R. Kikuo Johnson’s “Double-Parked”
The artist on learning to love New York City beaches and balancing passion projects with his career as an illustrator.
By Françoise Mouly, Art by R. Kikuo Johnson
Preview: The New Yorker Magazine – August 8, 2022
Tag Archives: The New Yorker Magazine
Previews: The New Yorker Magazine – August 1, 2022
Will Wisconsin’s Republicans Make Voting Meaningless, or Just Difficult?
Activists are combining voter suppression with election conspiracies to capture the state in 2022 and beyond.By Dan Kaufman
Annals of a Warming PlanetLiving Through India’s Next-Level Heat WaveIn hospitals, in schools, and on the streets, high temperatures have transformed routines and made daylight dangerous..By Dhruv Khullar
Previews: The New Yorker Magazine – July 25, 2022
The New Yorker – July 25, 2022
The VW Bus Took the Sixties on the Road. Now It’s Getting a Twenty-first-Century Makeover
Once, it sparked dreams of community and counterculture. What’s gained—and lost—when flower power is electrified?
Preview: The New Yorker Magazine – July 4, 2022
Chris Ware’s “House Divided”
The artist discusses America’s fractured present and his fears for the future.
By Françoise Mouly, Art by Chris Ware
“Am I laughably naïve to think we might all somehow grow up and continue this relatively youngish two-hundred-and-forty-six-year-old experiment? I’m starting to think I am,” the artist Chris Ware said. His cover for the July 4, 2022, issue of the magazine captures the divides underlying this year’s Independence Day celebrations. As suburban real-estate agents prepare to carpet the nation’s lawns with miniature flags, millions of Americans are riveted to the proceedings of the House select committee investigating the January 6th attack on the Capitol. Down the street, the Supreme Court struck down, on June 23rd, a New York state law restricting the ability to carry a gun in public, even as the Senate voted to pass gun-control legislation in the aftermath of the Uvalde school shooting.
Previews: The New Yorker Magazine – June 27, 2022
Victoria Tentler-Krylov’s “Sidewalk Connoisseurs”
The artist discusses urban spaces and classic Russian children’s books.
New York may be a city where a person can, for the amount one might reasonably expect to pay for a month’s rent in many parts of this country, partake in an hours-long omakase experience featuring toro topped with osetra caviar and uni served with white truffle. Its temples of art may house some of the most renowned—and well-insured—art in the world. But it is also a city that embraces the epicure of the hot dog and the patron of the sidewalk artist. I recently spoke to this week’s cover artist, Victoria Tentler-Krylov, about city planning and sketching people on the subway.
Previews: The New Yorker Magazine – June 20, 2022
Preview: The New Yorker Magazine – June 13, 2022
- Annals of NatureThe Strange and Secret Ways That Animals Perceive the WorldNonhuman creatures have senses that we’re just beginning to fathom. What would they tell us if we could only understand them?By Elizabeth Kolbert
- Onward and Upward with the ArtsA Hamlet for Our TimeIn a bold new production, the director Robert Icke finds resonances in Shakespeare’s canonical play which make it feel made for this moment.By Rebecca Mead
Previews: The New Yorker Magazine – June 6, 2022
The Magazine – June 6, 2022
Eric Drooker’s “Uvalde, May 24, 2022” – Gun violence and the American way of life.
By Françoise Mouly, Art by Eric Drooker
- On May 24th, an eighteen-year-old gunman shot and killed nineteen children and two adults at Robb Elementary School, in Uvalde, Texas. The horrific spree came just ten days after thirteen people were shot—ten of them killed—at a grocery store in Buffalo, New York, by a self-professed white supremacist. In the past two months, Americans have also been confronted with mass shootings at a church, a flea market, and inside a subway car during the morning rush-hour. The magazine’s cover for the June 6, 2022, issue, is by the artist Eric Drooker, who echoes the weary rage of many when he says, “I hastily scrawled this image, wondering, Why are Americans so infatuated with guns in the first place? What are they so afraid of?”
Preview: The New Yorker Magazine – May 23, 2022
Ana Juan’s “Making Mischief” – The artist discusses cats, letting fate choose a pet, and spirit animals.
By Françoise Mouly, Art by Ana Juan, May 16, 2022
It is thought that cats lived alongside people for thousands of years, hunting the rodents that inevitably accompany human settlements, before they deigned to become domesticated—a state that many cat owners can attest feels provisional to this day. One research paper on the history of the house cat observes, “Let us just say that our cats do not take instruction well. Such attributes suggest that whereas other domesticates were recruited from the wild by humans who bred them for specific tasks, ancestors of domestic cats most likely chose to live among humans because of opportunities they found for themselves.”
Previews: The New Yorker Magazine – May 16, 2022
The Magazine – May 16, 2022
This week’s cover, by the designer Frank Viva, is a colorful, lyrical springtime ode to the pleasures of biking. We spoke to Viva about his love affair with cycling, his island retreat, and learning to prioritize what matters.
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