty sculptures at the new Freedom Monument Sculpture Park.Photographs by Kris Graves for The New Yorker

The civil-rights attorney has created a museum, a memorial, and, now, a sculpture park, indicting the city of Montgomery—a former capital of the domestic slave trade and the cradle of the Confederacy.

By Doreen St. Félix

The National Monument to Freedom, in Montgomery, Alabama, is a giant book, standing forty-three feet high and a hundred and fifty feet wide. The book is propped wide open, and engraved on its surface are the names of more than a hundred and twenty thousand Black people, documented in the 1870 census, who were emancipated after the Civil War. On the spine of the book is a credo written for the dead:

A Dutch Architect’s Vision of Cities That Float on Water

The Thâtre LÎle Ô in Lyon seen across the water.

Your children love you.
The country you built must honor you.
We acknowledge the tragedy of your enslavement.
We commit to advancing freedom in your name.

What if building on the water could be safer and sturdier than building on flood-prone land?

By Kyle Chayka

In a corner of the Rijksmuseum hangs a seventeenth-century cityscape by the Dutch Golden Age painter Gerrit Berckheyde, “View of the Golden Bend in the Herengracht,” which depicts the construction of Baroque mansions along one of Amsterdam’s main canals. Handsome double-wide brick buildings line the Herengracht’s banks, their corniced façades reflected on the water’s surface. Interspersed among the new homes are spaces, like gaps in a young child’s smile, where vacant lots have yet to be developed.

Previews: The New Yorker Magazine – March 25, 2024

A woman wears a dress with a pattern that resembles a crossword puzzle. A man writes a letter on her back.

The New Yorker (March 18, 2024): The new issue‘s cover features Klaas Verplancke’s “On the Grid” – The artist blends the preferred pastimes and stylish attire of New York’s commuters. By Françoise Mouly with Art by Klaas Verplancke.

The Place to Buy Kurt Cobain’s Sweater and Truman Capote’s Ashes

A mannequin wears a dress next to displays of other items.

As the art market cools, Julien’s Auctions earns millions selling celebrity ephemera—and used its connections to help Kim Kardashian borrow Marilyn Monroe’s J.F.K.-birthday dress.

By Rachel Monroe

The sidewalks of Lower Broadway in downtown Nashville are filled with people moving among neon-lit venues owned by celebrity musicians: Kid Rock’s Big Ass Honky Tonk & Rock ‘n’ Roll Steakhouse, Jason Aldean’s Kitchen & Rooftop Bar, Miranda Lambert’s Casa Rosa. The Hard Rock Café, which opened in 1994, when the neighborhood could still reasonably be called eclectic, sits at the far edge of the strip, overlooking the Cumberland River. One evening last November, Julien’s Auctions took over a private room at the restaurant for a three-day sale in honor of the company’s twentieth anniversary. There was a spotlighted stage full of objects that musicians had worn or touched or played: a scratched amber ring that Janis Joplin wore onstage at the Monterey Pop Festival, in 1967; Prince’s gold snakeskin-print suit, small enough to fit on an adolescent-size mannequin; ripped jeans that had belonged to Kurt Cobain.

Mike Johnson, the First Proudly Trumpian Speaker

A black and white photo of men in suits walking inside a building.

Though he has adopted a “nerd constitutional-law guy” persona, he is in lockstep with the law-flouting former President.

By David D. Kirkpatrick

The Capitol Hill Club, in a white brick town house a few blocks from the House of Representatives, is a social institution exclusively for Republicans. One evening in October, Representative Mike Garcia was eating there alone when Representative Mike Johnson stopped to chat. Garcia is a first-generation immigrant and a retired Navy pilot from a Democratic-leaning district in Southern California. His predecessor, a Democrat, resigned after a scandal four years ago, and Garcia highlighted disagreements with his party to win reëlection in 2022. He was also a loyalist to former House Speaker Kevin McCarthy, a fellow-Californian who had just been ousted by a small band of hard-line conservative rebels annoyed at his willingness to compromise on budget disputes. Garcia had formally nominated McCarthy as Speaker at the beginning of 2023, and his removal deprived Garcia of a patron.