Tag Archives: Black and White Photography

Japan View: ‘Kyoto In Snow’

Yurara Sarara – Kyoto is a city of some 2000 temples and shrines: a city of true masterpieces of religious architecture, such as the retina-burning splendor of Kinkaku-ji (the famed Golden Pavilion) and the cavernous expanse of Higashi Hongan-ji. It’s where robed monks shuffle between temple buildings, prayer chants resonate through stunning Zen gardens, and the faithful meditate on tatami-mat floors. Even as the modern city buzzes and shifts all around, a waft of burning incense, or the sight of a bright vermillion torii gate marking a shrine entrance, are regular reminders that Kyoto remains the spiritual heart of Japan.

Aerial Short Films: ‘Mountains Song’

Mountains Song – is my latest short drone film. In this film the main subject are mountains of all sizes tall and short, with clouds and fog as a complimentary. I also wanted to experiment a bit with a post production and grading. I was inspired by Ansel Adams black and white contrasty landscape photos and wanted to create similar imagery, but with in a video. To my big surprise I found almost no b&w drone films, so I wanted to fix tat.

The subdued atmospheric sound from Ryan Taubet in my opinion compliments the airy scenery.

Filmed and Edited by: Vadim Sherbakov

Top Museum Exhibits: “STRANGE LIGHT: THE PHOTOGRAPHY OF CLARENCE JOHN LAUGHLIN” At High Museum Of Art, Atlanta

From the High.org website:

The Bat 1940 by CLARENCE JOHN LAUGHLINDubbed “The Father of American Surrealism,” Clarence John Laughlin (American, 1905-1985) was the most important Southern photographer of his time and a singular figure within the burgeoning American school of photography. Known primarily for his atmospheric depictions of decaying antebellum architecture that proliferated his hometown of New Orleans, Laughlin approached photography with a romantic, experimental eye that diverged heavily from his peers who championed realism and social documentary.

High Museum Of Art Atlanta

On view through November 10, 2019

Water Witch 1939 Clarence John LaughlinThe exhibition surveys Laughlin’s signature bodies of work made between 1935 and 1965, emphasizing his inventiveness, artistic influences, and deep connection to the written word. The High began collecting Laughlin’s work in 1974 and Strange Light: The Photography of Clarence John Laughlin is the first major presentation of Laughlin’s photographs by the High Museum following a landmark acquisition of his work in 2015.

The more than one hundred works in this exhibition attest to Laughlin’s innovative approach and prescience for the future of the photographic medium. From allegorical social commentary, to expertly constructed narratives, to bizarre material experimentation, Laughlin’s effort to access a higher artistic potential for photography is evident throughout his career. His desire to push the limits of photographic possibility paved the way for generations of artists and the growth of the medium into a tool of magical potential.

https://high.org/exhibition/strange-light-the-photography-of-clarence-john-laughlin/