The New Yorker (February 26, 2024): The new issue‘s cover features ‘Victoria Tentler-Krylov’s “All Clear” ‘ – The artist captures New York’s smallest pedestrians as they make their way through the big city.
Workers sent from the country to Chinese factories describe enduring beatings and sexual abuse, having their wages taken by the state, and being told that if they try to escape they will be “killed without a trace.”
Disturbances on the sun may have the potential to devastate our power grid and communication systems. When the next big storm arrives, will we be prepared for it?
The New Yorker (February 19, 2024): The new issue‘s cover featuresMarcellus Hall’s “Winter Wonders” – The artist depicts an array of invigorating, comforting, and delightful cold-weather activities.
Representative Matt Gaetz arrived at the White House in the last days of 2020, amid a gathering national crisis. President Donald Trump had lost his bid for reëlection the previous month, and his allies were exploring strategies to keep him in office. Though only thirty-eight years old, Gaetz, the scion of a political family in Florida’s Panhandle, had become one of the Republican Party’s most prominent and divisive figures. His dark hair styled in a kind of bouffant, his lips often curled in a wry smile, Gaetz bore a resemblance to Elvis Presley, or, in the description of a Florida friend, “either Beavis or Butt-head.” He was quick-witted and sometimes very funny, and he loved to taunt his enemies, who were numerous, especially in his own party. “He’s the most unpopular member of Congress, with the possible exception of Marjorie Taylor Greene, and he doesn’t care,” a fellow-congressman told me.
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