California tried to use drones to find illegal marijuana operations, but they found building code violations instead.
You Can Thank This Ohio Klansman for Expanding Your Freedom of Speech
Brandenburg v. Ohio established the “imminent lawless action” standard. More than 50 years later, partisans keep trying to apply it selectively. Jacob Sullum
How the Punisher, a Murderous Anti-Hero, Became the Mascot for Increasingly Militarized Police Forces
“He is breaking the very laws…that cops are supposed to uphold.”
THE NEW YORK TIMES MAGAZINE (February 23, 2024): The new issue features ‘Enemy of the People’ – Tom Sandoval turned last year’s season of ‘Vanderpump Rules’ into the best in reality TV’s history – and ruined his life in the process..
THE NEW YORK TIMES MAGAZINE (February 17, 2024): The new issue features ‘Actors in the Wild’ – The best performers of the year, when they’re not on film….
The best performers of the year — when they’re not on film.
James Nachtwey, an eminent photojournalist known for his intimate depictions of the front lines in places like Iraq, Afghanistan and Ukraine, had never photographed a movie star before. So for this year’s Great Performers issue, we asked him to capture a dozen of the world’s best actors away from the red carpets and awards ceremonies that often define how we see them. “My work has focused almost exclusively on conflicts and critical social issues, the polar opposite of what might be thought of as celebrity photography,” Nachtwey says. But he was intrigued by the challenge: “Art takes talent, but it’s also hard work, and exploring what actors practice in their daily lives to strengthen their art would be fascinating.”
Tubi Is Reviving a Lost Joy: Watching Really, Really Bad Movies
Their films have gone viral for their awful production values. But their success says fascinating things about what comes after prestige TV.
By Niela Orr
There’s a 2008 movie that offers an odd preview of today’s entertainment. In Michel Gondry’s “Be Kind Rewind,” a bizarre accident demagnetizes the entire inventory of a video rental store, so a clerk and his eccentric friend decide to remake all the films themselves, from “The Lion King” to “Driving Miss Daisy” to “2001: A Space Odyssey.” Their versions are 20 minutes long (at most), shot on an old hand-held video camera and produced in a delightfully quirky, ad hoc way: handcrafted props and sets, buddies working as extras, costumes from the local dry cleaner.
THE NEW YORK TIMES MAGAZINE (February 9, 2024): The new issue features ‘The Untold Story Of How Trump’s Former Chief Of Staff Rose From Cash-Strapped Roots To Washington Prominence, Before Becoming Embroiled In The Prosecutions That May Determine The 2024 Election….
Members of Congress, and candidates for their seats, have been drawn into bitter political clashes over the Israeli-Palestinian conflict.
When George Santos, the indicted fabulist, was expelled from Congress in December, Nassau County Republicans scrambled to hunt up a new nominee. Santos was a catastrophe, but he had also flipped a New York Democratic stronghold, and party leaders wanted the best of him — the charisma, the conservatism and the history-making potential — with none of the debilitating drawbacks.
THE NEW YORK TIMES MAGAZINE (February 2, 2024): The new issue features ‘The Long Shadow of 1948’ – How the decisions that led to the founding of Israel left the region in a state of eternal conflict…
How the decisions that led to the founding of Israel left the region in a state of eternal conflict.
A discussion moderated by Emily Bazelon
One year matters more than any other for understanding the Israeli-Palestinian conflict. In 1948, Jews realized their wildly improbable dream of a state, and Palestinians experienced the mass flight and expulsion called the Nakba, or catastrophe. The events are burned into the collective memories of these two peoples — often in diametrically opposed ways — and continue to shape their trajectories.
There’s a scene in that modern classic of screwball existentialism, “Being John Malkovich,” from 1999, in which John Malkovich, playing a version of himself, enters a portal that others have been using to climb inside his mind. Suddenly, Malkovich is in a world populated solely by variations on himself: Malkovich as a flirtatious sexpot, a genteel waiter, a jazz chanteuse, a bemused child, everyone speaking only the word “Malkovich.” In a way, that scene is a microcosm of the actor’s decades-long, always-interesting career.
THE NEW YORK TIMES MAGAZINE (January 26, 2024): The new issue features ‘America’s 21st-Century E-Commerce Economy Has Stoked A 19th-Century Form of Crime: The Train Robbery’….
Big Tech’s deplatforming of former President Donald Trump has sparked a debate about the future of content moderation on social media. WSJ speaks with a disinformation and moderation expert about what comes next.
News, Views and Reviews For The Intellectually Curious
Boomers Daily 