Tag Archives: Gaslighting

Previews: The New Yorker Magazine – April 8, 2024

A person's silhouette walks up stairs toward a busy city street.

The New Yorker (April 1, 2024): The new issue‘s cover features Pascal Campion’s “Into the Light” – The artist depicts stepping out of the subway into the overwhelming glow of the city.

So You Think You’ve Been Gaslit

An anthropomorphic lantern being lit by a man.

What happens when a niche clinical concept becomes a ubiquitous cultural diagnosis.

By Leslie Jamison

When Leah started dating her first serious boyfriend, as a nineteen-year-old sophomore at Ohio State, she had very little sense that sex was supposed to feel good. (Leah is not her real name.) In the small town in central Ohio where she grew up, sex ed was basically like the version she remembered from the movie “Mean Girls”: “Don’t have sex, because you will get pregnant and die.”

Black Holes Are Even Weirder Than You Imagined

An artistic rendering of two supermassive black holes.

It’s now thought that they could illuminate fundamental questions in physics, settle questions about Einstein’s theories, and even help explain the universe.

By Rivka Galchen

Black holes are, of course, awesome. But, for scientists, they are more awesome. If a rainbow is marvellous, then understanding how all the colors of the rainbow are present, unified, in ordinary white light—that’s more marvellous. (Though, famously, in his poem “Lamia,” John Keats disagreed, blaming “cold philosophy” for unweaving the rainbow.) In recent years, the amount of data that scientists have discovered about black holes has grown exponentially. In January, astronomers announced that the James Webb Space Telescope had observed the oldest black hole yet—one present when the universe was a mere four hundred million years old. (It’s estimated that it’s now 13.8 billion years old.) Recently, two supermassive black holes, with a combined mass of twenty-eight billion suns, were measured and shown to have been rotating tightly around each other, but not colliding, for the past three billion years. And those are just the examples that are easiest for the public to make some sense of. To me, a supermassive black hole sounds sublime; to a scientist, it can also be a test of wild hypotheses. “Astrophysics is an exercise in incredible experiments not runnable on Earth,” Avery Broderick, a theoretical physicist at the University of Waterloo and at the Perimeter Institute, told me. “And black holes are an ideal laboratory.”

The New York Times Book Review – March 24, 2024

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THE NEW YORK TIMES BOOK REVIEW (March 23, 2024): 

In Téa Obreht’s Latest, a Refugee Seeks Home in a Ruined World

An illustrated cross section of a house, showing rooms full of animals, trees, water plants and people.

“The Morningside” reckons with climate change and its fallout while finding hope in the stories we preserve.

By Jessamine Chan

THE MORNINGSIDE, by Téa Obreht


The elegant, effortless world-building in Téa Obreht’s haunting new novel, “The Morningside,” begins with a map. Island City resembles Manhattan, but alarmingly smaller, the borders of the city redrawn by the rising water. There’s the River to the east, the Bay to the west. Here, hurricanes and tides have made building collapse a constant danger, the freeway is visible only on low-tide days, food is government rations, the wealthy have fled “upriver to scattered little freshwater townships,” and gigantic birds called rook cranes are everywhere.

An Exquisite Biography of a Gilded Age Legend

In Natalie Dykstra’s hands, the life of Isabella Stewart Gardner is a tribute to the power of art.

The serpia-toned photograph portrays a woman in a dark taffeta dress wth a bustle. Her hat is adorned with a dark plume.

By Megan O’Grady

CHASING BEAUTY: The Life of Isabella Stewart Gardner, by Natalie Dykstra


Bright, impetuous and obsessed with beautiful things, Isabella Stewart Gardner led a life out of a Gilded Age novel. Born into a wealthy New York family, she married into an even wealthier Boston one when she wed John Lowell Gardner in 1860, only to be ostracized by her adopted city’s more conservative denizens, who found her self-assurance and penchant for “jollification” a bit much.

Luminous Fables in a Land of Loss

The Tiger's Wife: A Novel See more

By Michiko Kakutani

Téa Obreht’s stunning debut novel, “The Tiger’s Wife,” is a hugely ambitious, audaciously written work that provides an indelible picture of life in an unnamed Balkan country still reeling from the fallout of civil war. At the same time it explores the very essence of storytelling and the role it plays in people’s lives, especially when they are “confounded by the extremes” of war and social upheaval and need to somehow “stitch together unconnected events in order to understand” what is happening around them.

The New York Times Book Review – March 17, 2024

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THE NEW YORK TIMES BOOK REVIEW (March 16, 2024): 

22 of the Funniest Novels Since ‘Catch-22’

Catch-22 eBook by Joseph Heller, Christopher Buckley | Official Publisher  Page | Simon & Schuster

Because we could all use a laugh.

By Dwight GarnerAlexandra Jacobs and Jennifer Szalai

When it comes to fiction, humor is serious business. If tragedy appeals to the emotions, wit appeals to the mind. “You have to know where the funny is,” the writer Sheila Heti says, “and if you know where the funny is, you know everything.” Humor is a bulwark against complacency and conformity, mediocrity and predictability.

With all this in mind, we’ve put together a list of 22 of the funniest novels written in English since Joseph Heller’s “Catch-22” (1961). That book presented a voice that was fresh, liberated, angry and also funny — about something American novels hadn’t been funny about before: war. Set during World War II and featuring Capt. John Yossarian, a B-25 bombardier, the novel presaged, in its black humor, its outraged intelligence, its blend of tragedy and farce, and its awareness of the corrupt values that got us into Vietnam, not just Bob Dylan but the counterculture writ large.

You’re Not Being Gaslit, Says a New Book. (Or Are You?)

“On Gaslighting,” by the philosophy professor Kate Abramson, explores the psychological phenomenon behind the hashtags.

A still from a black-and-white movie portrays a couple in Victorian dress. The man, in a dark suit, looks down disdainfully at a woman in a gown and pompadour as she gazes into the distance.

By Dodai Stewart

ON GASLIGHTING, by Kate Abramson


Don’t be so sensitive.

You’re overreacting.

You’re imagining things.

These are things gaslighters say, writes Kate Abramson.

As she explains in “On Gaslighting,” the term originated in the 1944 film “Gaslight,” and after entering the therapeutic lexicon of the 1980s, steadily made its way into colloquial usage.

As a society we have become adept at classifying actions within interpersonal relationships using therapy-speak. From “attachment style” to “trauma-bonding,” personal judgments have become diagnoses — without the assistance of a licensed professional: Anyone with a social media account or a jokey T-shirt can get in on the action. (In 2021, the flippant phrase “gaslight, gatekeep, girlboss” became a popular, snide social-media shorthand for a certain kind of capitalist feminism.)