“An abstract visual journey based on the true story of Bashir Ramathan.”
Directed by: Arne Totz
Production Company: Friends & Fellows
Director of Photography: Paul Meyers
Editor: Matt Osborne
Colorist: Marina Starke
VFX: NHB Munich
Composer: Jakob Balogh
Sound Designer: David Herbst
Copywriter: Arne Totz, Vicky Jacob-Ebbinghaus
Voice Over Artist: Isaac Simba
From a Curbed.com online article:
The postwar boom made TV ubiquitous: In 1950, 3,880,000 households in America had a TV—about 9 percent of the total population. By 1960, 90 percent of all households had at least one. This was the golden age of appliance marketing for all kinds of durable goods, from cars to dishwashers, and television marketers initially took a curious tack with their wares. While the auto industry and manufacturers of coffee makers and cooktops positioned their products as accessible components of a high-tech future, the makers of television sets often sold their devices as elegant pieces of contemporary or even classic furniture.
To read more click on the following link: https://www.curbed.com/2019/7/31/20729252/living-room-design-tv-history
JAY MYSELF documents the monumental move of renowned photographer and artist, Jay Maisel, who, in February 2015 after forty-eight years, begrudgingly sold his home—the 36,000 square-foot, 100-year-old landmark building in Manhattan known simply as “The Bank.” Through the intimate lens of filmmaker and Jay’s protégé, noted artist and photographer Stephen Wilkes, the viewer is taken on a remarkable journey through Jay’s life as an artist, mentor, and man; a man grappling with time, life, change, and the end of an era in New York City.
From an Architectural Digest online article:
Eating well on the Dame de Fer, a.k.a. the Iron Lady or Eiffel Tower, is tradition. When it first opened in 1889, there were already four restaurants on the first floor, tucked away in wooden pavilions. And to celebrate the landmark’s 130th birthday this year, three-Michelin-starred chef Frédéric Anton (of Le Pré Catelan in the Bois de Boulogne) will take the helm of the City of Light’s highest gastronomic destination, soaring 410 feet above the city.
Located on the second floor, with direct access via a private elevator on the south pillar, the Jules Verne Restaurant—named for the celebrated French novelist, poet, and playwright—is reopening on July 20, entirely refurbished by architect and interior designer Aline Asmar d’Amman, founder of Culture in Architecture. With some six million visitors every year, around 80 percent of whom are foreigners, Chef Anton wants his cuisine to mirror France’s “culinary excellence,” he says. Revisiting the great classics with seasonal and local products, Anton intends to create a gastronomic experience in the arts décoratifs tradition, for breakfast, lunch, and dinner.
To read more click on following link: https://www.architecturaldigest.com/story/eiffel-tower-jules-verne-restaurant-redesign
From an International Journal of Obesity July 2019 study:
This study, combined with the results of previous studies, supports the hypothesis that engaging in morning exercise may result in more weight loss compared to engaging in a similar amount of exercise later in the day. Furthermore, we observed individuals who performed most of their exercise sessions in the afternoon or evening tended to have slightly higher levels of EI and reduced NEPA and NEEx, suggesting that there are potentially important differences in the components of energy balance based on time of day exercise is performed.
Circadian physiology has been linked to body weight regulation and obesity. To date, few studies have assessed the association between exercise timing and weight related outcomes. The aim of this secondary analysis was to explore the impact of exercise timing (i.e., 24 h clock time of exercise session) on weight loss and components of energy balance.
To read more click on following link: https://www.nature.com/articles/s41366-019-0409-x
Filmed, Edited and Directed by: Andrew Efimov
Music by: Havasi
Produced by: Timelab
Drone Pilot: Andrey Rodin
Color Correction & Grading: Yaroslav Kuryanovich
Sound Design : Anton Semenov
Design: Alexandra Geletey
“This new image-based video clip about Budapest is the result of an international collaboration between the Russian TimeLab video studio and the world-famous Hungarian musician, Havasi. In the video we see sleepy Budapest trams crossing the Széchenyi chain bridge.. dawn over the Danube River.. the majestic layout of the city from a bird’s eye view… the glittering lights of Budapest by night… and the sunset over St Stephen’s Basilica… and all this juxtaposed with the astounding music of Havasi.
The music in the clip is Havasi’s track ‘Golden Eagle’. It catches the special atmosphere, the amazing feeling of flight – and the underlying nobility of the city.
The project isn’t their first collaboration with the Russian team. Last year, the Hungarians viewed a film Timelab had made about winter in St Petersburg – and suggested using the footage in one of their clips. This is how their Houdini’s Dream project came about.
Our video team were extremely impressed with Budapest – it’s a phenomenal city. It’s soaked up the best of many of Europe’s greatest cities. Look closely at the architecture, and you find something of everything – a little bit of Paris, a bit of St Petersburg, snippets of London… What really blew us away was the Chain Bridge over the Danube – it’s an iconic symbol of the city. There are no restrictions on filming with drones in Budapest, The Hungarian state authorities and city administration are very laid-back about all that, and want to share what they have with tourists. It meant we had complete creative freedom.”
From a Fodor’s online article:
Surrounded by rugged cliffs high in the Chisos Mountains, Big Bend National Park’s Chisos Basin Campground is a picturesque slice of montane shrubland, featuring Arizona Cypress and desert-hearty mesquite trees. Chisos Campground is positioned close to the park’s most popular trails, including the Lost Mine Trail and Pinnacles Trail, and its highest point, Emory Peak. Almost half of the campground’s 60 sites can be reserved in advance (November to May) and 18 of them (non-reservable) allow the use of a generator. All sites have grills instead of fire pits, and the campground is replete with flush toilets and drinking water.
From a Science Daily online article:
“We found staggering inconsistencies between how costs of dementia are calculated across studies and our analysis strongly supports that current estimates fail to recognise the true costs of the diseases, such as Alzheimer’s, that cause dementia. Some studies have estimated that out of pocket expenses for people with dementia are up to one third of their household wealth in the final five years of their life, and that caregivers have healthcare costs that are twice as high as non-caregivers. We also found evidence that costs begin rising up to 10 years prior to diagnosis — we need to better measure and factor all these into future societal cost estimates.”
Some of dementia’s hidden costs explored in the analysis include:
- People developing other health conditions, such as anxiety or depression, as a result of caring for someone with dementia.
- Families forced to cut back on spending or to use savings to support their loved ones.
- Reduced quality of life for people with dementia and their care partners/carers.
- Costs that are incurred in the years before a diagnosis of impairment or dementia is made.
Currently, dementia is estimated to cost the US economy $290bn a year; the UK economy £26bn a year, and $1tn globally. A team of experts from institutions in the UK, Canada, Spain and the US reviewed existing evidence to assess what different costs are associated with dementia and analyse how these costs are measured.
To read more click on following link: https://www.sciencedaily.com/releases/2019/07/190730092616.htm
From a Studio International online article:
The 200 pages on display at the Queen’s Gallery, Buckingham Palace, have been together since the artist’s death. They were bound by the sculptor Pompeo Leoni in about 1590 and entered the Royal Collection during the reign of Charles II. Some of his most iconic images are here, including his study of a foetus in the womb, made as part of a treatise on anatomy that came close to being finished, but was never published.
Leonardo da Vinci: A Closer Look is a revolutionary re-examination of Leonardo da Vinci’s drawings, of his techniques and of his creative thinking process. It showcases 80 of Leonardo’s finest works on paper from the Royal Collection, using specialist photographic techniques to examine his working practices. One by one, Leonardo’s processes of creation are revealed, from his choice of paper and the composition of the specialist grounds used for his drawings, to his first touches in chalk, ink or metalpoint, and on to the finished compositions.
Many of these features are of course invisible to the naked eye, and have been so for centuries, ever since Leonardo took his pen from the paper. Infrared images reveal underdrawings unseen for 500 years, published here for the first time. Ultraviolet photography brings back to life now-vanished metalpoint sketches; while spectrographic analysis allows us to explore the origin and precise chemistry of Leonardo’s papers and grounds.
Click on the following link to read more:
Filmed, Edited and Directed by: Adrien Mauduit
Ever since I started astrophotography I’ve waited to visit the dark skies of Chile. I took advantage of the total solar eclipse of July 2nd to give me a ‘good excuse’ to go there and shoot astrolapses as well. For a bit more than two weeks, Alyn Wallace and I roamed about some of the driest areas and darkest skies on the planet. This short films tells the tale of an otherworldly experience filled with many challenges and stunning scenery throughout the deserts of the South-American country.
Chile is unlike any other places on our beautiful planet. The climate there is very strange, especially coming from northern Europe. While the southern part of the country is colder and more humid, the northern part offers some of the sunniest and driest places thanks to the Andes blocking most of the clouds. The high plateaus (Altiplano) actually extends for miles from South to North and even in the winter time, the astrophotography possibilities are almost endless and seemingly easy to come by. During our two weeks around La Serena and Atacama, Alyn and I have almost not seen a single cloud or a major gust of wind. Moreover, despite the growing light pollution around the arid plains, the night remains one of the best on Earth. There, the nigh it is quite long (from 6:30PM till 6AM), and the air is thin and pure to allow less scattering and a clearer view on the stars. So theoretically it was possible to shoot every night.