THE NEW YORK REVIEW OF BOOKS: The latest issue features Joyce Carol Oates on serial killers and toxic metals, Fintan O’Toole on Trump’s domestic army, David Shulman on the second Nakba, Regina Marler on the Brothers Grimm, Michelle Nijhuis on what we save, Peter Canby on the murder of a priest, Ruth Bernard Yeazell on Albert Barnes’s art sense, Ian Johnson on Xi père, Lola Seaton on Sheila Heti’s deceptive ease, James Gleick on AI nonsense, poems by Milan Děžinský and Devon Walker-Figueroa, and much more.
The detailed information gathered by the French curator Rose Valland about the Nazis’ looting of artworks made it possible for the Allies to recover tens of thousands of them after World War II.
The Art Front: The Defense of French Collections, 1939–1945 by Rose Valland, translated from the French by Ophélie Jouan, with a foreword by Robert M. Edsel
An electoral coalition of the conspiracy cultures of both the Christian right and the countercultural left helped bring Donald Trump back to power, and now pseudoscience and paranoia are in the ascendant.
Conspirituality: How New Age Conspiracy Theories Became a Health Threat by Derek Beres, Matthew Remski, and Julian Walker
Fascist Yoga: Grifters, Occultists, White Supremacists and the New Order in Wellness by Stewart Home
THE NEW YORK REVIEW OF BOOKS (April 24, 2025): The latest issue features the Art Issue—with Susan Tallman on warp and weft, Ingrid D. Rowland on Vitruvius, Jerome Groopman on antivaccine lunacy, Martin Filler on the new Frick, Julian Bell on art in an age of crisis, Lisa Halliday on Claire Messud, Heather O’Donnell on the Morgan librarian, Noah Feldman on the rule of law, Jarrett Earnest on fancy furnishings, Madeleine Thien on Fang Fang, Coco Fusco on Felix Gonzalez-Torres, Jed Perl on Surrealism, poems by Ben Lerner and Carmen Boullosa, and much more.
Two exhibitions focused on weaving go beyond the functional, the folkloric, and the feminine, tracking fiber’s escape from the connotations of the grid.
Woven Histories: Textiles and Modern Abstraction – an exhibition at the Museum of Modern Art, New York City, April 20–September 13, 2025
Weaving Abstraction in Ancient and Modern Art – An exhibition at the Metropolitan Museum of Art, New York City
Vitruvius’s Ten Books on Architecture was not only a manual of the building arts but a treatise on how to extend and consolidate the Roman Empire, and lent itself all too well to the autocratic ambitions of Renaissance princes.
All the King’s Horses: Vitruvius in an Age of Princes by Indra Kagis McEwen
During a burgeoning measles outbreak, HHS Secretary Robert F. Kennedy Jr. has continued to make contradictory remarks, publicly endorsing the measles vaccine while raising doubts about its safety.
Booster Shots: The Urgent Lessons of Measles and the Uncertain Future of Children’s Health by Adam Ratner
So Very Small: How Humans Discovered the Microcosmos, Defeated Germs—and May Still Lose the War Against Infectious Disease by Thomas Levenson
In an ambitious and long-overdue renovation, the architect Annabelle Selldorf attempted to harmonize with the Frick’s Classical aesthetic while asserting her Modernist credentials.
One hundred years after André Breton launched the Surrealist movement, we’re still trying making sense of its aims and effects.
Surrealism – an exhibition at the Centre Pompidou, Paris, September 4, 2024–January 13, 2025, and the Philadelphia Museum of Art, November 8, 2025–February 6, 2026
Manifestoes of Surrealism by André Breton, translated from the French by Richard Seaver and Helen R. Lane
Revolution of the Mind: The Life of André Breton, Revised and Updated Edition by Mark Polizzotti
Surrealism in Exile and the Beginning of the New York School by Martica Sawin
Surrealism and Painting by André Breton, translated from the French by Simon Watson Taylor, with an introduction by Mark Polizzotti
With her densely textured, ambitious, and deeply collaborative scholarship, the historian Catherine Hall has transformed public discourse about slavery.
Lucky Valley: Edward Long and the History of Racial Capitalism by Catherine Hall
At the University of Chicago all they wanted to know was, What’s the theory? At Yale all they wanted to know was, What’s the technique? At City College of New York all they wanted to know was, How does this relate to real life?
THE NEW YORK REVIEW OF BOOKS (March 20, 2025): The latest issue features Michael Gorra on the majesty of Caspar David Friedrich, Cathleen Schine on Hanif Kureishi, Wendy Doniger on letting slip the horses of war, Adam Thirlwell on Lars von Trier, Christian Caryl on denazification, Miri Rubin on Christian supremacy, Jonathan Mingle on the phosphorous shortfall, Brenda Wineapple on the history of American social movements, Geoffrey O’Brien on Fifties Hollywood, Christopher R. Browning on Trump’s antisemitism, poems by Witold Wirpsza and Laura Kolbe, and much more.
The Met’s Caspar David Friedrich exhibition offers an introduction to an artist whose work—luminous, disturbing, serene—reveals an all-encompassing physical realm.
Caspar David Friedrich: The Soul of Nature – an exhibition at the Metropolitan Museum of Art, New York City, February 8–May 11, 2025
Caspar David Friedrich: Art for a New Age – an exhibition at the Hamburger Kunsthalle, December 15, 2023–April 1, 2024
The Magic of Silence: Caspar David Friedrich’s Journey Through Time by Florian Illies, translated from the German by Tony Crawford
As two paintings by Caravaggio return to public view, it is possible to hope that his best-known lost work will reappear after almost half a century.
Caravaggio: The Ecce Homo Unveiled – an exhibition at the Museo Nacional del Prado, Madrid, May 28, 2024–February 23, 2025
Caravaggio: The Portrait Unveiled – an exhibition at the Gallerie Nazionali di Arte Antica, Palazzo Barberini, Rome, November 23, 2024–February 23, 2025
Caravaggio, la Natività di Palermo: Nascita e scomparsa di un capolavoro [Caravaggio, the Palermo Nativity: Birth and Disappearance of a Masterpiece] by Michele Cuppone
The terrible fires in January were another reminder that urban planning in Los Angeles has long failed to protect the city from the natural disasters that repeatedly threaten the region.
A Century of Tomorrows: How Imagining the Future Shapes the Present by Glenn Adamson
There have always been oracles, prophets, soothsayers, utopians, seers, or futurologists to make predictions about what will pass, and no matter how often they are wrong or discredited, humanity’s need remains.
Paris in Ruins: Love, War, and the Birth of Impressionism by Sebastian Smee
Paris 1874: The Impressionist Moment – an exhibition at the Musée d’Orsay, Paris, March 26–July 14, 2024, and the National Gallery of Art, Washington, D.C., September 8, 2024–January 19, 2025
One hundred and fifty years after Impressionist paintings were first exhibited, it takes a certain effort to recover their original radicalism.
Unit X: How the Pentagon and Silicon Valley Are Transforming the Future of War by Raj M. Shah and Christopher Kirchhoff
Bringing Silicon Valley’s drive for innovation to defense contracting has been a slow process, but the war in Ukraine has led tech firms to plunge into the war business.
An exhibition of Franz Kafka’s postcards, letters, and manuscript pages rekindles our sense of him as a writer deeply connected to his own time and place.
Franz Kafka – an exhibition at the Bodleian Library, Oxford, May 30–October 27, 2024, and the Morgan Library and Museum, New York City, November 22, 2024–April 13, 2025
Bernardo Arévalo’s inauguration last year as president of Guatemala symbolized the revival of democracy in a notoriously corrupt country. A concerted effort by obstructionist elites now threatens to oust him on specious grounds—and bring repression back.
Bruce Ragsdale’s Washington at the Plow examines the connections between the first president’s commitment to agricultural innovation and his evolving attitudes toward his enslaved laborers at Mount Vernon.
Washington at the Plow: The Founding Farmer and the Question of Slavery by Bruce A. Ragsdale
In Sam Gold’s Romeo + Juliet, the lovers’ headlong rush into marriage is in tension throughout with the surprising regression to childhood that characterizes so much of the production.
Romeo + Juliet – a play by William Shakespeare, directed by Sam Gold, at Circle in the Square, New York City, October 24, 2024–February 16, 2025