LITERARY REVIEW MAGAZINE – SEPTEMBER 2026 PREVIEW

LITERARY REVIEW : The latest issue features ‘The Subtle Art of Anita Brookner’….

Tinker, Tailor, Soldier, Poet

It’s getting on for twenty-four years ago that I first read Patricia Highsmith’s The Talented Mr Ripley (1955). Books tend to come to us when we need them, and it’s easy to see why Tom Ripley’s project of self-reinvention and triumphant class resentment was so appealing to me as a twenty-year-old undergraduate. 

The Sea-King and the Sorceress: Life and Death in the Viking Age By Neil Price

Few groups in history have been so variously defined, quarrelled over, misrepresented and appropriated as the Vikings. Their identity elusive, they have been passed around like historiographical tokens to the detriment of a deeper understanding of their cultural and political milieu. Neil Price’s The Sea-King and the Sorceress sidesteps these often sterile debates by examining the lives – and deaths – of more than twenty figures from the Viking Age and using them to shed light on wider themes, a bottom-up approach which is both logical and engaging.

The Cauldron: The Making of the Modern Middle East By Simon Sebag Montefiore

A highly readable gallop through one of the world’s most complex political environments, The Cauldron is brilliant on narrative, weaker on analysis. Simon Sebag Montefiore has set himself a formidable task: to compress the modern history of a region extending from Morocco to Iran, and from the fall of the Ottoman Empire to the wars of 2026, into a single volume. The result is an exuberant pageant of sultans, shahs, kings, colonels, spies, revolutionaries and assassins. Few historians could move so confidently from the salons of Cairo to the palaces of Riyadh, from Atatürk’s Ankara to Khomeini’s Najaf, while keeping so many figures vividly in play.

All the Wrong Moves: How Three Catastrophic Decisions and Years of Sh*tshow Politics Led to Trump – and How We Find a Way Out By Anthony Scaramucci

When Donald Trump fired him after just eleven days as his director of communications, Anthony Scaramucci thought his career was over. He had become such an object of ridicule that a crisis PR adviser suggested he lie low for a few years before attempting to start again. Instead, the self-styled ‘front stabber’ from New York – who had naively assumed that a successful Wall Street career could equip him for the toxic political swamp of Washington, DC – launched himself into a round of media interviews, choosing to roll with the punches.

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