A linear red-brick wall obscures the textured interiors and art-filled courtyard hidden inside McLean Quinlan’s low-rise Passivhaus home in Devon, UK. The energy-efficient dwelling, aptly named Devon Passivhaus, nestles into a sloped walled garden that was once owned by an old English country house that fell into a state of disrepair.
The overall design is simple and clean. An elegant brick front complements the brickwork of the old garden wall and a discrete front door opening references the gate in the garden wall. Further down, an oriel window breaks through, hinting at what is behind. Elsewhere, external surfaces are dark render, designed to recede visually in deference to the surrounding garden.
Tucked within, the house has a glass roofed courtyard at its centre, a winter garden flooding light into the interior. Spaces are arranged around this central core so the building functions both as a home and a gallery for our clients, great collectors of pottery and art, with spaces to display and curate.
Comfortable and serene interior spaces are punctuated with tactile and textured materials: reclaimed terracotta, rough sawn oak and clay plaster, to ensure that internally the building feels connected to the garden that inspired it.
“If one imagines a list of the greatest, most influential houses of the twentieth century, it seems highly likely that the mid-century period will dominate,” writes Bradbury in the book’s introduction, going on to name such famous edifices as the three famous glass houses by Philip Johnson, Ludwig Mies van der Rohe, and Lino Bo Bardi, respectively; Richard Neutra’s Kaufmann House; and Luis Barragán’s Cuadra San Cristóbal. “One could, of course, go on.…” he writes.
Boomers Daily 