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Arts & Literature, Books, Newspapers, Previews, Reviews

The New York Times Book Review – August 27, 2023

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THE NEW YORK TIMES BOOK REVIEW (August 27, 2023) The new issue features: James McBride’s Latest Is a Murder Mystery Inside a Great American Novel; The First Chinese American Movie Star and the Cost of Glittering Fame, and more…

James McBride’s Latest Is a Murder Mystery Inside a Great American Novel

“The Heaven & Earth Grocery Store” opens with the discovery of a skeleton in a well, and then flashes back to explore its connection to a town’s Black, Jewish and immigrant history.

By Danez Smith

A few weeks ago, around the same time I was working on this review, I visited the Guggenheim with my fiancé. The exhibition on display as we trekked up the museum’s famous spiral was “Measuring Infinity,” a marvelous retrospective on the work of the great Venezuelan artist Gego. A German Jew who fled Nazi persecution in Europe, Gego arrived in Venezuela in 1939 and went on to become one of the most important artists to emerge from Latin America in the 20th century. Her work speaks to a deep curiosity about the interrelation of shapes, things and the dimensions created by those relationships.

The First Chinese American Movie Star and the Cost of Glittering Fame

This is a black-and-white photograph of the actress Anna May Wong. She is wearing a heavily embroidered dress and looking down, with her chin resting on one of her hands. She has blunt-cut bangs, and the rest of her hair is hidden by a giant scarf wrapped over her head.

A new biography of Anna May Wong, “Daughter of the Dragon,” is intended as a form of reclamation and subversion.


By Jennifer Szalai

It was, according to the film historian Kevin Brownlow, “one of the most racist films ever made in America.” “Old San Francisco” (1927) featured a white actor playing a Chinese villain passing as a white man (got that?) who plans to sell an innocent white girl into white slavery until he is conveniently crushed by an earthquake. Before his grisly end he is aided in his nefarious scheme by an Asian character identified only as “a flower of the Orient,” played by an ingénue named Anna May Wong.

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The New York Times Book Review – August 20, 2023

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THE NEW YORK TIMES BOOK REVIEW – August 20, 2023: The issue features “never before told” narrative histories including a tale of the female botanists who surveyed the Grand Canyon in 1938, a recent biography of the 19th-century “abortionist of Fifth Avenue” and the book on this week’s cover: Prudence Peiffer’s “The Slip,” which brings into focus a thriving artistic community that existed at the southernmost tip of Manhattan in the 1950s and ’60s.

They Overcame Hazards — and Doubters — to Make Botanical History

In a black-and-white photograph from 1938, two women and four men sit in a boat looking at the camera. One woman wears a white dress and hat; the other wears slacks and a blouse. Three of the men are shirtless; two wear pith helmets.

In Melissa Sevigny’s “Brave the Wild River,” we meet the two scientists who explored unknown terrain — and broke barriers.

BRAVE THE WILD RIVER: The Untold Story of Two Women Who Mapped the Botany of the Grand Canyon, by Melissa L. Sevigny

Let’s start this story on a sun-blistered evening in August 1938. A small band of adventurers had just concluded a 43-day journey from Utah to Nevada — although perhaps “journey” is too tame a description for a trip that had required weeks of small wooden boats tumbling down more than 600 miles of rock-strewn rivers. The goal was twofold. First, to simply survive. And then, to chart the plants building homes along the serrated walls of the Grand Canyon.

At New York’s Coenties Slip, an Artist Colony and a ‘Rebellion’

Prudence Peiffer’s “The Slip” is a group biography of six visual artists and the work they created on the edge of Manhattan in the 1950s and ’60s.

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The New York Times Book Review – August 13, 2023

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THE NEW YORK TIMES BOOK REVIEW – August 13, 2023: The annual thrillers issue features – a tense murder mystery set aboard a cruise ship; a heist novel involving rough diamonds, crooked lawyers and masters of the double cross; and an especially creepy serial-killer novel, to name just a few.

Being Underestimated Was Her Secret Weapon

A black-and-white photograph portrays the head and shoulders of a woman with dark hair, elegantly dressed in furs.

In “Flirting With Danger,” Janet Wallach tells the story of Marguerite Harrison, who traded a life of privilege to become America’s first international female spy.

By Chloe Malle

FLIRTING WITH DANGER: The Mysterious Life of Marguerite Harrison, Socialite Spy, by Janet Wallach

Anyone complaining about a canceled Delta flight would do well to channel Marguerite Harrison. The United States’ first international female spy, Harrison crisscrossed the globe by rickshaw, propeller plane, camel, inflated goatskin raft and rail freight car and once brightly described a trans-Siberian voyage, in which she was wedged between sacks of tea and oats on the back of a troika in a blizzard, as “a rare and delightful experience.”

Chasing a World Record, They Endured Storms, Sharks and Freak Waves

There are two vintage black-and-white photos next to one another here. The one on the left portrays a man in a white T-shirt squinting past the camera; the one on the right shows a man on a boat giving himself s shave. He is shirtless and his face is covered with shaving cream.
From left: John Fairfax; Tom McCleanCredit…From left: Daily Mail/Shutterstock; Tom McClean

In “Completely Mad,” James Hansen tells the stories of two men who in 1969 vied to be the first to row solo across the Atlantic Ocean.

COMPLETELY MAD: Tom McClean, John Fairfax, and the Epic Race to Row Solo Across the Atlantic, by James R. Hansen

The day before the Apollo mission landed two men on the moon, a British man named John Fairfax waded into Hollywood Beach, Fla., greeted by masses of cheering fans, having been the first person to row solo across the Atlantic Ocean. Eight days later, another Briton, Tom McClean, pulled his dory up a deserted beach in Blacksod Bay, Ireland, having rowed solo across the Atlantic in the opposite direction. While Fairfax was acclaimed and feted, McClean walked to the closest pub, alone.

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The New York Times Book Review – August 6, 2023

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THE NEW YORK TIMES BOOK REVIEW – August 6, 2023: The issue features Daniel Kraus’s new thriller, “Whalefall,” the story of a teenage diver inadvertently swallowed by an 80-foot whale; the reissue of Claude Anet’s provocative 1920 novel, “Ariane: A Russian Girl”; a biography of the Gilded Age heiress and international spy Marguerite Harrison; a handful of audiobook recommendations; even the biography of a venerable scam. 

Swallowed by a Sperm Whale, and Mourning His Father

In Daniel Kraus’s novel “Whalefall,” a teenage diver is gulped down by a 60-ton whale and must try to escape.

By Sarah Lyall

In marine biology, a whale fall is the body of a dead whale that has slowly descended to the bottom of the ocean. Scavengers strip its flesh, crustaceans and other creatures colonize its skeleton and its decaying bones help sustain countless organisms for years to come, part of the delicate balance of the undersea ecosystem.

Talking About Love in the Afternoon, Morning, Evening and Night

This black-and-white still from the 1957 film “Love in the Afternoon” portrays Gary Cooper, in white shirt and tie, leaning against a wall where Audrey Hepburn, in a black hat and dress, gazes back from between his arms.
While Billy Wilder’s 1957 film adaptation portrays Ariane (played by Audrey Hepburn) as a doe-eyed ingénue, Claude Anet’s original character is considerably more enigmatic. Credit…Allied Artists/Getty Images

Reading Claude Anet’s provocative 1920 novel “Ariane: A Russian Girl,” the reader may yearn for a little less conversation.

By Gemma Sieff

It would be nice if we had put to bed, so to speak, witless and reductive double standards about female promiscuity. Have you heard the one that goes, “A key that opens many locks is a master key, yet a lock that is opened by many keys” is … unprintably bad? Me neither — until I saw it on TikTok.

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The New York Times Book Review — July 30, 2023

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THE NEW YORK TIMES BOOK REVIEW – JULY 30, 2023:

On this week’s cover, we feature biographies of composers Arnold Schoenberg and Wolfgang Amadeus Mozart that emphasize the extent to which each was a singular genius attuned to his culture and times; our reviews are by Anthony Tommasini (formerly The Times’s chief classical music critic) and the composer John Adams.

Masterpieces Galore: When Mozart Met the Enlightenment

This painting shows the profile of a man with brown hair and a dark brown collar. The background is black. Some of the painting appears to be unfinished.

In Patrick Mackie’s “Mozart in Motion,” the socially observant composer embraces modernity.

Musicians tend to be wary of ascribing specific meanings to music or making too much of a piece’s extra-musical associations. In one of his Norton Lectures at Harvard in 1973, turning to Beethoven’s “Pastoral” Symphony, Leonard Bernstein asked the audience to forget all about “birds and brooks and rustic pleasures” and instead concentrate on “pure” music. He then demonstrated how every phrase of the entire first movement is derived from little motifs of notes and rhythms in the first four bars of the score.

Make It New and Difficult: The Music of Arnold Schoenberg

This painting shows a balding middle-aged man, in suit, vest and tie, from the waist up. The suit jacket and vest are beige and white; the tie is dark brown.

John Adams reviews “Schoenberg: Why He Matters,” in which Harvey Sachs explores the artistic, academic and spiritual life of a 20th-century cultural giant.

In 1955 Henry Pleasants, a critic of both popular and classical music, issued a cranky screed of a book, “The Agony of Modern Music,” which opened with the implacable verdict that “serious music is a dead art.” Pleasants’s thesis was that the traditional forms of classical music — opera, oratorio, orchestral and chamber music, all constructions of a bygone era — no longer related to the experience of our modern lives. Composers had lost touch with the currents of popular taste, and popular music, 

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The New York Times Book Review — July 23, 2023

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THE NEW YORK TIMES BOOK REVIEW – JULY 23, 2023:

Colson Whitehead on ‘Crook Manifesto’ and Harlem in the ’70s

The Pulitzer-winning novelist discusses the sequel to his 2021 crime story “Harlem Shuffle.”

Roald Dahl Museum Calls Author’s Racism ‘Undeniable and Indelible’

A museum in England devoted to the best-selling children’s author, who died in 1990, condemned his antisemitic views.

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The New York Times Book Review — July 16, 2023

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THE NEW YORK TIMES BOOK REVIEW – JULY 16, 2023: This week, Jeff Goodell’s “The Heat Will Kill You First,” feels particularly apt. “This is a propulsive book, one to be raced through; the planet is burning,” writes our critic Jennifer Szalai. But maybe you don’t want to think more than you already do about impending doom. We’ve got you covered: The issue brims with diversions — a charming novel about a reality TV show set on Mars,  fiction about complicated families and a slew of good memoirs, including ones from a senior intelligence official, the war reporter Jane Ferguson and the actor Elliot Page.

Extreme Heat Is Here to Stay. Why Are We Not More Afraid?

This illustration depicts a large, bright purple iris, its petals on fire. Behind the flaming flower, we see a bright yellow, desert-like landsape, with low orange mesas and, above them, a sky that shifts from yellow to bright red — as if the sky itself is on fire.

In “The Heat Will Kill You First,” Jeff Goodell documents the lethal effects of rising temperatures and argues that we need to take hot weather a lot more seriously.

What Does It Even Mean to Be Real?

In Deborah Willis’s novel “Girlfriend on Mars,” a young woman enters a reality-TV contest to leave the planet, and her marijuana-farming boyfriend, behind.

GIRLFRIEND ON MARS, by Deborah Willis

Sometimes, a girlfriend needs space. Sometimes, she goes to space. That’s the — OK, obvious — premise of “Girlfriend on Mars,” a novel by the Canadian writer Deborah Willis, who knows what we’ve wished for from books all along, which is that they were TV instead.

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The New York Times Book Review — July 9, 2023

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THE NEW YORK TIMES BOOK REVIEW – JULY 9, 2023: In Too Deep – Laura Trethewey’s “The Deepest Map” plumbs the new world of oceanic exploration, and its dangers; “Fancy Bear Goes Phishing”; Lorrie Moore’s New Novel; Read your way through L.A., and more…

In Too Deep

Laura Trethewey’s “The Deepest Map” explores the new world of oceanic exploration — and its dangers.

By Simon Winchester

In the past days, the world has been riveted by the story of the Titan submersible, which we now know imploded some 1,600 feet from the wreckage of the Titanic, killing all aboard. Beyond the human tragedy — and the macabre fact that James Cameron’s blockbuster is trending online — comes an opportunity for serious reflection.

From ‘Front-Page Girls’ to Newsroom Leaders

“Undaunted,” Brooke Kroeger’s new history of women in journalism, tracks the victories, setbacks and pathbreaking careers that have marked the decades-long fight for gender parity in the field.

This black-and-white photo shows 13 men and one woman in business attire seated around a long oval conference table in a corporate boardroom. On the table are several ashtrays, a couple of folded newspapers and, in front of each person, a sheet of paper. In addition, two men stand behind the seated group, on opposite sides of the table and in front of a wall decorated with a world map.
The New York Times editorial council, photographed in 1951.

By Jane Kamensky

Raise your hand if you’ve heard of Anne O’Hare McCormick. I hadn’t, and as the director of Radcliffe’s Schlesinger Library on the History of Women in America, which holds peerless collections documenting pioneers in print journalism, I could have, and definitely should have. Brooke Kroeger’s compendious and lively “Undaunted: How Women Changed American Journalism” introduced me to her.

If We Are What We Eat, We Don’t Know Who We Are

In “Ultra-Processed People,” Chris van Tulleken takes a close look at the franken-snacks that barely resemble what they’re imitating.

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The New York Times Book Review — July 2, 2023

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THE NEW YORK TIMES BOOK REVIEW – JULY 2, 2023: The entire issue is devoted to literature in translation – reviews of translated books (by Javier Marías, Seamus Heaney, Natalia Ginzburg…); Daniel Hahn’s essay about translating picture books; Emily Wilson’s look at “Iliad” translations over the years, culminating with her own; a By the Book interview with the translator Jennifer Croft; and lots more.

Exit Hector, Again and Again: How Different Translators Reveal the ‘Iliad’ Anew

An 1878 illustration of the meeting between Hector and Andromache, based on a design by John Flaxman.

Over the years, some 100 people have translated the entire “Iliad” into English. The latest of them, Emily Wilson, explains what different approaches to one key scene say about the original, and the translators.

Jennifer Croft Knows a Good Translation When She Reads One

This illustration shows Jennifer Croft with long, straight blond hair and bangs. She’s wearing a shoulderless top that crosses at her neck, with variously colored stripes.

“There has to be chemistry,” says the writer and prolific translator, whose second book will come out next year. “You don’t need prior knowledge of, say, Iceland or Icelandic in order to appreciate Victoria Cribb’s translation of Sjón.”

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The New York Times Book Review — June 25, 2023

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THE NEW YORK TIMES BOOK REVIEW – JUNE 25, 2023: The Reading Crisis by @aoscott; ‘Little Monsters’ by @adriennebrodeur; ‘The Art Thief’ by @MikeFinkel and more…

Everyone Likes Reading. Why Are We So Afraid of It?

This image features a folded pair of black frame glasses. The left lens is tinted yellow. The right lens is clear but fractured, as if the glass has been hit by something hard.

Book bans, chatbots, pedagogical warfare: What it means to read has become a minefield.

By A.O. Scott

Everyone loves reading. In principle, anyway. Nobody is against it, right? Surely, in the midst of our many quarrels, we can agree that people should learn to read, should learn to enjoy it and should do a lot of it. But bubbling underneath this bland, upbeat consensus is a simmer of individual anxiety and collective panic. We are in the throes of a reading crisis.

Family Politics as a Predictor of Mayhem on a Bigger Scale

In her new novel, “Little Monsters,” Adrienne Brodeur takes readers on a stressful march toward a patriarch’s 70th birthday party.

By MARY POLS

Adrienne Brodeur’s “Little Monsters” is cleverly calculated to push all the buttons for a wide swath of women. Like her 2019 memoir “Wild Game,” which examined the role Brodeur played in her mother’s long affair with a family friend, “Little Monsters” is a tale of dysfunction and buried secrets, set in and around moneyed Cape Cod.