Tag Archives: Art In America

Preview: Art In America Magazine – Fall 2023

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Art in America Magazine (August 8, 2023) – The issue features Fall 2023: Icons – Artists who have made an impact, plus The Ruscha Effect, Cave_bureau, Pippa Garner, Marfa vs. Naoshima, Françoise Gilot, and more.

Meet Suzanne Jackson, Art in America’s Fall 2023 Cover Artist

A wide abstract painting with impressions of bodies and faces.
Suzanne Jackson: a history drawing-cracked wall, 2016–19.PHOTO TIMOTHY DOYON/COURTESY ORTUZAR PROJECTS, NEW YORK

Suzanne Jackson, whose work a history drawing-cracked wall (2016–19) features on the cover of the Fall 2023 issue of Art in America in a detail of the larger work shown here in full, told A.i.A. the backstory of her creation from her home in Savannah, Georgia. (Jackson is also the subject of a feature profile in the same issue.)

As told to A.i.A. The “history” in history drawing is the history of making the drawing. Over the three years I was working on it—it’s a big drawing—the whole process just happens from day to day: you’re adding something new, building it, working through composition and how elements come into the spaces in different ways. Each time you come back to work on it, something new has happened in your life. 

Museum & Gallery Review: ‘Art In America Guide 2023’

Art In America (January 2023) – Published annually, the Art in America Guide to Museums, Galleries, and Artists is the most comprehensive national printed directory of galleries, artists, dealers, consultants, museums, and nonprofit spaces available. With detailed information on almost 3,000 art venues and businesses in the United States, the Guide is an essential resource for the art world.

The A.i.A. Guide was first published in 1982, making the current issue our 40th annual edition of this much-loved art world publication.

The A.i.A. Guide’s digital counterpart, launched in May 2017, provides listings searchable by city, state, category, and artist’s name; recommendations for shows to see from Art in America editors, as well as from respected curators, art writers, and artists; and highlights from Art in America’s print issues. Find out what’s on view near you. Discover important new artists and venues. And see why Art in America has been the world’s premier art magazine for over 100 years.

Please contact Kristie Nilsson, Art in America Guide Manager, for more information: knilsson@artnews.com | (212) 398-1690 x62104

Preview: Art In America Magazine November 2022

Magazine cover shows an abstract print evoking a sunset in the American Southwest. Top says Art in America "The Southwest: Aerial Photography + Native Feminisms + Rose B. Simpson

Art in America – The history of the Southwest is long and vexed. Many think of America as developing from east to west, from the original 13 colonies to settlements made in the name of Manifest Destiny. But the West in all its richness was there, of course, long before it was “discovered” by venturers from elsewhere. The region has been home to a palimpsest of cultures, but the gruesome theft of land from Indigenous people remains a defining trauma. The southernmost parts of the Southwest at one time belonged to Mexico; today that area is embroiled in battles over immigration, and scarred by a former president’s xenophobic desire to build a wall. Plagued by drought, the entire Southwest tolls the ominous bell of climate change.

GOD’S-EYE VIEWS
by Jackson Arn

Aerial photography captures the Southwest’s natural splendor, explosive urban development, and military secrets.

Previews: Art In America Magazine – May 2022 Issue

‘Art In America’ May 2022 – Each May, Art in America brings our readers a sampling of “new talent,” with a special focus on artists whose practice makes them stand out in a sea of competitors vying for attention. “Practice” is very much the operative word here: at a time when many artists are becoming known more for their social-media presence than for their creative endeavors, and when careers are bolstered more by the market than by critical attention, the editors, critics, and curators who contributed to our selection this year remained centered on what matters. As you’ll discover in these pages, the artists showcased are all contributing in some resonant way to the ongoing dialogue around art, aesthetics, and the culture at large, from Alexander Si, who turns an anthropological lens on the culture of whiteness; to Suneil Sanzgiri, whose films engage with anticolonialism; to Laurie Kang, who treats photography as a form of installation art (and who has contributed a compelling print to this issue); to the other notable talents featured. With this issue, we continue a tradition developed over more than a century of this magazine: writing art history as it is being made.