Tag Archives: Martin Amis

The New York Times Book Review — June 11, 2023

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THE NEW YORK TIMES BOOK REVIEW – JUNE 11, 2023: This week’s issue brims with even more books to add to your teetering nightstand pile: talky new novels by Brandon TaylorR.F. Kuang and Luis Alberto Urreaa wistful ode to a beloved neighborhood barthe latest crime fiction; even some Martin Amis titles you’ve always meant to pick up, plucked from A.O. Scott’s  beautiful appraisal of the late British writer.

Good Night, Sweet Prince

This black-and-white photograph is a close-up of the writer Martin Amis’s face. He is staring intently into the camera.

Our critic assesses the achievement of Martin Amis, Britain’s most famous literary son.

By A.O. Scott

On May 6, at the age of 74, Charles III was crowned king of England. A few weeks later, at 73, Martin Amis died at his home in Florida. One event seemed almost comically belated, the other tragically premature. Charles took over the family business well past normal retirement age, while Amis was denied the illustrious dotage that great writers deserve.

For ‘The Late Americans,’ Grad School Life Equals Envy, Sex and Ennui

The book jacket for “The Late Americans,” by Brandon Taylor, is an abstract illustration of two men’s faces; one man is kissing the chin of the other.

Brandon Taylor’s novel circulates among Iowa City residents, some privileged, some not, but all aware that their possibilities are contracting.

By Alexandra Jacobs

Reading Brandon Taylor’s new novel, “The Late Americans,” I thought more than once of the Bad Sex in Fiction Award that the English magazine Literary Review gave to decades of authors, many esteemed, before showing mercy in pandemic-chilled 2020. Not because the sex in Taylor’s novel is described badly, but because — described well! — so much of it is bad.

Arts/Books: Times Literary Supplement – May 26, 2023

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Times Literary Supplement (May 26, 2023) – Alan Jenkins on Martin Amis, Young Russian fascists, The Rossettis at Tate Britain, Writers at the Hay Festival, Seamus Perry on ‘Byron’s Voice’.

Taking life sentence by sentence

Martin Amis, a talent for our time By Alan Jenkins

Martin Amis, 1995

In the Foreword to The War Against Cliché: Essays and reviews 1971-2000, a career-spanning collection of his journalism (literary and other), Martin Amis recalled how, when they started out in the early 1970s, he and his friends and colleagues touchingly assumed that literary criticism was as essential to civilization as literature itself was. Furthermore, “the most fantastic thing about this cultural moment” was that, in the debate between the Two Cultures, Art vs Science, “Art seemed to be winning”.