Tag Archives: National Gallery

Reviews: ‘The Week In Art’

The Week In Art Podcast (June 14, 2024): This week: it’s arguably the best loved of the major art fairs among collectors and dealers, but what have we learned about the art market at this year’s Art Basel, in its original Swiss home?

The Art Newspaper’s acting art market editor, Tim Schneider, tells us about the big sales in Switzerland amid the wider market picture. The journalist Lynn Barber has a new book out, called A Little Art Education, in which she reflects on her encounters with artists from Salvador Dalí to Tracey Emin. We talk to her about the highs and lows of several decades of artist interviews.

And this episode’s Work of the Week is Woman Leaning on a Portfolio (1799) by Guillaume Lethière. Lethiére was born in Guadeloupe in the Caribbean to a plantation-owner father and an enslaved mother, but eventually became one of the most notable painters of his period in France and beyond. We talk to Esther Bell and Olivier Meslay, the curators of a major survey of Lethière’s work opening this week at the Clark Art Institute in Williamstown, Massachusetts, US, and travelling later in the year to the Louvre in Paris.

Art Basel, Basel, Switzerland, until Sunday, 16 June.

A Little Art Education by Lynn Barber, Cheerio, £15 (hb).

Reviews: ‘The Week In Art’

The Week In Art Podcast (June 7, 2024): This week: we explore the Art Institute of Chicago’s exhibition dedicated to what Georgia O’Keeffe called her New Yorks—paintings of skyscrapers and views from one of them across the East River, which marked a turning point in her career.

Sarah Kelly Oehler, one of the curators of the show, tells us more. One of the most distinctive of all London’s contemporary art spaces, Studio Voltaire, is celebrating its 30th anniversary this year, and has begun a fundraising drive to consolidate its future, with a gala dinner this week and a Christie’s auction later this month. We talk to the chair of Studio Voltaire’s trustees and a non-executive director of Frieze, Victoria Siddall, about the anniversary and the precarious funding landscape, even for the UK’s most dynamic non-profits.

And this episode’s Work of the Week is an untitled painting from the Austrian painter Martha Jungwirth’s 2022 series Francisco de Goya, Still Life with Ribs and Lamb’s Head. Based on a work by the Spanish master in the Louvre in Paris, Jungwirth’s painting features in a new survey of her work that has just opened at the Guggenheim Bilbao in Spain. We speak to its curator, Lekha Hileman Waitoller.

Georgia O’Keeffe: My New Yorks, Art Institute of Chicago, until 22 September; High Museum of Art, Atlanta, from 25 October-16 February 2025.

The date of XXX, as the sale of works to benefit Studio Voltaire at Christie’s is called, is yet to be confirmed. Check the organisations’ websites for updates; Beryl Cook/Tom of Finland, Studio Voltaire, London, until 25 August.

Martha Jungwirth, Guggenheim Bilbao, until 22 September.

International Art: Apollo Magazine – June 2024 Issue

June 2024 | Apollo Magazine

Apollo Magazine (June 2, 2024): The new June 2024 issue features ‘The awesome art of Caspar David Friedrich’; Should museums charge entry fees? and Picnicking with the Impressionists…

Reviews: ‘The Week In Art’

The Week In Art Podcast (May 31, 2024): The publication in April of Stanford University’s Artificial Intelligence Index Annual Report has provided the art world with much food for thought.

We look at the implications for artists and institutions with Louis Jebb, the managing editor of The Art Newspaper and our technology specialist. As the Centre Pompidou in Paris is taken over on all its floors by what it calls the “ninth art”—graphic novels and comics—we talk to Joel Meadows, the editor-in-chief of Tripwire magazine and a comics aficionado, about the rise of this subculture in museums and the market. And this episode’s Work of the Week is Edgar Degas’ Miss La La at the Cirque Fernando (1879), which depicts a Black circus performer, Anna Albertine Olga Brown, who was briefly known as Miss La La.

She and the painting are the subject of a new exhibition at the National Gallery in London opening next week. We talk to Anne Robbins, the curator of paintings at the Musée d’Orsay in Paris, and external curator of the exhibition, and Sterre Overmars, the curatorial fellow for post-1800 paintings at the National Gallery, about the painting.

Comics on Every Floor, Centre Pompidou, Paris, until 4 November.

Discover Degas & Miss La La, National Gallery, London, 6 June-1 September.

Reviews: ‘The Week In Art’

The Week In Art Podcast (May 24, 2024): As the Louvre’s director admits that the Paris museum wants to move its most famous painting away from the crowded gallery in which it is currently displayed, we ask the Leonardo specialist Martin Kemp: does the museum have a Mona Lisa problem?

We also talk about the painting’s continuing allure and the ongoing efforts to explain its mysteries. In London, remarkably, Judy Chicago has just opened her first major multidisciplinary survey in a British public gallery, at the Serpentine North. We talk to her about the show. And this episode’s Work of the Week is Christian Schad’s Self-Portrait with Model (1927). The painting features in Splendour and Misery: New Objectivity in Germany at the Leopold Museum in Vienna. Hans-Peter Wipplinger, the director of the museum and co-curator of the show, tells us more.

Judy Chicago: Revelations, Serpentine North, London, until 1 September.

Splendour and Misery: New Objectivity in Germany, Leopold Museum, Vienna, until 29 September.

Reviews: ‘The Week In Art’

The Week In Art Podcast (May 10, 2024): We talk to The Art Newspaper’s reporter Sarvy Geranpayeh about her conversations with six Palestinian artists about their daily lives amid Israel’s ongoing military offensive in Gaza.

Frank Stella, one of the key artists in the history of American abstraction, has died, aged 87. We speak to Bonnie Clearwater, the director and chief curator of the NSU Art Museum in Fort Lauderdale, Florida, who worked with Stella on two landmark shows. And as Spring finally arrives in London, this episode’s Work of the Week is, fittingly, Vanessa Bell’s View into a Garden (1926). It features in an exhibition opening next week at the Garden Museum in London, called Gardening Bohemia: Bloomsbury Women Outdoors. Emma House, the curator at the museum, tells me more.

Glory of the World: Color Field Painting (1950s to 1983), NSU Art Museum Fort Lauderdale, US, until 25 August. Frank Stella: Recent Sculpture, Deitch Projects, New York, until 24 May.

Gardening Bohemia: Bloomsbury Women Outdoors, Garden Museum, London, 15 May-29 September.

Reviews: ‘The Week In Art’

The Week In Art Podcast (May 3, 2024): After years of decreasing public funding, the lingering effects of the Covid pandemic and enduring questions around the ethics of corporate sponsorship, UK museums are facing unprecedented financial pressures.

Some commentators are suggesting that the time has come to abandon the policy of free admission to museums that is viewed by many as key to the cultural fabric of the UK. Among those arguing for charging is the critic and broadcaster Ben Lewis, who joins Ben Luke to discuss the issue.

This week, the British Museum opened the exhibition Michelangelo: the Last Decades. It focuses on the period after 1534, when Michelangelo left his native Florence for Rome, never to return, and embarked on many of his most ambitious projects. We take a tour of the show with its curator, Sarah Vowles.

And this episode’s Work of the Week is Maria Blanchard’s Girl at Her First Communion (1914). The painting features in a new exhibition at the Museo Picasso in Málaga. Its curator, José Lebrero Stals, tells us more about this underappreciated Spanish artist, who was at the heart of the Parisian avant garde in the 1910s and 20s.

Michelangelo: the Last Decades, British Museum, until 28 July.

International Art: Apollo Magazine – May 2024 Issue

May 2024 | Apollo Magazine

Apollo Magazine (April 29, 2024): The new May 2024 issue features ‘How national is the National Gallery?’; Alvaro Barrington’s winning hand; Fossil-fuelled: art and the oil industry…

Reviews: ‘The Week In Art’

The Week In Art Podcast (April 19, 2024): We are back in Venice for the latest edition of the biggest biennial in the world of art. The 60th Venice Biennale comprises an international exhibition featuring more than 300 artists, dozens of national pavilions in the Giardini—the gardens at the eastern end of the city—and the Arsenale—the historic shipyards of the Venetian Republic—and host of official collateral exhibitions and other shows and interventions across Venice.

The Art Newspaper’s contemporary art correspondent, Louisa Buck, editor-at-large Jane Morris and host Ben Luke review the international exhibition, Foreigners Everywhere/Stranieri Ovunque, curated by the Brazilian artistic director, Adriano Pedrosa. We talk to artists and curators behind five national pavilions—Jeffrey Gibson in the US pavilion, John Akomfrah in the British pavilion, Romuald Hazoumè in the Benin pavilion, Gustavo Caboco Wapichana, the curator of the Hãhãwpuá or Brazilian pavilion, and Valeria Montii Colque in the Chilean pavilion—about their presentations.

And we like to end our Venice specials by responding to an example of the historic work that made la Serenissima one of the world’s great centres for art. So for this episode’s Work of the Week, Ben Luke gained exclusive access to one of the most significant paintings in Venetian history: the Assunta or Assumption of the Virgin made between 1516 and 1518 by Titian. Since the last Biennale in 2022, the Assunta has been unveiled after a four-year conservation project, funded by the charity Save Venice. We spoke to the man who restored this incomparable masterpiece, Giulio Bono, right beneath Titian’s painting.

Reviews: ‘The Week In Art’

The Week In Art Podcast (March 8, 2024): To coincide with International Women’s Day on 8 March, the South London Gallery is opening the exhibition Acts of Resistance: Photography, Feminisms and the Art of Protest.

Activism and photography have long gone hand in hand but this collaborative exhibition, organised with the Victoria and Albert Museum (V&A), attempts to capture a new chapter in this distinguished history, with a particular focus on feminism across the world. We talk to Sarah Allen, the head of programme at the South London Gallery, and Fiona Rogers, the V&A’s Parasol Foundation curator of women in photography, about the show. The financier, philanthropist, collector and leader of cultural organisations Jacob Rothschild died last week at the age of 87.

We talk to Anna Somers Cocks, the founder of The Art Newspaper, who interviewed Lord Rothschild on numerous occasions, about his impact on the visual arts and heritage. And this episode’s Work of the Week is Adelphi, made in 1967 by Robert Ryman. It is one of around 50 pieces by Ryman in the exhibition The Act of Looking, which opened this week at the Musée de l’Orangerie in Paris. Guillaume Fabius, the co-curator of the show, joins us to discuss the painting.

Acts of Resistance: Photography, Feminisms and the Art of Protest, South London Gallery, London, 8 March-9 June.

Robert Ryman: The Act of Looking, Musée de l’Orangerie, Paris, until 1 July.