Tag Archives: Steidl

Photography: Edward Burtynsky’s ‘African Studies’ (Steidl – 2022)

Steidl – In Edward Burtynsky’s recent photographs, produced across the African continent, the patterns and scars of human-altered landscapes initially appear to form an abstract painterly language; they reference the sublime and often surreal qualities of human mark-making.

While chronicling the major themes of terraforming and extraction, urbanization and deforestation, African Studies conveys the unsettling reality of sweeping resource depletion on both a human and industrial scale.

From natural landscapes to artisanal mining and mechanized extraction, several distinct chapters culminate with China in Africa: a series depicting the economic inroads being made by China, including the interiors of gigantic newly built manufacturing plants. This project brings together the work of seven years, presenting the latest installment in Burtynsky’s ongoing œuvre.

Get your own copy here: https://steidl.de/Books/African-Studi…

New Photography Books: “Ballet – Arthur Elgort”

Following his career-spanning monograph The Big Picture, Arthur Elgort pays homage to his first love and eternal muse in this new collection of photographs. While glimpsing ballet through Elgort’s lens we are taken not to the front of the stage but behind the scenes, where the hard work is done.

Arthur Elgort Ballet - Steidl Book - May 2020

On this journey through the hallways and rehearsal spaces of some of the world’s most distinguished ballet schools, including the New York City Ballet and the Vaganova Academy of Russian Ballet, we see previously unpublished images of legends such as Balanchine, Baryshnikov and Lopatkina. The perfection of the prima ballerina disappears in these quiet photographs where the viewer is able to witness the individual dancers’ natural glamor as they work to perfect their craft.

Elgort’s snapshot style allows the pain and pleasure of one of the world’s most beloved forms of expressive dance to be seen with beauty.

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Video Interviews: 73-Year Old “Gritty” Black & White Photographer Chris Killip

Born on the Isle of Man in 1946, Chris Killip was a Professor of Visual and Environmental Studies at Harvard University where he had taught from 1991.

Chris Killip Seacoal photos

Since 2012 he has held solo exhibitions at Museum Folkwang, Essen; Le Bal, Paris; Tate Britain, London; Museo Reina Sofia, Madrid; and the J. Paul Getty Museum, Los Angeles. Killip’s works are held in the permanent collections of institutions including the Museum of Modern Art, New York; George Eastman House, Rochester; and the Victoria and Albert Museum, London. His books with Steidl are ‘Pirelli Work’ (2006), ‘Seacoal’ (2011), ‘Arbeit / Work’ (2012), ‘Isle of Man Revisited’ (2015), ‘In Flagrante Two’ (2016) and most recently ‘The Station’ (2020).

Chris Killip (born 11 July 1946) is a Manx photographer who worked at Harvard University in Cambridge, from 1991 to 2017, as a Professor of Visual and Environmental Studies. Killip is well known for his gritty black and white images of people and places.

Killip is the recipient of numerous awards, including the Henri Cartier-Bresson Award [Wikidata] (for In Flagrante). He has exhibited all over the world, written extensively, appeared on radio and television, and has curated many exhibitions.

From Wikipedia