Hyperallergic | Boomers Daily

From Hyperallergic (June 13, 2020):

In his paintings we see books on their own, or books in the company of people or other objects; small, lonely ziggurats of books, or a book beside a candle. That last juxtaposition is telling in the extreme. Vincent had a reverence for books. They were sacred ground. They have a kind of inner glow about them.

He reverenced books for their intellectual and emotional content.

He read Dickens, Carlyle, Flaubert, Balzac, Maupassant, and Zola in the original. Dickens and Carlyle were never very easy to read, then or now, but this Dutchman did so. He even read English poetry – John Keats, for example.

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About the Author

Mariella Guzzoni is an independent scholar and translator living in Bergamo. She has been collecting editions of the books that Vincent van Gogh read and loved for many years, and curated the exhibition ‘Van Gogh’s Passion for Books’ at the Sormani Library, Milan, in 2015.

The first comprehensive publication exploring the life and art of pioneering American abstract artist Alice Trumbull Mason is perfect for audiences eager to discover unsung yet brilliantly talented women artists.

A groundbreaking artist, Alice Trumbull Mason (1904-1971) was one of the earliest painters of the twentieth century to embrace abstract painting in America. Mason’s early paintings have been compared to those of Gorky, Kandinsky, and Miró, and in 1936 she became a founding member of the American Abstract Artists (AAA) and one of its leaders in the promotion of abstract work by artists such as Josef Albers, Ad Reinhardt, Piet Mondrian, and many others. Mason was a true artist’s artist whose efforts helped lead to the great movements of later twentieth-century art, such as Abstract Expressionism, Pop Art, Post-Modernism, and Conceptual Art.

Alice Trumbull Mason features essays that illuminate and contextualize the artist’s multifaceted work and personal life through her paintings, prints, poetry, and letters. The book reveals the full life story of a seminal abstractionist, making a sound argument for adding her to the annals of great twentieth-century artists.

About The Author

Elisa Wouk Almino is senior editor of Hyperallergic. Marilyn Brown is professor emerita of art history at the University of Colorado, Boulder, and Tulane University. Meghan Forbes is a postdoctoral fellow in the Leonard A. Lauder Research Center for Modern Art at the Metropolitan Museum of Art in New York. Will Heinrich writes about art for The New Yorker and the New York Times. Thomas Micchelli is an artist, writer, and coeditor of Hyperallergic Weekend. Christina Weyl is an art historian and curator with a focus on midcentury American printmaking and women artists.