THE NEW YORK TIMES BOOK REVIEW – MAY 14, 2023
“The Covenant of Water” follows three generations of a close-knit and haunted family in southwestern India.
As Annie Cohen-Solal shows in “Picasso the Foreigner,” the Spanish master was always under suspicion in France, simply for being not-French.
THE NEW YORK TIMES BOOK REVIEW – MAY 7, 2023
Claire Dederer’s deft and searching book surfaces a “fan’s dilemma” over such figures as Vladimir Nabokov, Woody Allen, Willa Cather and Roman Polanski.
Expanding on a popular essay published in The Paris Review a month after the exposure of Harvey Weinstein’s sexual predation, “Monsters” sustains an essayistic, sometimes aphoristic tone throughout 250-odd pages.
Welcome to three novels set in locales where life is exceedingly difficult.
By Alida Becker
AT THE HOUR BETWEEN DOG AND WOLF by Tara Ison
The title comes from a French expression for twilight. Sure enough, her novel sends us to the dusk that borders the familiar and the wild, the known and the unknown. It’s where our beliefs and suspicions can cast dark shadows over our lives. And, of course, the lives of others.
Alarmed by the country’s political divisions, Jeff Sharlet embarked on an anguished quest to understand the rise of antidemocratic extremism. In “The Undertow,” he documents his findings.
By Joseph O’Neill
THE UNDERTOW: Scenes From a Slow Civil War, by Jeff Sharlet
The premise of “The Undertow,” Jeff Sharlet’s anguished new book of reportage, is that the United States is “coming apart.” The disintegration is political. It involves the rise of the autocratically inclined Donald Trump; the attempt by members of the Republican Party to overthrow the election of Joe Biden in January 2021; and, during the Biden presidency, the overturning by the Supreme Court of Roe v Wade.
The New York Times Book Review (April 30, 2023): On the cover this week – Ned Blackhawk’s “The Rediscovery of America,” a sweeping, important, revisionist work of American history that places Native Americans front and center. Illustrating it is “Les Castors du Roi,” a 2011 painting by Kent Monkman, a Cree artist in Canada’s Dish With One Spoon Territory.
Paul Theroux, the quintessential travel writer, has also enshrined his Massachusetts roots in his writing. Here are his recommendations for those who come to visit.
My father, like many passionate readers, was a literary pilgrim in his native Massachusetts, a state rich in destinations, hallowed by many of the greatest writers in the language. “Look, Paulie, this is the House of the Seven Gables — go on, count them!”
In “All the Knowledge in the World,” Simon Garfield recounts the history of the encyclopedia — a tale of ambitious effort, numerous errors and lots of paper.
The scholar Christina Sharpe’s new book comprises memories, observations, artifacts and artworks — fragments attesting to the persistence of prejudice while allowing glimpses of something like hope.
The New York Times Book Review – April 23, 2023:
The author’s latest book, “The Wager,” investigates the mysteries surrounding an 18th-century maritime disaster off Cape Horn.
There were multiple moments while reading David Grann’s new book, “The Wager,” about an 18th-century shipwreck, when it occurred to me that the kind of nonfiction narratives The New Yorker writer has become known for share something essential with a sturdy ship.
Catherine Lacey’s new novel follows a polarizing artist through a fractured country.
The narrator of “Biography of X,” the new Catherine Lacey novel, is a journalist named C.M. Lucca who worked for a Village Voice-like newspaper in New York City during the 1980s. C.M. has a cool tone and a lonely intelligence; she’s a solitary spirit.
In “Walk the Walk,” Neil Gross profiles three departments around the country experimenting with genuine reform.
WALK THE WALK: How Three Police Chiefs Defied the Odds and Changed Cop Culture, by Neil Gross
The New York Times Book Review – April 16, 2023:
The author’s new book, “Saving Time: Discovering a Life Beyond the Clock,” urges readers to revise their conceptions of time and the world to nurture hope and action for a better future.
A book of photographs taken before February 2022 reveals formerly breathtaking landscapes that may never be the same.
In Jinwoo Chong’s debut novel, “Flux,” a time-warping discovery impacts the lives of three people coping with personal and systemic traumas.
The New York Times Book Review – April 9, 2023:
In “Hello Beautiful,” Ann Napolitano puts a fresh spin on the classic story of four sisters.
“It is your God-given right as an American fiction writer,” Ursula K. Le Guin once said, to change point of view. But “you need to know that you’re doing it,” she warned, and “some American fiction writers don’t.”
The enduring appeal of a midcentury Japanese novelist who wrote of alienation and suicide.
The first thing you hear is an eerie synth tone, followed by a portentous, insinuating voice. “Tell me, Dazai,” it says. “Why is it you wish to die?”
“Let’s turn that question around,” someone earnestly replies. “Is there really any value to this thing we call … living?” Then a beat drops, accompanied by distorted shouts.
These hefty books explore the lives of a former poet, a polarizing artist and a Scottish rebel from unexpected angles.
One of the great attractions of historical fiction is its ability to approach the past from unexpected angles, allowing us to consider famous figures in surprising ways. It’s a tactic that pays off brilliantly in Stephen May’s elegantly acerbic SELL US THE ROPE (Bloomsbury, 240 pp., paperback, $18), which features a thuggish former poet who calls himself Koba. The world will later know him as Stalin.
The New York Times Book Review – April 2, 2023:
“Birnam Wood,” by the Booker Prize winner Eleanor Catton, is a fast-moving ecological novel and a generational cri de coeur.
Edinburgh calls to readers, its pearl-grey skies urging them to curl up with a book. Maggie O’Farrell, the author of “Hamnet,” suggests reading that best reflects her city.
The New York Times Book Review – March 26, 2023:
Her new story collection, “Old Babes in the Wood,” offers elegiac scenes from a marriage plus a grab bag of curious fables.
There are authors we turn to because they can uncannily predict our future; there are authors we need for their skillful diagnosis of our present; and there are authors we love because they can explain our past. And then there are the outliers: those who gift us with timelines other than the one we’re stuck in, realities far from home. If anyone has proved, over the course of a long and wildly diverse career, that she can be all four, it’s Margaret Atwood.
Michael Lesy’s book of historical photographs and found text offers a singular portrait of American life.
Michael Lesy’s 1973 book “Wisconsin Death Trip” is an American oddity, a cult classic for a reason. In a way that few documentary texts do, it makes us leave the baggage of modernity at the trailhead. It forces us back into the inconceivably long nights in rural and small-town America before the widespread use of electricity, before radio, before antibiotics for dying children and antidepressants for anxiety bordering on mania, when events could make a family feel that some nocturnal beast had chalked its door.
The first installment of an essay series on American literature and faith.
I am a child of the church. In an early memory, I am 6 years old, half-asleep in the back of my grandparents’ station wagon on the way home from a revival…
The New York Times Book Review – March 19, 2023:
The new book by the sociologist and author of “Evicted” examines the persistence of want in the wealthy United States, finding that keeping some citizens poor serves the interests of many.
Brazil’s ultra urban megacity overwhelms the landscape and the imagination. Paulo Scott recommends books that peel back its layers.
The fashion world’s hunger for larger-than-life figures glorified the designer. But a cozy new biography shows him to be more business whiz than artist.
/https%3A%2F%2Fdev.lareviewofbooks.org%2Fwp-content%2Fuploads%2F2023%2F03%2Fcurrency_of_politicsArtboard-1.png)
NOBODY HAS EVER seen the economy. We can see specific markets, but my local farmers’ market looks very different from the Diamond District in Manhattan and even the street stalls I frequented in East London.
Markets are institutions with more or less physical infrastructures, but “the market” (like “the economy”) is an abstraction, no more fixed or certain than “the Left” or “nature.” If “the economy” and “the market” are often described as though they were things out there in the world to be measured and monitored while other abstractions (such as “beauty” and “joy”) are not, that tells us as much about ways of thinking as it does about the workings of the world.
Powered by this insight, the history of economic thought (and related “new histories of capitalism”) has grown over the past 20 years to become one of the most lively and popular historical subfields.
/https%3A%2F%2Fdev.lareviewofbooks.org%2Fwp-content%2Fuploads%2F2023%2F03%2Ffree_market.jpg)
The recent controversy over Jacob Soll’s new book Free Market: The History of an Idea (2022) reveals just how attached some people are to their economic ideologies (no surprise there) and to their ideas about who gets to have “economic thoughts.”
In a sweeping text that ranges across 2,500 years in barely 250 pages, Soll argues that, for centuries, “free” markets were understood as existing only where strong, moral governments liberated trade from domination by selfish, moneyed merchants. Markets had to be set free—they were not born that way—and the danger has always lurked of commerce being recaptured to enrich the few rather than benefit the many.
This is a loosely “antitrust” way of describing market freedom, and it might have barely registered at all had Soll attributed it chiefly to Louis Brandeis, Frances Perkins (secretary of labor under FDR), or even Machiavelli. But by invoking the name “Adam Smith,” Soll seems to have violated the holy of holies.
Boomers Daily 