As part of its ongoing 50th anniversary celebration, Led Zeppelin has launched a new video series on its official YouTube channel looking at key highlights of the legendary band’s history.
The first episode of the Led Zeppelin History series begins in September 1968, when the band began recording its self-titled debut album at London’s Olympic Studios, starting with “Babe, I’m Gonna Leave You” and “You Shook Me.”
Using archival footage of the group in concert as a backdrop, and soundtracked by “Babe, I’m Gonna Leave You,” the video goes on to note that the album was self-financed, was recorded in just 30 hours, and cost 1,782 pounds — equivalent of around $2,300 in today’s money.
The clip also offers the following quotes from the band members about the making of Led Zeppelin I:
Jimmy Page: “The group had only been together for two-and-a-half weeks when we recorded it.”
Robert Plant: “We weren’t in a position at that time to be able to block whole studio time.”
John Paul Jones: “We did it in about 15 hours, with another 15 hours for mixing, so it was 30 hours in all.”
Page: “We deliberately aimed at putting down what we could reproduce live on stage.”
Check the Led Zeppelin YouTube channel soon for the second episode of the series.
It feels as if nobody read the Mueller report. That’s a shame, because it’s an important document, depicting possible crimes by a sitting US president.
Andy Warhol: Portraits features over 120 paintings, prints, photographs, and films that depict the artist’s favorite genre: the portrait. This exhibition presents a snapshot of New York’s art and social scene from the 1960s through the 1980s through portraits of Warhol’s friends and patrons, movie stars and musicians, and celebrities of the day that range in style from the pristinely-idealized to the heartbreakingly-raw. Personalities who populated Warhol’s inner circle are represented; some widely recognized names include Joan Collins, Debbie Harry, Dennis Hopper, Mick Jagger, Robert Rauschenberg, and Andy Warhol himself. The presentation takes a multi-dimensional approach to the work, exploring the formal, conceptual, social, and political implications of portraiture, identity, and fame. Andy Warhol: Portraits invites the viewer into Warhol’s world, by examining the artist’s personal life, studio process, and use of a variety of mediums.

Residents can enjoy four beautiful seasons in Flagstaff, says Meg Roederer, of the Flagstaff Convention and Visitors Bureau. She graduated from Northern Arizona University (located at the heart of Flagstaff) 30 years ago and never looked back. “Between the student, professional and retirement populations, the city has a real vibrancy,” she says. Don’t be fooled by downtown Flagstaff’s sleepy western vibe. “It’s really a mountain-foodie town,” Roederer says. It has more than 200 restaurants and award-winning craft beers in abundance along a “brewery trail.”
Rieder likens his experiences trying to get off prescription pain meds to a game of hot potato. “The patient is the potato,” he says. “Everybody had a reason to send me to somebody else.”
But as I stood on the archaic plateau, I was riveted. The broken columns of once-mighty altars rose like spirits in the pure air. A timeworn stadium and a prodigious stone amphitheater reigned silently over the mountain. The Temple of Apollo, where the Oracle dispensed her cryptic prophecies, was ringed with paths trod by truth-seekers who had labored up the steep valley from the Corinthian Gulf.
The learning curve was steep: “I couldn’t read; I couldn’t write. I could see the hospital signs, the elevator signs, the therapists’ cards, but I couldn’t understand them,” he wrote. The aphasia — the inability to understand or express speech — “had beaten and battered” his pride.
