Phillips (September 18, 2023) – From Phillips’ London gallery, Specialist and Head of Sale Rebecca Tooby-Desmond provides an expert look into a selection of pop art staples, including Roy Lichtenstein’s ‘Two Nudes,’ Robert Indiana’s ‘The Book of Love,’ and Andy Warhol’s ‘Electric Chairs.’
Tag Archives: Roy Lichtenstein
London Art Gallery Tour: Phillips June 2023 Exhibit
Phillips (May 31, 2023) – A tour of gallery highlights including an important group of fabric works from artists including Grayson Perry, Damien Hirst, Louise Bourgeois, and Tracey Emin.
![]() Andy Warhol – Alexander the Great (1982) | Andy Warhol – Marilyn (1967( |
Andy Warhol’s unique trial proof of Alexander the Great and two Marilyn screenprints, along with Pop Art by Keith Haring and Robert Indiana are featured.
![]() Robert IndianaThe Book of Love, 1996 | ![]() Roy Lichtenstein I Love Liberty, 1982 |
Further highlights include Contemporary Street Art from the likes of Banksy and an auction debut for Thierry Noir’s East Side Heads, which will be offered alongside significant Pablo Picasso linocuts and lithographs.
Art Views: ‘Figures’ In Roy Lichtenstein’s Paintings
Sotheby’s (March 29, 2023) – In 1962, the late legendary Italian-American art dealer Leo Castelli hosted Roy Lichtenstein’s first solo exhibition at his eponymous gallery in New York City, and subsequently worked with the artist throughout his life.
In this Expert Voices, art historian and Director of Leo Castelli Gallery, Barbara Bertozzi Castelli shares her interpretation of Figures, recalling her memories working with her husband and Lichtenstein whom she felt was a modest and dedicated artist, and among those that changed the path of American art in the postwar period.
A key figure in the Pop art movement and beyond, Roy Lichtenstein (1923–1997) grounded his profoundly inventive career in imitation—beginning by borrowing images from comic books and advertisements in the early 1960s, and eventually encompassing those of everyday objects, artistic styles, and art history itself. Referring to Lichtenstein’s equalizing treatment of the subjects he chose for his art, Richard Hamilton, a fellow Pop artist, wrote in 1968: “Parthenon, Picasso or Polynesian maiden are reduced to the same kind of cliché by the syntax of the print: reproducing a Lichtenstein is like throwing a fish back into water.”


