Tag Archives: Schumann

Classical Music: Tiffany Poon Plays Schumann

DW Classical Music (February 4, 2024): Robert Schumann’s “Kinderszenen” (“Scenes from Childhood”) is one of the most popular piano works of the Romantic period. The highlight of the 13-part piano cycle is the “Träumerei” (Dreaming). The work is considered the epitome of romantic piano compositions.

New York pianist, Tiffany Poon, played Robert Schumann’s “Kinderszenen”, Op. 15 at the Dresden Music Festival 2023. The concert took place on June 17, 2023, at the Palais im Großen Garten.

Video timeline: (00:00) Coming on stage (00:21) 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples) (02:02) 2. Kuriose Geschichte (A Curious Story) (03:07) 3. Hasche-Mann (Blind Man’s Buff) (03:39) 4. Bittendes Kind (Pleading Child) (04:39) 5. Glückes genug (Happy Enough) (05:17) 6. Wichtige Begebenheit (An Important Event) (06:09) 7. Träumerei (Dreaming) (08:51) 8. Am Kamin (At the Fireside) (09:47) 9. Schumann Ritter vom Steckenpferd (Knight of the Hobbyhorse) (10:32) 10. Fast zu ernst (Almost Too Serious) (12:40) 11. Fürchtenmachen (Frightening) (14:13) 12. Kind im Einschlummern (Child Falling Asleep) (16:16) 13. Der Dichter spricht (The Poet Speaks)

Robert Schumann’s “Kinderszenen” was composed in 1838 and published the following year without a dedication and with the misleading subtitle “Easy Pieces for the Pianoforte.” Unlike the “Album for the Young,” which Schumann had composed for “younger children” in his own words, he did not write the “Kinderszenen” for children, but for adults reflecting on their own childhood.

At first, the cycle was to be titled “Children’s Stories” and preceded or appended to the “Novelettes,” Op. 21. However, Schumann later refrained from doing so. He wanted to have the “Kinderszenen” published as a separate opus. Although the work was not very successful during the composer’s lifetime, it eventually evolved independently and was highly regarded. It had a significant influence on the Romantic program miniature for piano.

Classical: Pianist Hélène Grimaud Plays Schumann

Deutsche Grammophon – DG – French Pianist Hélène Grimaud plays Kreisleriana, Op. 16, a composition in eight movements by Robert Schumann for solo piano, subtitled Phantasien für das Pianoforte.

It was written in only four days in April 1838 and a revised version appeared in 1850. In 1839, soon after publishing it, Schumann called it in a letter my favorite work, remarking that The title conveys nothing to any but Germans. The work’s title was inspired by the character of Johannes Kreisler from works of E. T. A. Hoffmann.